脉络

Following his influential book Existence and ridiculous: study on underground red-light districts in China (Qunyan press, 1999), the author went to one of the same sites to collect more in-depth cases from female sex workers, madams/managers, pimps, male clients and those policemen cracking down sex

作为《存在与荒谬－－中国地下&性产业&考察》（群言出版社，1999）的续篇，作者沿用了上一本书中的视角和技术路线，以社区考察的方法主要研究了&红灯区&的发展脉络、形成原因、运作机制、与社会环境的关系等问题；但是，所不同的是，这本书更多地收集了个案，更多地了解那些参与或者涉及&性产业&的个人，包括小姐、妈咪、老板、男客、执行扫黄的人、社区内的其他人等等，用他们的个人经历和体验来更加生动和深刻地勾画出中国红灯区的面貌，并对其进行深入地分析，思辨性地探讨性产业与生殖、生命、性革命、婚姻、社会性别、爱情、性、道德、风俗、历史、法律、文化、社会心理等因素之间的关系。

Following his influential book Existence and ridiculous: study on underground red-light districts in China (Qunyan press, 1999), the author went to one of the same sites to collect more in-depth cases from female sex workers, madams/managers, pimps, male clients and those po教学,范文,教案,论文,课件,试题,评课,说课,板书,教学反思,课程改革,计划总结,公文,美容,瑜伽,笑话,减肥licemen cracking down sex work.

作为《存在与荒谬－－中国地下&性产业&考察》（群言出版社，1999）的续篇，作者沿用了上一本书中的视角和技术路线，以社区考察的方法主要研究了&红灯区&的发展脉络、形成原因、运作机制、与社会环境的关系等问题；但是，所不同的是，这教学，范文，教案，论文，课件，试题，评课，说课，板书，教学反思，课程改革，计划总结，公文，美容，瑜伽，笑话，减肥本书更多地收集了个案，更多地了解那些参与或者涉及&性产业&的个人，包括小姐、妈咪、老板、男客、执行扫黄的人、社区内的其他人等等，用他们的个人经历和体验来更加生动和深刻地勾画出中国红灯区的面貌，并对其进行深入地分析，思辨性地探讨性产业与生殖、生命、性革命、婚姻、社会性别、爱情、性、道德、风俗、历史、法律、文化、社会心理等因素之间的关系。

On the poet's choice, mainly be decided by two standards, one is the popularity and influences of works; two is the meaning of the creations development that it create for the whole colony. Owing to above two standards, the writer chooses seven writers to launch the treatise, they are Jidi Maja, Jimu Langge, Luwu Laqi, Ma Deqing, Aku Wuwu , Asu Yuer, Eni-Mushashijia. In discussing the process, the writer used the nationality and Poetics of the poem as the latent clues, emphasized to inquiry into three main roads and three main realms. On the article structure, the full text mainly is divided into two parts, one is the concrete imago analysis to each poet creations, two is upon the analytical foundation the integration of the theories, with this the treatise could be united into an organic whole. In regard to the conclusion, we educe the characteristics of the colony is deep consciousness to the nation culture, also extensive exploration and attention to poetics. The blemish is the inside emotion and sensibility is similar or duplicate and that the creation pattern is narrow. The main develop threads of the colony are upon the female clan culture the diverse poem skill investigation, its nation culture value tropism present the rising spiral type of return- leave- return again.

在研究方法上，本文以意象分析法为贯穿全文的主要方法，通过对意象的具体分析来****凉山诗群的诗歌世界；在诗人的选择上以其作品的影响力及意义为标准，选择了这一诗群的七位诗人展开论述，他们分别是吉狄马加、吉木狼格、倮伍拉且、马德清、阿库乌雾、阿苏越尔、俄尼·牧莎斯加；在论述过程上，笔者以诗歌的民族性和诗性作为前后贯穿的潜在线索，着重探讨了这一诗群创作的三个主要倾向和三个主要领域，前者详论，后者略述，具体表现在对前三位诗人的论述以诗人论的形式详细展开，探讨他们所代表的凉山诗群发展过程中的三个主要创作倾向，即民族文化的深层开掘、诗艺的实验性探索和艺术哲学的尝试性建构，对后四位诗人的论述则以主题的方式展开，探讨他们所代表的凉山诗群在爱情诗、乡土诗和文化诗三个领域的探索；在文章结构上，全文主要分为两大板块，一是对各位诗人创作的具体意象分析，二是在前文分析的基础上进行理论的整合，以此将前面散珠似的论述贯穿成一个有机整体；在结论上，我们通过整合得出：1、凉山诗人群新时期以来诗歌创作的大致发展脉络：在母族文化的基质之上的多元诗艺探索，其民族文化价值取向呈现为回归—离去—再回归的螺旋式上升形态；2、新时期彝族凉山诗人群汉语诗歌创作的特点，即民族文化意识的深层自觉，对诗性的关注和探索；3、新时期彝族凉山诗人群汉语诗歌创作的缺陷，即情感意蕴的雷同和创作格局的狭小。

Then I shall argue that in the vein of the incompleteness theorems there is no answer with mathematical certitude to the mind-machine debate and that much of the philosophical burden of proof will lie with mechanists in this debate.

笔者将指出：限制在不完备性定理的脉络下，心灵是否为机器这个问题不可能有数学上或逻辑上的明确答案，然而就哲学的观点而言，机器论者必须承担较大的举证责任。

The causes that resulted in the phenomena had their complicatedly social-historical origins, which were closely related to the condition of the dependent modernity of postwar Taiwan. Under the structural context of geo-political dependency, so many different editions of the improved modernisms of the 'western' world had been imported into the academic world of Taiwan.

这种现象与台湾战后特有的依赖现代性情境脱不了关系：在国府地缘政治依赖脉络下，西方各种「改良」的现代主义陆续输入了台湾的建筑学院，从而开展了一段第三世界建筑学院藉由设计论述展露主体意欲的历史过程。

When we put it into a list of anti-system philosophies and take an inspection, it is obviously that theres a potential clew, which runs through subsequent neo-platonism till so-called postmodernism at present.

当我们将之放入非体系哲学的脉络中进行考察，便可以显见其中的伏线如何贯穿其后的新柏拉图主义，直至今天所谓的后现代思潮。

The essay tackles the concepts of rococo , gallant and empfindsamer styles in the context of the 18 th century musical culture , aiming at the characteristics and historical significance of the musical vogues of that age .

本文将这三个风格概念放在18世纪音乐文化的语境中进行释义与论述，通过梳理前古典时期音乐发展的脉络，探讨了18世纪时代音乐风尚的特征和历史意义。

By applying the methods of national musicology, this work analyzes and dissects the birth, development, prosperity and tatus quo of "Cantonese Music" from the visions of history, sociology and folklore.

本文从历史学、社会学、民俗学等视角，运用民族音乐学的方法，分析、解剖&广东音乐&的产生、发展、繁荣状况，挖掘&广东音乐&作为近代民间乐种所独具的文化性格和艺术精神，进而，从中窥视近代沿海音乐文化的形成、发展、兴盛的脉络和嬗变轨迹，从而获得规律性的认识。

My creation is produced from the development of photography and painting. That is the meaning of out-of-focus and blur in the parallel display of digital photography and oil painting.

我的创作是在摄影与绘画两种媒介发展脉络底下产生的，简言之即是︰失焦与模糊在数位摄影形式及绘画形式并行展呈的意义。

Family of tropical evergreen trees and shrubs with thick shining parallel-veined leaves.

热带常绿乔木和灌木的一科具有厚实亮质平行脉络的叶子。

I didn't watch TV last night, because it .

昨晚我没有看电视，因为电视机坏了。

Since this year, in a lot of villages of Beijing, TV of elevator liquid crystal was removed.

今年以来，在北京的很多小区里，电梯液晶电视被撤了下来。