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After the first world war, the traditionalconservative of tennis dress changed a little,and then,In 1919,the French athlete Susan,became the twinkling symbol of the history of the women's tennis dress,she who had changed the long skirt to short,and matched the loose pleated skirts and skortings,it won the classical remark:" the barelegged war on the tennis court"

第一次世界大战后,网球的保守着装传统有了一定改观,于是,1919年,法国选手苏珊·朗格伦成为了女子网球服历史上又一个闪亮的符号。她改长袖为短袖,并配以宽松的过膝百褶裙和长袜,这赢得了媒体的经典评语:"网球场上的裸腿之战"。这样的服装大概就是传说中的古典主义了。去掉了帽饰,上衣也被束在了裙腰里,裙摆也开放些,使得行动更容易,不过裙子的长度依旧没有变化。

Knee-deep in muddy water, her face smeared with sandalwood paste and a broad-brimmed hat atop her head for protection against the broiling sun, Samniang Ketia grins broadly at her good fortune to be in the rice-growing business as she replants shoots for the next harvest two months off.

没膝深的泥水,她的脸抹黑与檀香粘贴和广泛的brimmed的帽子,上盖她的头部保护对broiling孙, samniang ketia笑著大致在她的好运要在水稻生长的业务,因为她replants拍摄未来收获二个月小康。

If you are alive, remember I love you When the rescue team found her, she would already be dead, was crushed to death a meltdown in the house, and through a pile of rubble that can be seen in the gap between the death of her posture, knees knees, crawling forward in the entire upper part of the body , and had her hands held on to support the body, like some ancient ceremony faldstool line, but the body has been deformed by pressure, some strange looks.

如果你活着,请记住我爱你当抢救人员发现她的时候,她已经死了,是被垮塌下来的房子压死的,透过那一堆废墟的的间隙可以看到她死亡的姿势,双膝跪着,整个上身向前匍匐着,双手扶着地支撑着身体,有些象古人行跪拜礼,只是身体被压的变形了,看上去有些诡异。

A mother and rescue team found her, she was dead already, and was crushed to death a meltdown in the house, through a pile of rubble that the gap can be seen She died posture, knees knees, the whole upper part of the body匍匐着forward, holding his hands to support the body, and some, like the ancients line faldstool ceremony, but the body was distorted pressure.

一位母亲,抢救人员发现她的时候,她已经死了,是被垮塌下来的房子压死的,透过那一堆废墟的的间隙可以看到她死亡的姿势,双膝跪著,整个上身向前匍匐著,双手扶著地支撑著身体,有些象古人行跪拜礼,只是身体被压的变形了。

Review articles only; ear; acoustic; hearing loss; deafness; ototoxicity; otorhinolaryngeal; vestibulocochlear; cochlea; sound; bioacoustics; organ of Corti; semicircular canals; cochlear implants; binaural; monaural; tympanic; malleus; incus; stapes; ear drum; geniculate; inner ear hair cells; outer hair cells; round window; oval window

唯一综述;听觉;声学的;听力损失聋的;耳毒性;otorhinolaryngeal;前庭蜗;耳蜗;声音;生物声学的;柯替氏器;半规管;耳蜗植入管;两耳的;单耳的;鼓膜的;锤骨;砧骨;镫骨;耳鼓;膝状的;内耳毛细胞;外毛细胞;圆窗;卵圆窗

Ear; acoustic; hearing loss; deafness; ototoxicity; otorhinolaryngeal; vestibulocochlear; cochlea; sound; bioacoustics; organ of Corti; semicircular canals; cochlear implants; binaural; monaural; tympanic; malleus; incus; stapes; ear drum; geniculate; inner ear hair cells; outer hair cells; round window; oval window

听觉;声学的;听力损失;聋的;耳毒性;otorhinolaryngeal;前庭蜗;耳蜗;声音;生物声学的;柯替氏器;半规管;耳蜗植入管;两耳的;单耳的;鼓膜的;锤骨;砧骨;stapes;耳鼓;膝状的;内耳毛细胞;外毛细胞;圆窗;卵圆窗

This kind of the dress maybe the legendary classicalism ,to get rid of the cap,and with the jupe in the waist of the skirt, the bottom of her skirt is more opened,and it makes the acktion more easier,but the length of the skirt with no change.

第一次世界大战后,网球的保守着装传统有了一定改观,于是,1919年,法国选手苏珊·朗格伦成为了女子网球服历史上又一个闪亮的符号。她改长袖为短袖,并配以宽松的过膝百褶裙和长袜,这赢得了媒体的经典评语:"网球场上的裸腿之战"。这样的服装大概就是传说中的古典主义了。去掉了帽饰,上衣也被束在了裙腰里,裙摆也开放些,使得行动更容易,不过裙子的长度依旧没有变化。

Lincoln's political genius stood on two pillars: he possessed an uncanny awareness of what could be done at any given moment, and he had the ability to change his mind, to adapt to circumstances, to grow. This is Lincoln in 1838, addressing the Springfield Young Men's Lyceum on a citizen's obligations to the legal system with such lines as,"Let reverence for the laws, be breathed by every American mother, to the lisping babe, that prattles on her lap."

林肯的政治才华有两个重要方面:他能令人不可思议地知道在任何特定的时刻什么可以做,还有他的改变自己的观念以适应环境和事态发展的能力。1838年林肯在春田市青年讲堂演讲关于公民对法律制度的责任时就用了象这样的词语"使对法律的尊重通过每一位美国母亲表现出来,影响到坐在她们膝上咿呀学语的孩子。"

Sessile spikelet broadly oblong or obovate, 8–10 × 2.5–3.5 mm; lower glume leathery toward base, flanks rounded in lower 1/3, villous with stiff ca. 3 mm hairs, papyraceous and puberulous above, keeled and winged above middle, wings ca. 0.8 mm wide with ciliolate margin, apex truncate-denticulate; upper glume keeled and winged above middle, villous on midline below wing; awn of upper lemma weakly geniculate, up to 1.5 cm. Pedicelled spikelet laterally compressed, otherwise resembling sessile, awnless.

无梗小穗宽长圆形或倒卵形, 8-10 * 2.5-3.5 毫米;对于基部革质的更低的颖片,从侧面包围圆形的在下部1/3,具长柔毛具硬的约3毫米毛,在上面纸质和被微柔毛,上面颖片龙骨状和具翅的在中部以上,在低于翅的midline上的具长柔毛;身体虚弱膝曲的上面外稃的芒,可达1.5 厘米Pedicelled小穗侧面压扁,否则象无柄,awnless。

Listen Massenet of 《contemplate 》, change to change magically in the moment an one is beautiful of young girl, the droop wears show hair hug double knee, sitting upright under the blinds, the shadow of evening is 1.1 point to slide past her clean forehead, sliding past her tiny raise of nose head, slide past a thin hand.

聆听马斯奈的《沉思》,眼前变幻化出一个美丽的少女,低垂着秀发紧抱着双膝,端坐在百叶窗下,黄昏的阴影一点一点的滑过她光洁的额头,滑过她微翘的鼻头,滑过纤纤细手。

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