自我表现

The monarchy and the absolute authority of the Church in the 17th century who promoted the dynamic development of expressions, which is representative of an authoritarian and self-expression in order to explain their specific requirements of arbitrary power needs.

君主政体和教会的绝对权威在17世纪促进了那些有活力的表现形式向前发展，而它们正是专制主义的代表人物为了自我表现以及具体解释他们的专横权力要求而需要的。

Femininity- Masculinity Masculine traits are typically attributes such as power, arid assertiveness, competitiveness and ambitiousness.

阴性文化一阳性文化阳性文化表现出的是力量，自我表现、竞争和雄心壮志。

The thinkers of the Lunyu School fully expressed their persistence of individualism and their reconsideration in literary modernity Yet the persistence and escape existed side by side, this mode of behavior and thinking indicated that the self-subject of the modern scholars was illusive and was hard to carry on when the modern scholars were covered by the powerful tradition and deeply controlled by modernity's consciousness of time Chapter Two Reconsidering on the character of modernity with leisure ampleness, resisting the human alienation caused by modern materialism and mechanism with humor, reaffirming the space of self-expression, which formed the humor, the leisure, the modern, and the aesthetic spirit implication of Lunyu School But the modern scholar's powerful inclining to the tradition made Lunyu School's aestheticism draw close to live in seclusion And its aesthetic modernity is also discounted for that reason Chapter Three It is the emotion and the leisure manner owning by the middle aged people that help to bring about Lunyu School's essay's adjusting in main key and moving massively in theme Lunyu School changed the way for "gaining the experience of life"in the twenties'prose It went from highly enthusiastic writings to reserved life-concerning and recite with appreciation in everyday life

第一章 三十年代左翼文学以其"新"、"进步"和"时代性"确立了自己的合理性地位，而时代思潮的转换、文艺与政治的日益密切使五四自由知识分子所坚持的个人主义成了"落伍""颓废"的表征。论语派自由思想者充分表达了对个人主义的执着、对文学现代性的反思，但坚持与逃逸并存的行为与思维模式表明现代士子在忧生伤世的强大传统笼罩下和一往无前的现代性时间意识的深刻控制下，个人主体的难以为继和虚幻性。第二章以闲适的余裕对奔竞躁进、汲汲功利、一往无前的现代性特征进行反思，以幽默对抗现代物质主义机械主义对人灵智的异化，重申自我表现的空间，构成论语派幽默闲适的现代性审美精神内涵。但现代文人对于传统的强大趋同力，则使论语派审美主义向隐逸文化靠拢，其审美现代性由此大打折扣。第三章中年情感与闲适气度直接促成论语派散文基调上的调整及主题的大幅横移，在趣味、游戏、幽默、闲适中改变了二十年代散文"问世"的径路，从意兴湍飞的激扬文字走向了沉潜适世的生命关怀与日常人生的吟味与咀嚼。

R.G. Collingwood in the 1930s took Art to be a matter of self-expression_r:"By creating for ourselves an imaginary experience or activity, we express our emotions; and this is what we call art."

1930年代的科林伍德把艺术看作一桩自我表现的事儿："借助于为我们自己创造出一个想像性的经历或者活动，我们表达我们的感情；这就是我们说的艺术。"

Good computer skills in operation of office software.

有团队合作精神及良好的自我表现。

This Cubist vision of the world introduced a new period in the history of art and influenced all the forms of self-expression in the first half of the twentieth century: sculpture, architecture, ballet, theater design, and all the decorative arts.

这种对世界的立体感开创了绘画史上的一个新时期，并影响了20世纪上半叶的自我表现的各种形式：雕塑、建筑、舞剧、舞台设计和所有的装饰艺术。注意，注意力集中

In this era of expressions with freedom, I'm making it a point to limit the available elements, and aiming to make things in a lean way that reflects the times.

这是一个人们可以自我表现的时代，我想只用有限的元素，简单的方法去表现这个时代。

He emphasized self-expression, the warm personal note presaged by C. P. E. Bach and Mozart.

他强调自我表现，这种热情的、带有个人色彩的表现足巴赫和莫扎特所预示过的。

Politics is"a way of self-experience besides literature"for him. The"self"that is not satisfied in literature can be compensated in politics.

政治是石原&文学之外的一种自我表现方法&，文学中不能满足的&自我&，便在政治中获得补偿。

Not self-expressionist like slogans and unrelated to bitter wandering or self-exile, her painted works are filled with faint colors, vague images, gleaming lines and unconscious or occasional traces, which are separated from the hilarious reality and naked ideas with a big gap, being as if an old memory is flashing in one's mind.

她的作品不是口号式的自我表现，与苦涩的彷徨、自我放逐也没有关系。在她的作品中，幽微的淡淡色彩、暧昧模糊的形象，若隐若现的勾线，无意或偶然的痕迹，与热闹的现实以及赤裸裸的表象之间，隔着一个悠远的距离，仿佛一段浮现的记忆。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。