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自我概念

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Under the influence of those conception , modern art appears a tendentiousness of pursuing"newest art"and self-expression.

在这种观念的影响下的现代艺术明显地产生出一种对"新"的追求和强烈的自我表达欲,呈现出了一个从作品到人的行为到概念的逻辑进程,而二元论世界观导致的存在论层面上的"大写的艺术"的消逝,是现代艺术产生这样的变化的最主要原因。

Bakhtin is not the first person who emphasized the dialogue within the main objects,his predecessors such as Darwin,Cohen,Martin Buba etc the master philosophers had been concerned about "other" which make up of the dialogue and the connection between the world and the heart in their own works.They also had put forward "unfinishedness"、"unsureness"、"you and me" and other important concepts.

强调主体的对话性并非巴赫金首创,在他之前,达尔文主义、康德、柯亨和马丁·布伯等几位哲学大师都对构筑对话的"他者"、"自我"与"他者"的关系有所关注,并在他们的著作中探讨了心灵与世界的关系,提出"未完成"、(来源:A79Bb5b5C论文网www.abclunwen.com)"未论定"以及"我与你"等重要概念。

Vico's New Science,is a science of human nature and human self-development,although he did not forge that term.

维柯的新科学,就是关于人类本性和人类自我发展的科学。尽管维柯没有提出"人学"概念,但是他确实在尝试建立一种关于人性和人类创造物的科学。

In short, happiness is integration of well-being and well-doing, and is the perfect and self-sufficient life.

在他看来,幸福是"至善",即生活的完满和自我的完善,包括人的才德潜能的充分实现和健康发展,因而英文词flourishing比happiness更能够充分表达亚里士多德幸福概念的原义。

The concept of the Self of the worldly is also not like that.

这个自我的世俗的概念也是象这样的。

Post-graduate students, Paolo Ruffino introduced some fascinating concepts of our collective evolving worldview through mapping; Bianca Ahmadi presented machinima as an art and education form; and Lindsay Todres explored "self spectatorship" online and how it relates to/changes our use of media, especially cinema.

研究生之一 Paolo Ruffino 通过地图介绍了一些关于集体进化的世界观的有趣的概念; Bianca Ahmadi 将游戏电影作为一种艺术和教育形式来展示; Lindsay Todres 探讨了网络&自我旁观&,以及其如何联系/改变媒体的用途,尤其是电影。

How? I have no idea. Perhaps it was by the spontaneous emergence of "simple" autocatalytic cycles and then by their combination.

如何发生?我毫无概念,或许是由于一些自发性产生的自我催化体系以及之后相互的结合而造成。

Bakhtin is not the first person who emphasized the dialogue within the main objects,his predecessors such as Darwin,Cohen,Martin Buba etc the master philosophers had been concerned about "other" which make up of the dialogue and the connection between the world and the heart in their own works.They also had put forward "unfinishedness"、"unsureness"、"you and me" and other important concepts.

强调主体的对话性并非巴赫金首创,在他之前,达尔文主义、康德、柯亨和马丁·布伯等几位哲学大师都对构筑对话的&他者&、&自我&与&他者&的关系有所关注,并在他们的著作中探讨了心灵与世界的关系,提出&未完成&、(来源:A79Bb5b5C论文网www.abclunwen.com)&未论定&以及&我与你&等重要概念。

So it is wiser for us to come back to the Chinese art context and start discussion with the simple question "What is art?" and what kind of contemporary art is of contemporariness , rather than being entangled with the concepts of western art and fighting for a justifiable name for the so called "contemporary art".

其实,与其纠缠西方艺术谱系中的概念,为所谓&当代艺术&正身,还不如回到中国艺术自我语境,从&艺术是什么&这样一个简单问题入手,讨论怎样的当下艺术才具有当代性。

The foreign researchers proposed the core self-evaluations concept on the basis of the integration of dispositional sources on job satisfaction.

国外学者整合了有关工作满意度的人格倾向研究,并在此基础上提出了核心自我评价的概念。

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