自我表现

With the change of the internal and external environments for Wushu to communicate with "others", such five obstructions to transcultural communication as egocentrism in Wushu development, inferiority complex in Wushu development, special presentation forms of Wushu content structure, pursuit of Wushu for "moralism", and "misinterpretation" of Wushu, have occurred in the process of transcultural communication.

随着武术与"他者"交流内外部环境的改变，在跨文化传播过程中出现了武术发展的自我中心主义、武术发展的自卑情结、武术内容结构的特殊表现形式、武术对"道"的追求，以及对武术的"误读"五方面跨文化传播的障碍，对这五方面障碍的深入分析，对于武术真正走向世界具有重要意义，切实理解武术自身和所需跨越的环境才能为武术的跨文化传播做出贡献。

I just wish you wouldn't act like such an egoist all the time.

我只希望你不要总是表现得像个自我主义者。

I just wish you wouldnt act like such an egoist all the time.

我只希望你不要总是表现得像个自我主义者。

I my.ssbbww.com wish you wouldn't act like such an egoist all the time.

我只希望你不要总是表现得像个自我主义者。

PA was adequate. Brett Anderson put on a very egotistic performance and shook his ass a lot.

PA 是适当的。布雷特安德逊穿上非常自我本位的表现和非常摇动了他的驴。

Its essence is the emersion of the internal spirit of human, and its purpose lies in self-expressions of emotion.

中文摘要艺术是人类情感极度升华的表现，其本质是人类内部精神的再现，其目的就在於情感的自我表达。

The historical and realistic themes constitute the self-critical motive power inside Yoknapatawpha, and make Faulkner's creation epical portrayal of the 20th-century people's existence state. This epic transcends the modernism, and indicates a variety of aesthetic characteristics with the combination of both traditional and modern form of expression as well as deep ideological content.

历史性和现实性主题构成了世系内部的自我批判性的动力，使得福克纳的创作没有局限于现代主义神话，而是显示出融合传统与现代表现形式的多样性美学特征和深厚的思想内涵，成为深刻反映二十世纪人类生存状态的史诗。

Most critics mainly draw their attention to the analysis of the motif of the work, technique of writing and male characters of this novel. As for the female characters, they just mention them briefly. To the central character Caddy, they either give her a few words or simply take her for a frivolously dissolute woman. Few people try to scrutinize her tragic life and find the real cause of her tragedy. Few can feel her suffering in the course of the struggle against the patriarchal system and reconstruction of female's selfhood.

这部小说一直是评论家关注的焦点，然而他们的注意力大多集中于分析作品的主题、表现手法、男性角色等，而对于小说中的女性角色则较少关注，特别是小说的灵魂人物凯蒂，他们要么是一笔带过，要么是简单地把她归类为一个轻佻放荡的堕落女性，而很少能真正切入她悲剧的人生轨迹，去剖析并体验这位开始觉醒的女性在反抗男权专制、重构女性自我的艰难历程中所受到的磨难与所进行的挣扎。

In one of 'Myth' paintings, the huge stones almost occupy fully the whole surface; in contrast, the figures let down, after intense struggle, as if collapsedly, chikenlike, tiny, impotent, unreconciled and depressed, just like giving up battling with the stones. In this series of heroist mode, particularly as against with the picture surfaces in which the giantlike bodies and energy are expressed, the figures in it even look a sense of funniness – wherein we are certain that irony has been engaged in his paintings, and it can be understood as a self-irony that it is not a floppy laziness, while he indeed does not need to tighten his muscles, not to keep a zealous and single gesture for fighting, as if it seems difficult for everything to continue, and in the paintings when the heroes unpack the stones, the artist seems unpack the dream of heroes, letting alone the huge stones burning and overspreading, surrounding us, pressing us and scorching us, even running over the whole picture. It suffocates us with all these heaviness, hardness, and acuity, as registers our weak life like a paper-cut.

尹朝阳的《神话》系列里有一幅，巨大的石头几乎占满了整个画面，相比之下，画中的人经过了激烈的挣扎，松弛了下来，形将瘫软一般，渺小，无能，心有不甘而黯然神伤，俨然已经放弃了与石头的搏斗，在这个英雄主义调式的系列里，尤其是与其中表现了英雄那巨人般的体魄和能量的画面相对，这幅画中的人甚至显出了一种酸楚的滑稽感——这里，我们确知反讽已经介入了他的绘画，并且，可以理解为一种自我反讽，它并非是纨绔式的慵懒，然而，确实不再绷紧他全身的肌肉，不再保持激昂而单一的斗姿，好像一切都已经难以为继，在画中的英雄卸下了石头的同时，艺术家自己也仿佛卸下了英雄梦，任凭那巨大的石头像烈火般燃烧和蔓延，包围我们，紧紧地挤压、烤炙我们，并且溢出整个画面，它以全部的沉重、坚硬和尖锐使我们窒息，反衬出我们脆薄如剪纸般的生命。

They are simply the testaments to the unvarnished, pedestrian realness that lurks beneath the hyperreal, gleaming surfaces of modern identity in this age of glib commercialism, and the gimcrack gaudy baubles with which we so often define ourselves.

作品仅仅是对未经修饰和平凡的现实表现，这种平凡隐藏在当今肤浅的商品化时代里超真实和有现代特征的光耀外表下，还隐藏在那些我们常用来定义自我的华而不实的庸俗饰品中。

The labia have now been sutured together almost completely.The drains and the Foley catheter come out at the top.

此刻阴唇已经几乎完全的缝在一起了，排除多余淤血体液的管子和Foley导管从顶端冒出来。

To get the business done, I suggest we split the difference in price.

为了做成这笔生意，我建议我们在价格上大家各让一半。