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In light of Edgar Allan Poe's personal love experience,we find that many of his male characters undergo a psychological process from Oedipus complex to narcissism,to fetishism and to necrophilia while his female characters are primarily treated as "the other" who merely serves as the object for male observation and their exercise of sentimental intoxication,therefore the doomed

以爱伦·坡的情感经历作为参照,对其怪诞小说中的两性关系进行分析,我们发现作者笔下的男性经历着一个由恋母到自恋甚至恋物、恋尸的畸形心理演变过程;女性则多属于男性自我陶醉而创造的"他者",这一角色定位和她们终被谋杀的厄运,都折射出男权思想的严酷。

In light of Edgar Allan Poe's personal love experience,we find that many of his male characters undergo a psychological process from Oedipus complex to narcissism,to fetishism and to necrophilia while his female characters are primarily treated as "the other" who merely serves as the object for male observation and their exercise of sentimental intoxication,therefore the doomed victim of murder when analyzing the gender relation in his grotesque tales.

以爱伦·坡的情感经历作为参照,对其怪诞小说中的****关系进行分析,我们发现作者笔下的男性经历着一个由恋母到自恋甚至恋物、恋尸的畸形心理演变过程;女性则多属于男性自我陶醉而创造的"他者",这一角色定位和她们终被谋杀的厄运,都折射出男权思想的严酷。

In light of Edgar Allan Poe's personal love experience, we find that many of his male characters undergo a psychological process from Oedipus complex to narcissism, to fetishism and to necrophilia while his female characters are primarily treated as "the other" who merely serves as the object for male observation and their exercise of sentimental intoxication, therefore the doomed victim of murder when analyzing the gender relation in his grotesque tales. The fate of those female characters reflects the relentlessness of Poe' zs patriarchal ideology.

以爱伦坡的情感经历作为参照,对其怪诞小说中的两性关系进行分析,我们发现作者笔下的男性经历着一个由恋母到自恋甚至恋物、恋尸的畸形心理演变过程;女性则多属于男性自我陶醉而创造的"他者",这一角色定位和她们终被谋杀的厄运,都折射出男权思想的严酷。

Early though the lau rel grows, it withers quicker than a rose. Now you will not swell the rout of lads that wore their h o nours out. Runners whom renown outran and the name died before the man. And round that early lau relled head will flock to gaze the strengthless dead, and find unwithered on its cur ls, a garland briefer than a girl's.

田野上的荣耀短暂,月桂虽然早开,却比玫瑰早榭,你不会自我陶醉,磨光他们的敬意,声名远播的跑者,他的名声消逝在他之前,围绕着头戴月桂的他,人群凝视着无力的死亡,发现未枯萎的月桂梢,一顶荣冠比少女的花环更短暂。

Those who roam about in Fashion are the public who talk about it. while reproducing each other, people obtained a type of sense that "I am part of the fashion trend" by which to confirm or inebriates oneself.

裹挟于时尚潮流中的正是&人云亦云&的大众,人们在一种相互复制相互模仿中,获得一种&我在时代潮流之中&的空洞的自我肯定和自我陶醉。

They are stories of dysfunctional families, bizarre childhoods, wild youth, disastrous relationshiop, gross self-indulgence , political dabblings and arranged marriages.

故事将会讲及他们破碎家庭生活,奇怪的童年,狂热的青春,悲哀的人际关系,自我陶醉,政治斗争以及被预定的婚姻。

Under the Pyramid of Egypt, she was dancing the belly dance which made visitors burst into belly laugh thenhurried away, only one person left behind who was watching her with loud handclaps

在埃及的金字塔下,她跳起了肚皮舞,引得游人捧腹大笑又匆匆离去,最后只剩下一个人,边看边不时地鼓掌;在剑桥河边,她自我陶醉地吟唱着不成韵的诗句,过往的行人没有谁理睬,只有一个人在不远处静静地倾听着那灵魂的独白;在美国的自由女神像下,她高高地举起了自己的画像,引来一群围观者和嘲笑声,好奇的人们渐渐退去,唯有一个人轻轻地走过来,拿起画像仔细地端量,眼里流露出惊讶与赞赏的目光;在韩国首尔的街道上,她放声高唱,过路行人用手捂着耳朵赶紧躲开,只见一个人长时间地坐在那里用心倾听,还不时报以喝彩声;在加达默尔和哈贝马斯的故乡,她向人演讲着自己的交往政治与美学观点,结果被人嘲笑说她无知和狂妄,只有一个人将她的讲稿要来仔细地询问,眼里透出希望的光芒

Her potter embraces her own emotions, depicting self-isolation, self-intoxication together with dream-like feelings characteristic of contemporary cosmopolitan people.

她的作品,深深地包含了自己的个人气息,那一个个直立的女人,好像是她自身的转换,所有的情绪都带有现代人自我陶醉和封闭性的特征,同时还带着一点朦胧的梦幻。

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This one mode pays close attention to network credence foundation of the businessman very much.

这一模式非常关注商人的网络信用基础。

Cell morphology of bacterial ghost of Pasteurella multocida was observed by scanning electron microscopy and inactivation ratio was estimated by CFU analysi.

扫描电镜观察多杀性巴氏杆菌细菌幽灵和菌落形成单位评价遗传灭活率。

There is no differences of cell proliferation vitality between labeled and unlabeled NSCs.

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