肖像画

Lockhart is obsessed with himself and his image .

洛哈特已经被他和他自己的肖像画全迷住了。

On the walls of the room hang a landscape, said to be of Shudi's birthplace, and mezzotint portraits of his patron, Frederick, Prince of Wales (p.80) and his wife, Augusta, Princess of Wales.

在房间的墙上挂着一幅风景画，据说是舒迪的出生地，还有几幅他的赞助人威尔士王子弗雷得里卡及其妻子威尔士公主奥古斯塔的肖像画。

He is handsome with wild oats and world-weariness and is living in scene of debauchery, but this doesn't influence his most works during his short life at all. He not only takes in early renaissance drawer Botticelli's accessorized lines and morbidezza female tinge, but also gets the inspiration(replanting the lateral nose to the frontal portraiture) from cubism, introjects the exaggeration way of ancient African woodcutting and brings the Pre-Raphaelite melancholy temperament into play fully so that forms his own extraordinary style from inspiration based on representation. Particularly, his special representation for female nude is noticeable.

他英俊潇洒、放荡不羁，厌世忌俗，终日流连于灯红酒绿之间，然而这丝毫不影响他在短暂的生命中留下大量的画作，他吸取了文艺复兴早期画家波提切利的装饰性线条和柔美女性气息，又从立体主义的建构手法上获得灵感（将侧面的鼻子移植到正面的肖像画中），糅合了远古非洲木雕的夸张方式，又将拉斐尔前派的忧郁气质发挥到了极致，从而形成了自己的以灵感为源以表现为本的独特唯美画风，尤为引人注目的是他对女性裸体画的另类表现。

I am indeed very happy with the majority of paintings including portraits of Murat and Roustan.

我确实对于大部分画很满意，包括Murat和Roustan的肖像画。

Partners in both life and art, Tim Noble (1966) and Sue Webster (1967) explore the toxic influences of consumer culture through new modes of portraiture.

生活和事业的双重搭档Tim Noble (1966)和 Sue Webster (1967)通过透过别开生面的肖像画反映了消费文化对人们的毒害。

From him, and other Impressionists, she acquired an interest in the rehabilitation of the pictural qualities of everyday life, inclining towards the domestic and the intimate rather than the social and the urban (Lady at the Teatable, 1885; Metropolitan Museum, New York), with a special emphasis on the mother and child theme in the 1890s (The Bath, 1891; Art Institute of Chicago). She also derived from Degas and others a sense of immediate observation, with an emphasis on gestural significance.

除7l临摹卢浮宫的先辈大师作品外，她也到巴黎沙龙学习同时代艺术家的作品。1867年她参观了库尔贝和马奈的画展，对马奈作品很有兴趣。1872年春，卡萨特向巴黎沙龙送的第一件作品《狂欢节日之前》被接受，其后两年她都送作品参加沙龙的展览。1874年她的一幅妇女肖像画在沙龙展出，受到德加的高度评价。1879年，应德加的邀请，卡萨特参加了印象派画展，直到l船6年这段时间，她始终是印象派的活跃成员。1879年展出的《蓝色扶手椅中的小女孩》和作于1883年的《穿黑衣的妇女》是她的代表作品。

There are also gold boxes, elaborate gilded bronze mounted clocks, paintings by Boucher (including his portrait of Madame de Pompadour, which is pictured on this page), Watteau and Fragonard.

馆内还有一些金盒子，精致的镀金铜钟，鲍切的画作（包括他在自己的画簿上为de Pompadour夫人画的肖像画），以及华托和弗拉戈纳尔的画作。

And I realize I'm not looking at a portrait now.

我突然明白，我并不是在看一个肖像画。

Is this portrait intended to be mine?

这幅肖像画的是我吗？

C This is a portrait of mine.

c 这是我所藏的肖像画。

On the other hand, the more important thing is because the urban housing is a kind of heterogeneity products.

另一方面，更重要的是由于城市住房是一种异质性产品。

Climate histogram is the fall that collects place measure calm value, cent serves as cross axle for a few equal interval, the area that the frequency that the value appears according to place is accumulated and becomes will be determined inside each interval, discharge the graph that rise with post, also be called histogram.

气候直方图是将所收集的降水量测定值，分为几个相等的区间作为横轴，并将各区间内所测定值依所出现的次数累积而成的面积，用柱子排起来的图形，也叫做柱状图。