脱离

To rescue the beautiful princess Ariadne, from her terrible Minotaur world.

营救美丽的公主阿里阿德涅，使她脱离可怕的弥诺陶洛斯的世界。

Perhaps it is possible to find implicit theories of this sort in Homer and other descriptions of Greek education, but, at any rate, more conscious and fuller theories arose in Greece through a conjunction of two developments—the rise of philosophy or what Aristophanes called the "Think Shop" and tried to laugh out of existence, and the breakdown of the traditional or "old" educational system.

也许我们可能发现这种隐性的理论在荷马哪里和别的类型在希腊的教育中，但是，无论如何，更多有意识的和更丰富的理论在希腊通过两种发展的联合而出现——哲学或如阿里斯托芬所言的"思想车间"的产生和尽力对脱离存在的嘲笑，与传统或"老的"教育体系的崩溃。

Hence we might speak, among men, of a true Bible complex: Babel was supposed to serve to communicate with God, and yet Bible is a dream which touches much greater depths than that of the theological project; and just as this great ascensional dream, released from its utilitarian prop, is finally what remains in the countless Bibles represented by the painters, as if the function of art were to reveal the profound uselessness of objects, just so the Tower, almost immediately disengaged from the scientific considerations which had authorized its birth (it matters very little here that the Tower should be in fact useful), has arisen from a great human dream in which movable and infinite meanings are mingled: it has reconquered the basic uselessness which makes it live in men's imagination.

因此我们会在人群中诉说一个真正的圣经情结：圣经是连接上帝的纽带，然而"圣经"也是一个可以触及灵魂深处的梦想，绝不仅仅是神学上的宗教工作项目而已。正是这个古老而神圣的梦想，正是这个摆脱了所谓技术支撑的梦想，最终产生了无数的描绘圣经的经典作品，似乎艺术的功用就是去揭示一些深奥但却无用的事物。就像这艾菲尔铁塔，几乎立刻就脱离了那些能使她得以存在的科学性考虑（就是铁塔必须具备实用性这一事实），她就从人类无限变幻的梦想中呱呱坠地：艾菲尔铁塔体现了一种信念，这种没有任何实用性的信念就是要让艾菲尔铁塔永远矗立在人类的想像空间中。

Hence we might speak, among men, of a true Bible complex: Babel was supposed to serve to communicate with God, and yet Bible is a dream which touches much greater depths than that of the theological project; and just as this great ascensional dream, released from its utilitarian prop, is finally what remains in the countless Bibles represented by the painters, as if the function of art were to reveal the profound uselessness of objects, just so the Tower, almost immediately disengaged from the scientific considerations which had authorized its birth (it matters very little here that the Tower should be in fact useful), has arisen from a great human dream in which movable and infinite meanings are mingled: it has reconquered the basic uselessness which makes it live in men』s imagination.

但实用确是有意义的。因此我们会在人群中诉说1个真正的圣经情结：圣经是连接上帝的纽带。然而「圣经」也是1个可以触及灵魂深处的理想，绝不仅仅是神学上的宗教工作项目而已。正是这个古老而神圣的理想，正是这个摆脱了所谓技巧支撑的理想，最终产生了无数的刻画圣经的经典作品，似乎艺术的功用就是去揭示1些深奥但却无用的事物。就像这艾菲尔铁塔，几乎立刻就脱离了那些能使她得以存在的科学性考虑（就是铁塔必须具备实用性这1事实）。她就从人类无穷变幻的理想中呱呱坠地：艾菲尔铁塔体现了1种信心，这种没有任何实用性的信心就是要让艾菲尔铁塔永远耸立在人类的想像空间中。

Therefore people need to have an experience without being involved in any ascetic practices.

所以，现在人们需要的是一种脱离了苦行的体验。

And I will deliver you and this city from the hand of the king of Assyria.

38：6 并且我要救你和这城脱离亚述王的手，也要保护这城。

And I will deliver you and this city out of the hand of the king of Assyria: and I will defend this city.

并且我要救你和这城脱离亚述王的手，也要保护这城。

And I will deliver thee and this city out of the hand of the king of Assyria: and I will defend this city.

38：6 并且我要救你和这城脱离亚述王的手，也要保护这城。

"I will deliver you and this city from the hand of the king of Assyria; and I will defend this city."

赛38：6 并且我要救你和这城脱离亚述王的手、也要保护这城。

Have any of the gods of the nations delivered their land out of the hand of the king of Assyria?

列国的神有那一个曾救自己的地脱离亚述王的手呢？

On the other hand, the more important thing is because the urban housing is a kind of heterogeneity products.

另一方面，更重要的是由于城市住房是一种异质性产品。

Climate histogram is the fall that collects place measure calm value, cent serves as cross axle for a few equal interval, the area that the frequency that the value appears according to place is accumulated and becomes will be determined inside each interval, discharge the graph that rise with post, also be called histogram.

气候直方图是将所收集的降水量测定值，分为几个相等的区间作为横轴，并将各区间内所测定值依所出现的次数累积而成的面积，用柱子排起来的图形，也叫做柱状图。