肥皂

Every time we had a meal,"My dinner plate stinks, and I feel like throwing up. It tastes very gamey.""It's ok, I can wash it with soap," said the old man.

每当我们吃饭的时候，&我的餐盘很臭，我觉得有点恶心，味道很腥&，&没关系，我用肥皂洗&，那老人说

It's really pretty. Unfortunately, I don't see suds.

真的很漂亮，然而我没有看到肥皂水。

Rachel: Well, you know, no suds, no save.

恩，你知道，没有肥皂液，就不算占了。

When I was younger my grandmother used to wash my mouth out with it when I talked back to her.

当我小的时候，我奶奶常常在我和她顶嘴后用肥皂洗我的嘴。

Because it's dirty and wrong and I'll wash your mouth out with soap!

因为那很肮脏、无耻，我会用肥皂洗你的嘴。

When they burst they go pop, but you can hardly hear it.

肥皂泡破的时候会发出爆破声，但你几乎听不见。

I think we are just supposed to be good little boys and girls,dummy up, go to work, pay a third of what we make to support thiswhole "mysterious" charade, don''t ask questions, eat atMcDonald''s,watch mind-numbing sitcoms, go to Disneyland once a year, and die.

他们希望我们做好男孩，好女孩，没头脑，上班，拿出三分之一的钱去支持这类&神秘&游戏，不问问题，吃麦当劳，看让人麻木的肥皂剧，每年去迪斯尼一次，然后死掉。

I think we are just supposed to be good little boys and girls, dummy up, go to work, pay a third of what we make to support this whole "mysterious" charade, don''t ask questions, eat at McDonald''s,watch mind-numbing sitcoms, go to Disneyland once a year, and die.

他们希望我们做好男孩，好女孩，没头脑，上班，拿出三分之一的钱去支持这类&神秘&游戏，不问问题，吃麦当劳，看让人麻木的肥皂剧，每年去迪斯尼一次，然后死掉。

I felt I didn't want to get stuck on a soap for two or three years.

我觉得我不想被一部肥皂剧困住两至三年。

At these words he rose, and put off his frock-coat and cravat, went towards a table on which lay his son's toilet articles, lathered his face, took a razor, and, with a firm hand, cut off the compromising whiskers

他微笑了一下又说，因此他就要改变他的相貌和穿着了，说着他走到放梳妆品的桌子前面，在脸上擦了一些肥皂，拿起一把剃刀，用一只结实的手刮掉那险些给他添麻烦的胡子，因为它们是给警务部留下了非常明显的印象。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。