自我表现

The second is the change of his style. The previous figures just pay attention to size and shape, which might reflects Deng Jianjin's pursuit of professional identity in his sub-consciousness. Along with the art trend of pop and pictorialization, this pursuit is not necessary, or his achievement no longer depends on this identity, so the pursuit of self-image turned into the self-expression of form.

其二是风格的变化，以前的人物表现讲究体积与塑造，这可能反映了邓箭今在潜意识中对专业身份的追求，随着艺术的波普化与图像化，这种追求已不必要，或者说他的成就已不取决于这种身份，于是形象的自我追寻变成形式上的自我表现。

Cheeper is inherent the potential that has artistic creation, the creation of cheeper emphasized the individual value that oneself develops, report gives the psychological demand with intense self-expression, perfect ego.

幼儿和生俱来就有艺术创造的潜能，幼儿的创造强调了自身发展的个体价值，反映出强烈的自我表现、自我完善的心理需求。

But in this not self-affirmation, self-expression that hides behind it the pride not to be found.

但是在这不敢自我肯定，自我表现的背后，却隐藏着不被人发现的骄傲。

When there is no self-knowledge, self-expression becomes self-assertion, with all its aggressive and ambitious conflicts.

如果没有自我认识，则自我表现便成为自我肯定，以及其所含的种种因野心和侵略性而造成的冲突。

"They are not self-assertive, either individually or nationally; their pride is too profound for self-assertion"

无论是作为个人还是整个民族，中国人从不自我表现，因为他们自尊心太强，不屑于自我表现。

From the forming mechanism, offence isn' t the necessity cause. Apology is a kind of self-expression by self-criticism and self-dispraise to keep the balance of others' and own psychology.The second part is "The restriction factors of apologizing".

从生成机制上来说，冒犯行为并不是道歉活动的必然原因，道歉是一种以自我批评、自我贬损的方式来维持他人和自我的心理平衡以及人际关系平衡的自我表现。

For the youth generation, self-fulfillment and self-expression became very important.

为青年世代，自我实现和自我表现变得非常重要。

Prime Creator began experimenting with creation a long time ago in this universe for the purpose of greater self-exploration, self-gratification, and self-expression.

很久以前最初的创造者为更多的自我探索，自我满足，自我表现的目的开始造物实验。

These researches are dominant by self-presentational styles andclassifications,determinant of self-presentation and selfpresentational strategies and so on.

但已有研究主要集中于分析自我表现的类型、自我表现的影响因素、自我表现的策略等问题。

Self-perfection is for better self-exhibition, and self-exhibition is for better self-realization.

本文认为，翻译的实质是译者主体自身存在方式的呈现，而译者的工作心理始终处于一个以自我实现为目标的完善自我——表现自我——实现自我的进程中。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。