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Positive self conscious emotion cognition develops fast from grade 2 to grade 4. Passive self conscious emotion cognition develops slower than the positive one.5 Primary school children"s knowledge about the reason of emotion and knowledge about behaviors of emotion develop fast with the age increased at primary school period.6 Pupils" emotion cognition to the emotion expresser is better than that to the emotion recipient apparently.

积极自我意识情绪认知在2~4年级间有明显发展,发生了"能与不能"质的转变;消极自我意识情绪的认知发展慢于积极自我意识情绪的认知。5 对情绪原因和情绪行为的认知在年级间差异显著,说明其在小学阶段有明显发展。6 对情绪表现者的情绪认知明显好于对情绪接受者的情绪认知。

New Feminie 男权制文化Male supremacy culture self-awareness自我意识角色失调role incongruence 伤逝harm to die 创作思想creative ideas 封建旧观念old feudalism 幻灭evanescence 女性主义feminism Abstract: In Xun Lu's novel "harm to die ",the imagine of Zi Jun is an advanced sign in the author's creative creative ideas. As a new feminie, Zi Jun took upon herself to pursue her free love in her ideality regardless of the shackles of old feudalism,but resulted in evanescence.

帮忙翻译下以下的摘要和关键词,不要在线翻译工具翻译的,不准确,谢谢摘要:鲁迅的《伤逝》中,子君的形象是作者创作思想上一个超前性的标志,作为"新女性"的子君,她不顾一切冲破封建旧观念的枷锁,毅然去追求自己理想中的自由爱情,但最终以"幻灭"而告终。

Yong Rub, Mongolian conductor should obtain high assessment due his demonstration on self-awareness arousal of Mongolian musical culture identity during his way on musical creation for several decade years from highness of human musical culture history. At the mean time, his way of deploitation visual field actively in multivariate cultural exchange circumstances, absorbing tastes melodize technique widely from different nationalities, praticing new cumulative artistic experience all the time, is worth to be learned by us.

从人类音乐文化历史发展规律的高度来看,蒙古族作曲家永儒布几十年的音乐创作道路所昭示的蒙古族音乐文化身份自我意识的觉醒,应当获得高度的评价;与此同时,他身处多元文化交流的大环境而主动拓宽视野,从诸多异民族文化中广泛吸纳审美理念和作曲技法,勇于实践所积累的新鲜艺术经验,又是值得吾辈学习效法的。

Female neg ative self consciousness is not inherent.It is result of social expectation for sex in the development of self consciousness.

女性消极的自我意识不是天生的,它是在性别角色的社会化过程中,在自我意识发展的同时,逐渐将社会对性别的期待内化到自我意识中的结果。

Based on the design of Solomon quadruplet, the research simulated role play and the practice of in-basket exercises, in this process trainees showed their characters of self-awareness, and trainer evaluate their performance.

研究根据所罗门四组设计,模拟了角色扮演及公文框练习情景,让受训领导者展示自我意识特征,经过培训师对受训领导人员的行为评价、过程点评、启发讨论等发展活动后,受训人员的自我概念各维度(自我暴露、自我意识、自我调节)均比控制组有了明显变化,以比培训前有显著提高。

First as a self-effacing student at a Southern Negro College, next as a naive laborer in a Northern paint factory, then as a radical agitator on the streets of Harlem, finally as a man forced to flee the insane nether world of the ghetto in the midst of a race riot by literally going into the bowels of the city, the protagonist of Invisible Man is frustrated on his existential voyage by the absurdities of racism, hypocrisy, and physical and spiritual poverty.

最初主人公是一个几乎没有自我意识的南方黑人大学的学生;接着在北方的一家油漆厂里成了一名性格天真的工人;再后来,他成了哈莱姆区的一位街头煽动者;最后,在一次种族暴动中他被迫逃离那个疯狂的世界,一个人躲进了城市的中心。《看不见的人》中的主人公感觉到了种族主义和伪善的荒诞,也感觉到了精神和物质上的贫困,因此他对自己的生存状态很是沮丧。

Through investigation and research into the use and cognition of network video resources of students majored in television, the author thinks that the influence of the network video resources on students majored in television nowadays shows in following aspects: Firstly, it changes traditional concepts of audio and video and extrudes individual innovation value; secondly, it sets up a bridge between network video and traditional television video, and promots the development of television business; thirdly, it affirms the self-awareness and attaches importance to expression of the youth independent discourse.

本文通过对电视专业学生网络视频资源利用和认识情况的调查和研究,认为在当下的媒介环境中,网络视频资源对于高校电视专业学生的影响,主要表现在以下几个方面:改变了传统视听观念,凸显了个体创新价值;架起网络传媒与传统电视的桥梁,推动电视事业的发展;肯定自我意识的张扬,重视青年独立话语的表达。

The author has made researches on the social occurrence of man's functions of symbols and finds out that the occurrence of babies' self-consciousness is achieved under the conditions babies have possessed dualistic attention-----that is to say, attention can concentrate on two signal sources at the same time or it has two focus of attention.

论文摘要本文作者对人的符号功能的社会系统发生进行了研究,发现婴儿自我意识的发生是在婴儿已经具有二元注意--即注意力能同时集中到两个信号源或者说有两个集中点--的条件下实现的,这种并行性注意使一种称为反身性条件反射建立成为可能,并形成了具有符号功能的神经机能组织--二联体。

The thesis think Tie Ning female identity experience poem ego, female ego, reasonableness ego of continuously mature development process,Tie Ning molded to take"fragrant snow" as to represent by poem of beautiful and artistic young girls, remeding the defent of female narration. After mid–80s, Tie Ning with mightiness of the female consciousness carried out to cross and surmount of the female's rightness by the female's review of ugly and appreciate beauty by duble variation. Which is the make–up of what Zhang Jie and Zhang Xin Xins novels neglect to female's essence life, It is also the watchful to Lin Bai and Chen Rans which excessively sinked in a female. In the new century, Tie Ning's stupid flower embody the tendency of the female return to the spirit of new time and great words, Indicate new century female literature is a important change of appreciate attitude.

论文认为,铁凝女性身份的认同经历了诗性自我、女性自我、理性自我的不断成熟的发展过程:铁凝以诗性自我塑造了以&香雪&为代表的美仑美奂的少女群像,弥补了新时期初期深陷男权文化中心的女性写作的匮乏;80年代中期以后,铁凝以强烈的女性自我意识在审丑与审美的双重变奏中实现了对女性自我的超越,既是对张洁、张辛欣们忽视女性本体生命欲求的弥补,也是对林白、陈染们过度陷于女性偏执的警醒;在新世纪,铁凝的《笨花》体现了女性意识叛逆后回归新的时代精神和宏大话语的趋向,预示了新世纪女性文学审美态度上的重大转变。

At the end of 1970's, people were liberated from the crevice of the Political Revolution. With the transformation of socialism ideology system, the market economy developed quickly. The government hoped that goods stimulating could offset the people creasy to the political revolution and the nihility of the nation. After reviving of people's self consciousness, they self-thought themselves on the thinking and emphasized enchantment and wisdom of individual character more and more, and underlined more and more independence self-living habits and value system of realizing things. At the same time, the human beings had not existed as they jostled against each other.

70年代末把人从疯狂的政治革命夹缝中解脱出来,随着国家社会主义意识形态体制的转变,市场经济的发展迅速,政府机制希望通过物质刺激来抵消人民对政治革命的狂热性和民族的虚无性,人们自我意识的苏醒,在思想上反思以及生活中越来越强调个性的魅力和才智,人越来越独立自身的生存习性和认识事物的价值体系,在相互倾扎的同时人作为本身已经不存在。

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Do you know, i need you to come back

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