自我形象

Through the depiction of words and deeds of the disabled men, Zhang has deeply explained the dejected and obscene mind of the men characters, and denied the right image of man in the religious society, thus exposing men's weakness and evil of humanity, which is self-centered, foppish, despicable and cheeky.

张爱玲通过对其小说中的精神残障的男性人物及男性的形体动作与语言的细致描绘，深刻诠释了其小说文本中男性人物形象的委顿、浮浪的内心世界，彻底否定了宗法社会中男性的正统身份。张爱玲以此揭示出了男性自我或纨绔或卑劣或无耻的人格缺陷和人性恶的本质。

Her works focus on different aspects of duality that are conveyed by a process of vigorously revealing of self-expression, fragmenting the surfaces and images, and then reconnecting them.

她的作品注视双重性的不同层面。这些层面的表达是通过强制地暴露出的自我表现、表面和形象的分裂、然后从新进行连接。

In a nut shell, the thesis research why the elements of the social care, family and emotional memory repeat and repeat again; also from the writer's self exploration, the thesis explains the prohibition of novel writing is used as history of reflection, forming the non-traditional society of female image to emphasize the attempt of the female position and the restructure of the value of society, release the voice of female writer of self liberation.

探讨陈烨小说中的社会关怀、家世与情感记忆等元素不断出现的原因；也从作家自身的探索过程论述小说书写时代禁忌作为反思历史、形塑非传统社会的女性形象以强调女性位置及重构社会价值等企图，展现女作家自我解放的声音，最后藉由小说中呈现的记忆与创伤深入挖掘作家欲以书写达到文学治疗的功效与痕迹。

Lee sat back in a zippered blue jacket, sipping small cups of hot water and laughing often, seemingly as different as could be from the bare-knuckled political infighter he has described himself as.

他穿着一件拉链的蓝色夹克，啜饮着小杯开水，不时谈笑风生，与其自我描述的强硬政治斗士形象截然不同。

Chapter 2 Intersexual Predicament and Paradox of Growing: This chapter was devoted to identify and characterize the male characters in feminine writing texts and their roles in the growing of female individuals, and to analyze the self-development and self-reassurance of the female characters.

第二章 两性荆棘与成长的悖论从作品内容和主题出发，旨在对于系列文本中男性形象的塑造及其在女性个体成长的角色进行归纳辨析，并对女性个体在两性关系中自我确认的成长过程进行分析评述。

But the new China's movie changed this kind of situation, in the Chinese movie the feminine image is by the frontage description that they have the self- existence the value, mother containing the quality,and the independence the personality charm,which is just like the kaffir lily,carnation and the clubs these three kind of different special characteristics flower.

新中国的影片则改变了这种情况，在中国电影中女性形象是被正面描绘的，她们有自我存在的价值，有母亲般包容的品质，有独立的人格魅力，好比君子兰、康乃馨、梅花这三种不同特质的花。

The teacher such as Zhang Miya, Tan Qianqiu decides case with the attitude of lanneret the pedagogic figure that desregard own safety, also have have an insatiable desire for strange person to drop him student individually first " run also ", speak plausibly and at length in after the event:"In the moment that this kind of life and death chooses, for my daughter only I just may consider sacrificial ego, other people, even if be my mother, I also won't be in charge of."

张米亚、谭千秋等老师用雄鹰的姿态定格了舍生忘死的教师形象，也有个别贪生之徒丢下学生自己先"跑之乎也"，并在事后振振有词："在这种生死抉择的瞬间，只有为了我的女儿我才可能考虑牺牲自我，其他的人，哪怕是我的母亲，我也不会管的。"

Chi Li's novel shaped the female image of numerous and different type, especially those make public life, have very powerful self-awareness woman.

梗概： 池莉的小说塑造了众多不同类型的女性形象，尤其是那些张扬生命，具有很强的自我意识女性。

If self-hatred was a factor, it was not, for us, a matter of hating lower-class blacks but of hating what we did not want to be

山姆只是黑人形象的一种自我定义的方式，而这种定义并不具有社会学意义上的正确性。

In their exposition of it, feminists take the image of " madwoman" as a delicate tactics of woman literature, the self- embodiment of women .

而女性主义者们对"疯女人"的论述，使得"疯女人"形象被视为一种复杂微妙的女性文学策略，是女性自我的化身或复写。

I am accused of being overreligious," she said in her quiet, frank manner,"but that does not prevent me thinking the children very cruel who obstinately commit such suicide.""

客人们在卡罗利娜·埃凯家里，举止就文雅一些，因为卡罗利娜的母亲治家很严厉。

Designed by French fashion house Herm è s, this elegant uniform was manufactured in our home, Hong Kong, and was the first without a hat.

由著名品牌 Herm è s 设计，这件高贵的制服是香港本土制造，是我们第一套不配帽子的制服。