自我表现

Designing, planning and building are not a means of self-realization for the architects Fritz Auer and Carlo Weber.

对建筑师Fritz和Carlo Weber来说，设计、规划和建造不是他们用来表现自我的手段。

This dissertation comprehends and grasps the ancient Graeco-Roman literature and culture, and the Hebrew-Christian literature and culture, discloses their opposite and complementary features, thus puts in order the gradual progression of the mother motif of"man"in the evolution of the culture and civilization of the Western literature from ancient Greece to the 18th century, and explores their in-depth implication of the human nature and the connotation of culture, in order to construct the basic frame of the evolution of the concept of"man"in the Western literature.

古希腊—罗马文学体现了原始初民无穷的生命活力，而希伯来—基督教文学既抑制人的原始生命力，又表现出对人的理性本质的追寻，既有人的主体性的萎缩，又有人对自我理解的进步与升华。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。