自我表现

For these people, the purchase of the product is not so much as an image enhancer; it is more of a form of self-expression.

对这些人来说，购买产品与其说是在提升自己的形象，还不如说是一种自我表现。

For these people, the purchase of the product is not so much as an image enhancer; it is more of a form of self-expression_r.

对这些人来说，购买产品与其说是在提升自己的形象，还不如说是一种自我表现。

Out of all the possible mystical paths to one's Godhead, the schools of Thelema and Kashmir Shaivism are two that concur on the fact that man's divinity is self manifest or preeminent, without struggle, process or need for technique.

出所有可能的神秘路径之一的神的源头，学校的thelema和克什米尔shaivism是两个表示同意，就事实，即人的神是自我表现或杰出的，没有斗争，过程中或需要技术。

It is the sort of book its average reader would have written were he, too stung by the gadfly of self-expression.

如果此类书的一般读者在受到爱自我表现的人打击之后，也能够写出这种书出来。

Virginia Woolf realizes that the women writers in the nineteenth century often express their personal grievance in the novels. However, after entering the twentieth century, the women writers begin to "use writing as an art, not as a method of self-expression", and pay more and more attention to the essence of the art-"freedom and fullness of expression". Secondly, she discusses the relationship between men and women, and she believes that they should be equal in society, and indicates the final goal of feminist struggle is to "deconstruct the death-dealing binary opposition of masculinity and femininity".

她意识到19世纪的女作家经常在作品中表达个人愤怒：20世纪以后，女作家们开始将写作当成一门艺术，而不是一种自我表现的方法，并且越来越关注艺术的真谛；二、积极探讨男女两性之间的关系，寻求男女平等，指出&女权主义斗争的最终目的是解构男女之间的二元对立&，并通过分析拉姆齐先生和拉姆齐夫人的性格特征展示两性之间的关系；三、正因为男女之间存在诸多不平等，女性在男性的压制下，逐渐丧失了话语权。

However, after entering the twentieth century, the women writers begin to "use writing as an art, not as a method of self-expression", and pay more and more attention to the essence of the art –"freedom and fullness of expression". Secondly, she discusses the relationship between men and women, and she believes that they should be equal in society, and indicates the final goal of feminist struggle is to "deconstruct the death-dealing binary opposition of masculinity and femininity". Meanwhile, she implies the relationship between men and women by analyzing the characters of Mr. Ramsay and Mrs. Ramsay. Thirdly, being oppressed by the patriarchal society, women lose the right of discourse.

她意识到19世纪的女作家经常在作品中表达个人愤怒；20世纪以后，女作家们开始将写作当成一门艺术，而不是一种自我表现的方法，并且越来越关注艺术的真谛；二、积极探讨男女两性之间的关系，寻求男女平等，指出&女权主义斗争的最终目的是解构男女之间的二元对立&，并通过分析拉姆齐先生和拉姆齐夫人的性格特征展示两性之间的关系；三、正因为男女之间存在诸多不平等，女性在男性的压制下，逐渐丧失了话语权。

Education Unit 2 Beatniks: a person who acts and dresses with exaggerated disregard for what is generally thought proper and who is given to radical and extravagant social criticism or self-expression.

比特尼克，披头族：一个行为和穿着奇装异服的，通常过分的，不在乎什么是世俗的人。这种人持激进的和偏激的社会批评主义态度或自我表现。&垮掉的一代&派的成员

The author points out, Chinese "Maximalist" art is not a personal expression, and neither is it an "abstract" representation of the exterior world, but is an inseparable part of these artists' artistic philosophy and life philosophy.

作者指出，中国&极多主义&艺术既不是一种自我表现，也不是一种对外部世界的&抽象&再现，而是这些艺术家的艺术哲学和生活哲学的不可分的一部分。

Sextiles - inclined to avoid creative pursuits, are less self-expressive and communicative.

倾向避免有创意的职务，少于自我表现，及少交际的

Such features originates the inspiration that is from the south of France in summer, dark blue reflected by the sunshine on the mediterranean sea, beach brown, palm tree fresh green, off-white hotel carlton cannes, which all to express gorgeous style in 2009AW collection.

H.L拥有法国贵族气息，本季的H.L产品在于她独特的华丽色彩，天然的布料以及细节的设计，本季故事其渊源于夏日法国南部，地中海海水经阳光反射出的深蓝、海滩的褐色、棕榈树的翠绿、阳光照射的亚白的hotel carlton cannes，意蕴出2009春夏的华丽风范。H.L的特色——主张品质感、新时尚、女性自我表现的意识，融合天然的色彩，创造出华丽、自然、轻松，简单而不失特色的品牌特质。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。