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与 腐朽的 相关的网络例句 [注:此内容来源于网络,仅供参考]

My lady shivered, and looked round the luxurious chamber very much as if the Sèvres and bronze, the buhl and ormolu, had been the mouldering adornments of some ruined castle.

爵士夫人不寒而栗,她仔细打量着这豪华房间的四面八方,仿佛塞夫勒瓷器和青铜雕像,布尔镶嵌家具和镀金饰物,都是某个倾记的古堡里的腐朽了的装饰品似的。

Yes, the ostensive portrait is of the final years of Communist rule in Romania, but the film speaks to the banality of evil in all political systems and the contemptuous creatures more than willing to exploit the vulnerable in all societies.

的确,可以清晰地看到,影片描述时期为罗马尼亚共产主义政权晚期,但是相对于对社会中的暴力的描写,影片将更多的精力放在刻画政治体系和人们思想当中内在的腐朽气息之上。

Unforeseen clever combination,changes your singly traditional concept and thinking mode, lets you seize one thing at any angles and in different direction,it is the powerful opponent to routineer and decadent,do you have confidence to be brave in creation and boldly try??

意想不到的巧妙组合,改变你单一的传统观念和思维方式,让你从多角度、多方面、全方位地把握一件事情,它是墨守成规、腐朽呆板者的强有力的对手,你有信心勇于创新、大胆尝试吗?

The wound is deep and strong , lie in between it and British meaningless party groupings struggle of the parliament, ruling group is fatuous and moribund and bent solely on profit, the colonialist war one has been revealed and criticized cruelly and ruthlessly and tyrannically ; At the same time it extolled the brave struggle that colonial people resist the ruler to a certain extent.

伤口之所以深刻有力,就在于它对英国议会中毫无意义的党派斗争、统治集团的昏庸腐朽和惟利是图、殖民战争的残酷暴戾进行了揭露和批判;同时它在一定程度上歌颂了殖民地人民反抗统治者的英勇斗争。

The warehouseman is not responsible for shrinkage in weights or evaporation, or for loss or damage caused by fire, decay, taint, rot or other inherent qualities of the merchandise; or by earthquakes, riots, strikes, accidental or providential causes or other causes beyond the warehouseman' s control; or by breakage, leakage, improper packing, pilferage, theft, rot, vermin, or water; or by destruction of, or interference with the refrigerating or cooling apparatus, connection, or supply pipe, or interruption of the refrigerating process; or by temperatures furnished; or for any loss or damage of whatsoever nature and howsoever caused unless such loss is caused by failure to exercise the ordinary degree of care required of warehousemen by law.

仓库业者对重量减少或蒸发,或因火灾、腐朽、腐坏、腐烂或其他货物本身质地因素,或因地震、暴乱、罢工、意外原因或其他不为仓库业者所能控制的原因,或因破损、渗漏、包装不当、偷窃、盗窃、腐烂、虫害、或水害,或因冷冻设备、连接管道或供给管道受到破坏或干扰、或制冷程序受到干扰所造成的灭失或损失,或因其他任何性质或原因所造成的灭失或损失一律不负责任,除非此种灭失是因仓库业者没有克尽职责而造成的。

The warehouseman is not responsible for shrinkage in weights or evaporation, or for loss or damage caused by fire, decay, taint, rot or other inherent qualities of the merchandise; or by earthquakes, riots, strikes, accidental or providential causes or other causes beyondthe warehouseman's control; or by breakage, leakage, improper packing, pilferage, theft, rot, vermin, or water; or by destruction of, or interference with the refrigerating or cooling apparatus, connection, or supply pipe, or interruption of the refrigerating process;or by temperatures furnished; or for any loss or damage of whatsoever nature and howsoever caused unless such loss is caused by failure to exercise the ordinary degree of care required of warehousemen by law.

仓库业者对重量减少或蒸发,或因火灾、腐朽、腐坏、腐烂或其他货物本身质地因素,或因地震、暴乱、罢工、意外原因或其他不为仓库业者所能控制的原因,或因破损、渗漏、包装不当、偷窃、盗窃、腐烂、虫害、或水害,或因冷冻设备、连接管道或供给管道受到破坏或干扰、或制冷程序受到干扰所造成的灭失或损失,或因其他任何性质或原因所造成的灭失或损失一律不负责任,除非此种灭失是因仓库业者没有克尽职责而造成的。

Through his portrayal of Ashurst's personality, his limitation revealed. On one hand he had realized the declining capitalist society; on the other hand, he intended to defend his own class. Pity and chivalry were just tools that he used to prettify the bourgeois.

通过他对阿舍斯特性格的刻画,他的阶级局限性也体现了出来:他一方面已经熟悉到了腐朽衰落的资本主义社会,并勇敢的把它揭示出来;另一方面他力图拯救资本主义制度,为本阶级寻找出路。

Through his portrayal of Ashurst's personality, his limitation revealed. On one hand he had realized the declining capitalist society; on the other hand, he intended to defend his own class. Pity and chivalry were just tools that he used to prettify the bourgeois.

通过他对阿舍斯特性格的刻画,他的阶级局限性也体现了出来:他一方面已经认识到了腐朽衰落的资本主义社会,并勇敢的把它揭示出来;另一方面他力图挽救资本主义制度,为本阶级寻找出路。

On one hand he had realized the declining capitalist society; on the other hand, he intended to defend his own class. Pity and chivalry were just tools that he used to prettify the bourgeois. He wanted to use aesthetics in the literature to cover the ugly aspect of the bourgeoisie. He was a bourgeois himself.

通过他对阿舍斯特性格的刻画,他的阶级局限性也体现了出来:他一方面已经认识到了腐朽衰落的资本主义社会,并勇敢的把它揭示出来;另一方面他力图挽救资本主义制度,为本阶级寻找出

His first histories, which draw heavily on the 1587 edition of Raphael Holinshed's Chronicles of England, Scotland, and Ireland,[70] dramatise the destructive results of weak or corrupt rule and have been interpreted as a justification for the origins of the Tudor dynasty.

他的第一部历史剧,从1587年版的拉斐爾·霍林斯赫德《英格兰,苏格兰和爱尔兰编年史》这本书内大量取材,将腐朽软弱统治造成的毁灭性结果戏剧化,并被解释为都铎王朝起源的证明。

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