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The composer has arranged Chopin's nocturnes for the full orchestra.

这位作曲家已将邦的小夜曲改编为合奏曲。

Although chopin did not meet field until 1832, he had probably heard, or heard of ,his nocturnes during childhood years in warsaw.

邦的一生中,曾经亲自发表了18部作品,1827年到1837年间保存的三部夜曲,在下个世纪才被发现并发表。

The composer has arranged Chopin's nocturnes for the full orchestra .

那位作曲家已将邦的夜曲改编为交响曲。

Chopin's "Nocturnes" has resembled one diary right away , has recorded his thought , his emotion , his possessions , has embodied his creation style truly.

邦的《夜曲》就像一本日记,记载了他的思想,他的情感,他的所有,真实体现了他创作风格。

Chopin created consummate musician language, form structure, harmony and tonal technique in his nocturnes.

邦在夜曲中创造了完美的音乐语言、曲式结构、和声及调性手法。

In those senses the Nocturnes, for all their intimacy, are built up of essentially the same type of material as Chopin's Balades or other large works, and often contain just as dramatic contrasts and conflicts.

这些夜曲构筑了作为邦叙事曲和其他大型作品的最基本素材,这其中常常包含着显著的对比与冲突。

Although Chopin did not meet Field until 1832, he had probably heard, or heard of ,his Nocturnes during childhood years in Warsaw.

尽管1832年以前邦和JOHN FIELD从未谋面,但他幼年在华沙可能就听说过JOHN FIELD,或者是听说过JOHN FIELD的作品。

Chopin himself published eighteen during his life, in sets of either two or three; his three remaining nocturnes, from between 1827 and 1837, were discovered and published over the next century, but are quite worthy of their place in the canon.

但是,它们在邦作品中的地位却是勿庸置疑的。

Field's Nocturnes, published under that title between 1812 and 1836, were based on a format of singing melody, much ornamented, over accompanying bass patterns to fill in the harmony ---- obviously Chopin's departure point.

JOHN FIELD于1812和1839发表的作品都是基于演唱旋律的模式,华丽而并非用低音模式来使旋律协调——这显然就是邦的起点。

Field's Nocturnes, publishe d under that title between 1812 and 1836, were based on a format of singing melody, much ornamented, over accompanying bass patterns to fill in the harmony ---- obviously Chopin's departure point.

JOHN FIELD 于1812和1839发表的作品都是基于演唱旋律的模式,华丽而并非用低音模式来使旋律协调——这显然就是邦的起点。

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