背生的

In the works of this genre, viewers may see the subject of a work commit suicide with a gun, be bogged down in a state of faithlessness, lawless and lost in bewildering reality and in the magnetic field of power; and in some corner along the street waiting for the expected as well as the unexpected appearance of 'you'. With one hundred bricks on his back, and luggage in hand, he heads to the railway station, leaving his hometown, fully loaded, for his unknown destiny - an experience we Chinese are most familiar with.

所以，在各种形式的作品中，观众会看到她在失落信仰、缺少权威、迷失于现实的年代，在权力磁场举枪自轰；会在街道某个角落等待意料之外，又在意料之内的你的出现；会看见他背上一百块板砖，手持行李，徒步走向火车站，背负重担离开原居城巿，藉此表达中国人最是熟悉不过的离乡背井，作者以简洁有力的方式与观众分享让人心生哀愁的"国情"……。

In the works of this genre, viewers may see the subject of a work commit suicide with a gun, be bogged down in a state of faithlessness, lawless and lost in bewildering reality and in the magnetic field of power; and in some corner along the street waiting for the expected as well as the unexpected appearance of 'you'. With one hundred bricks on his back, and luggage in hand, he heads to the railway station, leaving his hometown, fully loaded, for his unknown destiny - an experience we Chinese are most familiar with. The sorrowful National Experience is shared in a clinical manner … See the situation in the shoes of the subjects, where everything seems so ridiculous and yet at the same time not without reason - one does not know if one should cry or laugh.

所以，在各种形式的作品中，观众会看到她在失落信仰、缺少权威、迷失于现实的年代，在权力磁场举枪自轰；会在街道某个角落等待意料之外，又在意料之内的你的出现；会看见他背上一百块板砖，手持行李，徒步走向火车站，背负重担离开原居城巿，藉此表达中国人最是熟悉不过的离乡背井，作者以简洁有力的方式与观众分享让人心生哀愁的"国情"……。

Leaves 5, not fully expanded at anthesis; petiole 5.5--15 cm, with thick long pilose hairs; leaf blade nearly kidney-shaped, rounded-ovate, or 5-angled, 2.5--7 × 4.5--11 cm,± equally 3-foliolate, abaxially with white hairs, adaxially glabrous, base broadly cordate; lateral leaflets subsessile, unevenly 2-lobed; central leaflet subsessile or with a 1--4 mm petiolule, deeply 3-lobed, lobes entire or dissected, ultimate lobes triangular to narrowly linear and 2--3.5 mm wide.

叶5，不完全膨大的在花期；叶柄5.5-15厘米，具厚具长柔毛毛；叶片差不多肾形，圆形卵形，或具5个角， 2.5-7 * 4.5-11厘米，多少具3小叶，背面具白色的毛，正面无毛，基部宽心形；侧生小叶近无柄，不均匀2裂；中心的小叶近无柄或具一1-4毫米小叶柄，3深裂，裂片全缘的或多裂，末级的裂片三角形到狭线形和2-3.5毫米宽。

Yesterday we went to Klang for a relative's wedding dinner (Bibi's Popo side of relative, I can't really make out of who is who, too many in the family!), Bibi was wearing the pink bare-back dress, plus the angel wing her big GuGu made her wear, she attracked many pairs of eyes.

昨天到巴生去参加亲戚的婚礼（家婆的外家亲戚，我也分不清谁是谁，家族实在是太多人了），比比穿了那件粉红的露背裙，加上她大姑姑让她穿上的天使翅膀，引来现场无数的眼光。

In the works of this genre, viewers may see the subject of a work commit suicide with a gun, be bogged down in a state of faithlessness, lawless and lost in bewildering reality and in the magnetic field of power; and in some corner along the street waiting for the expected as well as the unexpected appearance of 'you'. With one hundred bricks on his back, and luggage in hand, he heads to the railway station, leaving his hometown, fully loaded, for his unknown destiny - an experience we Chinese are most familiar with. The sorrowful National Experience is shared in a clinical manner … See the situation in the shoes of the subjects, where everything seems so ridiculous and yet at the same time not without reason - one does not know if one should cry or laugh.

所以，在各种形式的作品中，观众会看到她在失落信仰、缺少权威、迷失于现实的年代，在权力磁场举枪自轰；会在街道某个角落等待意料之外，又在意料之内的你的出现；会看见他背上一百块板砖，手持行李，徒步走向火车站，背负重担离开原居城巿，藉此表达中国人最是熟悉不过的离乡背井，作者以简洁有力的方式与观众分享让人心生哀愁的&国情&……。

Through the cracks in the shutters strange figures peer out at me … old women with shawls, dwarfs, rat faced pimps, bent Jews, midinettes, bearded idiots. They totter out into the courtyard to draw water or to rinse the slop pails.

稀奇古怪的人物透过百叶窗上的裂缝偷偷地窥视我……其中有围着披中的老妇人、小矮人、生着一张老鼠脸拉皮条的弯腰询背的犹太人、轻桃的小妞和留胡子的傻瓜。

Fruit oblong-ovoid, base cordate, flattened dorsally; surface covered with many convex and shining dots; dorsal ribs prominent, the lateral broadly thin-winged; vittae 1–3 in each furrow, 2–8 on commissure; mesocarp thin, hollow in mature fruit.

长圆状卵球形的果，基部心形，背面扁平；为很多凸并且发亮的小圆点所覆盖的表面；突出的背棱，薄翅的宽侧；油管1-3在每棱槽，2-8在合生面上。

Leaf blade abaxially densely grayish white appressed stellate-tomentose throughout; sepals ovate-deltoid, 1.5–2.5 × 0.8–1.2 mm, midvein usually abaxially distinct or sepals keeled at anthesis; stamens included.

全部的浓密的叶片背面浅灰色的白色的贴伏的被星状绒毛；萼片卵形正三角形， 1.5-2.5 * 0.8-1.2 毫米，中脉通常离生或萼片龙骨状在花期；雄蕊内藏 3 Clethra petelotii 白背桤叶树

Corolla blue to wine-red, rarely pink, white, or yellow, zygomorphic, inside glabrous, rarely sparsely puberulent; tube cylindric to funnelform-tubular, not swollen, rarely saccate at base, longer than limb, 2-13 mm in diam.; limb 2-lipped; adaxial lip 2-lobed, 1.5-3 X shorter than abaxial lip; abaxial lip 3-lobed, lobes equal or central lobe longer, apex rounded, rarely obtuse to acute.

对红色，很少粉红色，白色酒蓝色的花冠，或黄色，左右对称，里面无毛，很少疏生微柔毛；管状的筒部圆筒状到漏斗状，不膨胀，囊状在基部，长于瓣片，2-13毫米直径的很少；瓣片二唇形； 2裂的正面唇，1.5-3 X短于背轴唇； 3浅裂的背面唇，裂片等长或中央裂片长，先端圆形，很少钝到锐尖。

Duck Blind is built on a base background of true dirt colors with different tones to represent wet and dry ground with elements of millet, wild oats, corn stalks, phragmites, Johnson grass, soybeans and native grasses selected and placed to achieve maximum effectiveness.

以泥土色为基本背景色，之后不同的色差代表土地的干湿程度，连同玉蜀黍、燕麦、玉米茎、芦苇、浆森草、大豆、及本地生草一起，使图案的效果达到最大化。

Breath, muscle contraction of the buttocks; arch body, as far as possible to hold his head, right leg straight towards the ceiling (peg-leg knee in order to avoid muscle tension).

呼气，收缩臀部肌肉；拱起身体，尽量抬起头来，右腿伸直朝向天花板（膝微屈，以避免肌肉紧张）。

The cost of moving grain food products was unchanged from May, but year over year are up 8%.

粮食产品的运输费用与5月份相比没有变化，但却比去年同期高8％。