胸襟

Ah Cheung is ahandsome,sincere brave young sheep,stain,clear as the Olympic rings together in blue,the symbol of the Pearl River,grew out of this nonflowing on behalf of the people pinghe duarao's character,broad tolerance.

&阿祥&是一只英俊洒脱、朴拙英勇的小羊，着色为奥林匹克五环中的蓝色，意味绵延流淌的珠江，代表广州人平以及亲切的性格，宽阔包容的襟怀胸襟。

This paper therefore examines the development of "the folklore Pai-Chang of Peking opera aria in Tainan city" through literature review depth-interview oral history and participant observation The concept frame is culture organism as the vertical axle and elements of a folklore activity as the transverse axle There are several significant findings about the general picture of this subject: During the late period of Japanese colonial era Tainan local people who played Peguan music learned Peking opera aria and tried to bring Peking opera aria into the folklore Pai-Chang which was one kind performance and traditional custom of Peguan music Some people who came from other places and played Peking opera aria had also known or learned "Pai-Chang" with touching Tainan local amateurs "Pai-Chang" used to be performed by amateurs for worship of god or goddess or for seasoning and wedding celebration without rewards Amateurs volunteered to perform "Pai-Chang" only for their duty temples and fraternity of Peking opera aria The majority of the audience is people who perform or like "Pai-Chang" or who live nearby There is a fixed pattern of the performance including the repertoire and the arrangement of the band The main meaning of this performace is to pray God's blessings therefore the procedure of "Ban-Hsian" is the most essential and ahead of Peking opera aria singing With time goes by the number of the amateurs has dropped; yet the demand for the worship ceremony remains; hence some of the amateurs have been trained to become professional performers Besides although the idea and the meaning of "Pai-Chang" remains the pattern of the performance has become simplified and rigid which is because of the performers' number decreasing and market adapting Nowadays the whole ecosystem of the folklore Pai-Chang of Peking opera aria in Tainan city keep changing which is mainly influenced by the transition of the society(such as the time and space of the industrial and commercial society being compressed and most people's pursuing of specialization and utilitarianism etc ) According to the findings in this paper the phenomenon can be regarded as the subject matter both of Peking opera and folklore studies For the studies of the Taiwanese culture however the subject not only enriches the subject matters of the Taiwanese culture(signifies the localization of Peking opera and a new pattern of Taiwanese folklore) but also reflects the characters of diversification integration adaptation and compromise of Taiwanese culture which used to be influenced by different regimes and the historical contexts Facing such a multicultural context this paper thus suggests researchers should show an open-minded attitude toward the complex of the Taiwanese culture studies and then important phenomenon would not be ignored or misunderstood

代表了什麼意义？对於上述疑惑，查既有研究成果，不消没有论述者，具体提即「京调排场」现象的可说没有，基於此，有必要对台南市及其周边之民俗性京调排场，不管是语汇来由或者其现象本身，做一番研究。本研究透过文献、访谈、口述史、参与观察等方法，以文化有机体之纵的发展概念为经，以民俗表演之横切面各主客要素为纬，试图先对此文化现象调查并推论出一概貌：台南市民俗性京调排场的形成，是在京调传入台南，台南本地北管子弟改习或兼习京调后，结合北管音乐文化所固有的排场表演型态及民俗演出传统，融合而成，形成时间至迟在日治晚期。而一些不同时期的外来京调人士(如原本生长於其他地区、后移住台湾的票友，和中国大陆琴师等等)，也曾透过与当地子弟的接触，而习得或知晓「排场」语汇以及本地京调排场习俗者。此项音乐民俗表演在过往多由业余子弟於神诞或民众婚俗做寿时，对其有义务或交陪的庙宇及子弟间做酬酢性的演出，不收报酬；聆赏者多是京调同好与邻近民众，也有少数路过者；演出模式包括节目安排、乐队编制皆有一定；表演意涵上以「扮仙」祈求神明赐福人间最为重要，因此排仙必不可少，且一定先於京调演唱。随著时间推移，京调排场表演活动的各要素都有变动，惟变迁速度不一，大体而言，业余表演者锐减，人们对酬神娱神节目的需求仍在，因此一些过往的业余表演者遂逐渐转型为职业表演者。此外，虽然表演意涵不变，但在职业表演人员少、又要适应市场的情况下，表演模式亦逐渐流於简化、僵化。目前京调排场整体生态仍在转变的过程中，而这种变化应与工商社会时间空间的被压缩、事事追求专业化与尼Q化等因素有关。再者，据此概貌，在结论部分厘清其意义、定位以及其对台湾文化研究之启示。台南市及其周边之民俗性京调排场现象，可视为京剧研究与民俗研究的一环，然而对於台湾文化研究，除了其题材本身标志了京剧的本土化与台湾民俗活动之新类型，进一步扩充整体台湾文化研究的内容外，更重要的是现象背后所反映的台湾文化的多元融合与妥协适应取向。台湾的海岛地理位置与长期被不同文化背景政权所殖民的历史，其文化自然容易随社会环境改变而弹性适应变迁，呈现多元纷呈、多重覆叠的特色，因此展望未来，从事台湾文化研究应秉除单一观点，保持一定程度之开放与客观胸襟，方不忽视或误识更多重要的文化现象。

He is the steppingstone and path to accomplishment for others.

要有当别人垫脚石的心量，要有成就他人的胸襟。

Steppingstone and path to accomplishment for others.

要有当别人垫脚石的心，要有成就他人的胸襟。

Depend on Axelord's explanation,one reason why the strategy can succeed is it plays virtuous not only with a forgiving wisdom,but also without any initiative cheating.Another reason is it forms simple.Only uncomplex rule can ensure your opponent understanding your activities and motivation.

根据Axelord的解释，这一策略之所以成功，一是因为它是善良的，它从不主动欺骗，而且有宽恕的胸襟，二是因为它是简单的，只有简单的规则，才能让对手准确无误地了解你的行为和动机。

Large-minded and far-seeing, he was also very learned.

大胸襟和深远的看到，他也非常的教训。

21St century is the period of developing advanced science, changing culture and ideasfrom time to time and continuous strength of international communication. Competition isbecoming sharper and sharper with it . Society in the future would need people withhigher quality. The people should not only have advanced knowledge , but also havenoble-minded accomplishment, lofty ideals, large-minded, correct world outlook, outlook onlife and value outlook, social sense of responsibility, perfect character, at the same time , theyshould have the spirit of cooperation individuality and special creativeness.

世纪是一个科技高速发展，文化思想日新月异，国际间的交流日益加强的时期，随之而来的竞争也越来越激烈，未来社会对人才素质的要求也就越来越高，既要求人才具有高深的知识水平，同时要求人才自身具有高尚的修养、远大的理想、宽阔的胸襟，正确的世界观、人生观、价值观，社会责任感、健全人格，更要有合作精神，个性化精神，独特的创造精神。

An ancient Chinese proverb suggests one should "requite ingratitude with kindness," which resonates with the Christian ideal to "return good for evil." As China becomes an economic power, a reputation as a broad-minded country could become China's most glorious triumph in the Olympic Games.

就如中国古代圣贤常说&以德报怨&，基督教倡导&以爱报怨&一样，在经济迅速崛起的这一代，能否在胸襟和姿态上也做真正大国，这才是奥运史上最大的一块金牌。

As he thinks of the innumerable enjoyments which nature offers , gives , and lavishes to souls which stand open

当他想到天地专为胸襟开豁的人提供无穷无尽的乐事让他们尽情受用

In the morning, leaves with dew and refractive sunshine are the most jealous scene for the climbers

白云山景，胸襟如海清晨，带露的叶子，折射的光，是乐山者最羡慕的风景

However, as the name（read－only memory）implies, CD disks cannot be written onorchanged in any way.

然而，正如其名字所指出的那样，CD盘不能写，也不能用任何方式改变其内容。

Galvanizes steel pallet is mainly export which suits standard packing of European Union, the North America. galvanizes steel pallet is suitable to heavy rack. Pallet surface can design plate type, corrugated and the gap form, satisfies the different requirements.

镀锌钢托盘多用于出口，替代木托盘，免薰蒸，符合欧盟、北美各国对出口货物包装材料的法令要求；喷涂钢托盘适用于重载上货架之用，托盘表面根据需要制作成平板状、波纹状及间隔形式，满足不同的使用要求。