能被描绘

I'm not sure what the point to this movie was ...or if it even tried to have one, except perhaps that even semi-ordinary people can be horrible human beings...Three losers get stuck on a rickety old elevator and one is a murderous a-hole, while the other two are simply uncaring jerks...

不知道这部电影要说什么，或是它只是描绘了影片寻找主旨的过程，除此之外，连再正常不过的3个路人都能变成行为恐怖的人。3个倒霉鬼被关在了一个旧电梯里，其中一个是类似杀人犯角色的傻B，另两个是路人甲和乙。

It portrays Japan's soldiers as human, flawed and tragic, and Japanese audiences have no trouble identifying with them as they fight a doomed battle under a hard-driving but caring general whom many Japanese would probably see as the perfect boss.

它日本士兵描绘成了有缺陷的、悲剧性的人，并且让日本观众能轻松地将他们区分，当他们在完成一场必亡的战斗，以及在一个刚毅而仁爱的将军的率领之下时，这位将军或许会被认为是一位完美的老板。

Trembling with agitation, barefoot and wearing only my nightshirt, I ransacked Father's library — disappointed and angry, I helplessly described before my astonished audience that indescribable thing which no word, no image deliniated by my trembling, outstretched finger could replicate.

我心烦意乱又打着哆嗦，光着脚，只穿着我的长衬衫睡衣，把父亲的藏书室翻了个遍——我失望，发怒，在我受惊的听众面前无助地描述着它，我那颤抖的、摊开的手指所能描绘出的任何文字和形象都无法复制那个事物，它是不可能被描述的。

So there is an idea bourgeoned in my mind, which is to use the traditional painting to express the new appearance of Beijing.

于是我开着车跑遍了北京城，去寻找最佳的表现北京新貌的景观，西直门立交桥，夜景的长安街，都是我热衷描绘的景点，传统的水墨画的弱点是不容易塑造具象的东西，于是我在宣纸和毛笔作为主要媒材的同时加入了丙稀色和排刷，希望能拓宽水墨的表现领域，在保持着线条和水墨韵味的基础上增加了色彩的力度，闪烁的霓虹，华灯初上，行人如织，车水马龙，北京正一步步的向国际化大都市迈进，把北京每前进一步的印记用绘画的形式记录下来，也是人生一大快事，怀着对北京的神圣感情，用纸和画笔，从一个画家的独特视角出发，将北京的景观、尤其是不太被人注意的人文景观留下来，是我一生的夙愿。

Unlike a utopian novel, in which the writer aims to portray the perfect human society, a novel of negative utopia does the exact opposite: it shows the worst human society imaginable, in an effort to convince readers to avoid any path that might lead toward such societal degradation. In 1949, at the dawn of the nuclear age and before the television had become a fixture in the family home, Orwell's vision of a post-atomic dictatorship in which every individual would be monitored ceaselessly by means of the telescreen seemed terrifyingly possible.

与乌托邦小说(它们的作者们试图描绘一个完美的人类社会)不同，反乌托邦小说恰恰有着相反的目的：它表现所能想象出来的最差的人类社会，以使读者们避免走向任何通往此类社会的道路。1949年，这个原子时代的黎明和电视普及大众家庭的前夕，奥威尔对于每个人都被电屏幕不停监视着的后原子时代极权的预见似乎成为了一个骇人的可能。

The absorption and distribution of chromium were studied in ryeusing nutrient culture technique and pot experiment.

采用不同浓度K2CrO4(0，0.4，0.8和1.2 mmol/L)的Hoagland营养液处理黑麦幼苗，测定铬在黑麦体内的亚细胞分布、铬化学形态及不同部位的积累。

By analyzing theory foundation of mathematical morphology in the digital image processing, researching morphology arithmetic of the binary Image, discussing two basic forms for the least structure element: dilation and erosion.

通过分析数学形态学在图像中的理论基础，研究二值图像的形态分析算法，探讨最小结构元素的两种基本形态：膨胀和腐蚀；分析了数学形态学复杂算法的基本原理，把数学形态学的部分并行处理理念引入到家实际应用中。