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肖邦

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Through the analysis of F Major Ballade hereinbefore, the peculiar charming point is dug out, that is to figure two contradicted themes with very terse material in order to achieve strong dramatic conflicts, then use various creative skills to unify the two contradicted themes and safeguard the work's logic and completeness which contribute it to be the most programmatic and descriptive work in all Chopin's ballades.

论文通过对《F大调叙事曲》的上述研究分析,发掘出了这部作品的独特魅力,即以最简洁的素材塑造两个相互冲突的主题,形成强烈的戏剧冲突,而后又运用各种创作技法使两个主题由矛盾走向统一,从而保证了作品的逻辑性和完整性,使之成为肖邦叙事曲中最具标题性和描绘性的一首作品。

It is to be noted that Chopin himself never named an instrumental work beyond genre and number, leaving all potential extramusical association to the listener.

值得注意的是,肖邦本人从未用乐曲类型和数字以外的形式命名过乐器作品,所有音乐范围以外的潜在关联全都留给听众去思考。

He is a graduate of the Chopin Academy of Music in Warsaw, where he studied with Professor Krzysztof Jakowicz.

他毕业于华沙的肖邦音乐学院,师从教授克尔兹托夫捷可维茨。

5 And 19-21 ----already shows a fully mastered musical language and pianistic technique, both of which kept their essential character for the rest of his life.

然而,尽管肖邦的大多数作品都是在他到达巴黎以后完成的,但是那些两三年前创作的——包括钢琴协奏曲,21夜曲——已经显示出了他非常成熟的音乐表现风格和钢琴演奏技巧,这些成为了他以后艺术生活最重要的特征。

As a pianistic genre the Nocturne, a night-piece', was the invention of John Field, an Irishman whose career in the early 19th century eventually transplanted him to Eastern Europe, geographically almost the reverse of Chopin's move.

作为一种钢琴流派的夜曲,&night-piece&是由JOHN FIELD发明的。JOHN FIELD是爱尔兰人,于19世纪早期移民到了东欧,从地理角度来说,他的路线刚好和肖邦相反。

Many were those who ignored Godowsky's purposes, only to attack him for desecrating Chopin! Their puristic attitudes excluded these fascinating pieces from consideration as technique or as music.

一些人忽视了其创作目的作曲家只知道抨击他辱没了肖邦,即使是对那种非常迷人的作品,他们也持这种简单的态度。

Chopin was the first to write ballades and scherzi as individual pieces.

肖邦是第一个将叙事曲和谐谑曲作为独立作品创作的作曲家。

Stanislaw Leszczynski of the Warsaw-based Chopin Institute is helping organize the year-long events.

华沙肖邦协会的斯坦尼斯瓦夫一世正在筹备为时一年的纪念活动。

The style and feature of Chopin and Liszt's piano music are its new tamber which is rich in characteristic and harmony which has high expressive force; mean while, they adopted varios types and forms to express their inner sensibility, to express their national spirit; Liszt also created a new form-program music.

肖邦与李斯特钢琴音乐的风格特征是富有特色的新音色,具有高度表现力的和声;同时他们还采取不同的体裁形式来表达内心的情感和各自的民族精神。

The first one and the eleventh one are concentrate to the tensibility of finger, the second one is famous of it"s fingering technique which is the typical fingering of Chopin, the third and six one are experience the layer of mufti voice parts, the fourth one is keenness which carries on by its speed and music the alone difficulty , the fifth one is the"black keyetude , harmonic innovate are visibly reflected at the seventh, the tenth and the eleventh one, humorousness is performance in the bass field in the eighth one, the ninth and the twelfth one are training stretching and running technique of left hand.

第一首与第十一首是针对手指的伸张技术;第二首是赋予了肖邦典型技术特征的指法;第三首与第六首是多声部织体的演奏;第四首是以其速度和音乐进行的尖锐性而独具难度;第五首是&黑键&练习曲;和声的创新手法在第七、第十以及第十一首里都有明显地体现;第八首最大的特点在于它用左手在低音区表现出谐谑式的旋律;第九首与第十二首在单纯手指技术上是分别训练左手的伸张及快速均匀的跑动。

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