自我意识的

Yet the humanistic philosophies weren't thoroughlyfree from the reductionistic model of philosophical thinking,they construed a certain dimensional property,for example,the will of life,the will of power or libido etc.of man asthe ultimate nature of man,even of the universe.Man theyconcernes about,therefore,was equally'one-dimansionalman',a broken-up man.

但是，人本主义哲学并没有彻底从还原论的哲学思维模式中摆脱出来，它们把人的某一方面的特征，如生存志志、权力意志、&个人&、&主体&、&自我意识&等等，当成人的终极本质甚至宇宙的本质，因此，它们所说的人同样是&单面人&、分裂着的人。

When he amputates and dissects the human limbs, including his own ones, in his pictures with the strong heavy painting oil against the evasion and siege of the human rubbish and abandonment, what he relies on is his introspections of the individuality as well as his confidence and competence of seeking a unique expressive way of diversities in the thorns and thistles of the society and culture.

高炀在画面上实现着他对人类机体的肢解、剖析，顽强地用厚重的颜料抵抗着人类垃圾等一切遗弃的侵蚀和包围，这种暂时的脱离现实，依凭的是他对自我个体的反省意识和从社会文化的重重荆棘中寻找差异性的个性表达方式的信心和能力。

Chapter four rationalizes the consciousness of their literature and their role in the history.

本文首先由第一章前导出论文的写作发想及研究范围与方法；於第二章切入「后遗民」之「遗」的所兴所由，藉此梳理出「后遗民」的个人、家族、历史、爱欲、经验及体悟；第三章则指出书写与成就自传性文本之关连；而第四章的重心置於文学的发声与「后遗民」自历史淡出的末裔意识；在第五章说明「后遗民书写」非仅是哀祭，而是通往自我重建的途径；第六章统整上述篇章，视「离散」为出入多元文化之旋钮。

Virginia Woolf realizes that the women writers in the nineteenth century often express their personal grievance in the novels. However, after entering the twentieth century, the women writers begin to "use writing as an art, not as a method of self-expression", and pay more and more attention to the essence of the art-"freedom and fullness of expression". Secondly, she discusses the relationship between men and women, and she believes that they should be equal in society, and indicates the final goal of feminist struggle is to "deconstruct the death-dealing binary opposition of masculinity and femininity".

她意识到19世纪的女作家经常在作品中表达个人愤怒：20世纪以后，女作家们开始将写作当成一门艺术，而不是一种自我表现的方法，并且越来越关注艺术的真谛；二、积极探讨男女两性之间的关系，寻求男女平等，指出&女权主义斗争的最终目的是解构男女之间的二元对立&，并通过分析拉姆齐先生和拉姆齐夫人的性格特征展示两性之间的关系；三、正因为男女之间存在诸多不平等，女性在男性的压制下，逐渐丧失了话语权。

However, after entering the twentieth century, the women writers begin to "use writing as an art, not as a method of self-expression", and pay more and more attention to the essence of the art –"freedom and fullness of expression". Secondly, she discusses the relationship between men and women, and she believes that they should be equal in society, and indicates the final goal of feminist struggle is to "deconstruct the death-dealing binary opposition of masculinity and femininity". Meanwhile, she implies the relationship between men and women by analyzing the characters of Mr. Ramsay and Mrs. Ramsay. Thirdly, being oppressed by the patriarchal society, women lose the right of discourse.

她意识到19世纪的女作家经常在作品中表达个人愤怒；20世纪以后，女作家们开始将写作当成一门艺术，而不是一种自我表现的方法，并且越来越关注艺术的真谛；二、积极探讨男女两性之间的关系，寻求男女平等，指出&女权主义斗争的最终目的是解构男女之间的二元对立&，并通过分析拉姆齐先生和拉姆齐夫人的性格特征展示两性之间的关系；三、正因为男女之间存在诸多不平等，女性在男性的压制下，逐渐丧失了话语权。

An open-ended mathematical problem, to which there is not only one method to solve and not the only answer, draws the students attention to think and find out the various answers to the problem by themselves instead of depending on their teachers and textbooks. Students are changed into the active thinkers and finders from the passive accepters. In this way studcnds are guaranteed to play the main role and helped to form their self-awareness and independence of their personalities.

数学开放题由于其自身的开放性质，不再是方法唯一，答案唯一，这就吸引学生不依赖教师和课本，独立地去探索和发现问题的各种各样的答案，学生由知识的被动接受者转变为知识的主动发现者和探索者，保障了学生的主体地位，从而在利于学生自我意识和独立人格的形成，为培养学生的创新精神奠定了基础，对全面推进中学数学素质教育有重要意义。

As Yonson Ahn perceptively observes, self-concepts of pure difference between Chineseness and Koreanness at the present time appear to exclude creolized and multiple narratives of history within the border regions.

正如Yonson Ahn 所敏锐认识到的那样，&当前对&中国的&与&韩国的事物截然不同的自我意识似乎在朝鲜半岛国家中排斥了对历史的克里欧化和多重表述的可能。

Other cultures have other canons of classics, however, and a recurring strain of neoclassicism appears to be a natural expression of a culture at a certain moment in its career, a culture that is highly self-aware, that is also confident of its own high mainstream tradition, but at the same time feels the need to regain something that has slipped away: Apollonius of Rhodes is a neoclassic writer; Ming ceramics pay homage to Sung celadon porcelains; Italian 15th century humanists learn to write a "Roman" hand we call italic; Neo-Babylonian culture is a neoclassical revival, and in Persia the "classic" religion of Zoroaster, Zoroastrianism, is revived after centuries, to "re-Persianize" a culture that had fallen away from its own classic Achaemenean past.

其他文化有其他经典的经典，然而，周期性应变的新古典主义似乎是一种自然表达的文化在某一时刻在其职业生涯中，文化是非常自我意识，这也是它自己的信心高主流传统，但同时认为有必要恢复这一组织已溜走了：阿波罗纽斯的罗德是一个新古典主义的作家；明陶瓷顶礼膜拜宋青瓷瓷器；意大利15世纪人文主义学习写&罗马&一方面，我们呼吁斜体；新巴比伦文化是一个新古典主义复苏，并在波斯的&经典&的宗教Zoroaster ，拜火教，是恢复后，百年来，&重新Persianize &的文化，已经下降远离自己的经典Achaemenean过去。

Behind it are the intellectual's narcissism and arbitrary distorting of subalterns, which is a typical expression of the writer's elite consciousness.

这是作家精英意识的典型表现之一，暴露了作家潜意识中的自我中心主义，而底层的苦难被边缘化，自身的苦难被无限夸大并成为精英身份的自证之物和炫耀的资本。

Othello" a drama of the comments, it was known as early as in the second half of the 17th century, England was certainly warm Ciju:"From the poetry and story lines, especially from the story, it is a very good show "Major figure" depicts well ";" temptation scene "to show the excellence of the wicked Iago" Pixing …… the protagonist Othello usually there are two views: he was a strong breadth of the heroic and noble soul ; His beloved wife killed so, it was only because of credulity, particularly rape Chan who is too cunning Iago caused by other is not so noble Othello, but a very strong self-consciousness and personality has been impaired and who he is Can not be in a hurry to listen to the Iago, the responsibility himself.

关于《奥赛罗》一剧的评论，据知早在十七世纪下半叶，英国就有人热情肯定此剧：&从诗行与剧情，特别是从剧情来看，它是一出很好的戏&，主要人物&描绘得好&；&诱惑的场面&卓越地显示了伊阿古恶人的&癖性&……对于主角奥赛罗的看法通常有两种：他是位坚强博大和灵魂高尚的英雄；其所以杀害爱妻，只是由于轻信，尤其是奸谗者伊阿古过于狡猾所致；另一种是奥赛罗并不那么高尚，而是个自我意识很强和性格有缺陷的人；他是急急不能待地就听信了伊阿古，责任在他本人。

This one mode pays close attention to network credence foundation of the businessman very much.

这一模式非常关注商人的网络信用基础。

Cell morphology of bacterial ghost of Pasteurella multocida was observed by scanning electron microscopy and inactivation ratio was estimated by CFU analysi.

扫描电镜观察多杀性巴氏杆菌细菌幽灵和菌落形成单位评价遗传灭活率。