脱身

The policemen decided to play cat and mouse with the burglar.

当大 这间办公室太狭窄了。他毫无脱身的机会。对某人玩猫戏老 9。

Crichton regains consciousness in restraints, and realizes he won't get free unless he plays along.

Crichton在严密的看管之下再次苏醒，他意识到自己如果不演一出戏就无法脱身。

The old curmudgeon found a new scapegoat and that let me out.

那个老守财奴找到一个新的替罪羊，这样我就脱身了。

The old curmudgeon found a new ''.

那个老守财奴找到一个新的替罪羊，这样我就脱身了。

Think, first, of that dreadful abyss of ignorance from which all error flows and so engulfs the sons of Adam in a darksome pool that no one can escape without the toll of toils and tears and fears.

首先，想想那可怕的愚昧之渊，这里谬误横生，将亚当的子孙们淹没于黑暗的泥沼之中，任何人若不付出劳碌、泪水和恐惧的代价均无法脱身。

Think, first, of that dreadful abyss of ignorance from which all error flows and so engulf s the sons of Adam in a darksome pool that no one can escape without the toll of toils and tears and fears

首先，想想那可怕的愚昧之渊，这里谬误横生，将亚当的子孙们淹没于黑暗的泥沼之中，任何人若不付出劳碌、泪水和恐惧的代价均无法脱身。

However, today, we saw the possible resurrection of global despotism.

当我发现我需要从这个深渊中脱身的时候，将为时已晚。

But Diomed all undismayed made answer,"You have missed, not hit, and before you two see the end of this matter one or other of you shall glut tough-shielded Mars with his blood."

强有力的狄俄墨得斯开口答话，面不改色：你打偏了，没有击中我！相反，我要告诉你们，你俩脱身无门，将倒死战场——不是你，便是他

The other, perhaps more intractable, is the disengagement of the British government.

第二个或许是更棘手的原因是英国政府对于欧洲事务采取的脱身政策。

She has no idea what you're thinking. If you don't ask her out soon you're going to end up stuck in the zone forever.

她根本不知道你在想什么，如果你再不快点约她出去，你将困在朋友区永远无法脱身。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。