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He is,the one,the only.the wizard of wishaw,John Higgins!

他是惟一的,仅有的,威的巫师,约翰-希金斯!

He is the defender of truth, who stands with angels, gives glory with archangels, causes sacrifices to rise to the altar on high, shares Christ's priesthood, refashions creation, restores it in God's image, recreates it for the world on high and, even greater, is divinized and divinizes.

他是 真理的护卫者,他与天使一同侍立,与总领天使一起光荣天主,使祭献的牺牲升到天上的祭台,分享基督的大司祭职,重新塑造万有,以象重建万物,为了天国再造万物。

I grew up with Catherine and Hindley Earnshaw,and we three played together as children.

我是同凯瑟琳和亨德雷·欧一起长大的,小时候我们仨都在一起玩儿。

I am twenty-two blocks from where Rudolph Valentino lay in state,eight blocks from where Nathan Hale was executed,five blocks from the publisher's office where Ernest Hemingway hit Max Eastman on the nose, four miles from where Walt Whitman sat sweating out editorials for the Brooklyn Eagle , thirty-four blocks from the street Willa Cather lived in when she came to New York to write books about Nebraska, one block from where Marceline used to clown on the boards of the Hippodrome, thirty-six blocks from the spot where the historian Joe Gould kicked a radio to pieces in full view of the public, thirteen blocks from where Harry Thaw shot Stanford White, five blocks from where I used to usher at the Metropolitan Opera and only 112 blocks from the spot where Clarence Day the elder was washed of his sins in the Church of the Epiphany (I could continue this list indefinitely); and for that matter I am probably occupying the very room that any number of exalted and somewise memorable characters sat in, some of them on hot, breathless afternoons, lonely and private and full of their own sense of emanations from without..

二十二个街区远的地方,鲁道夫·瓦伦蒂诺在安眠;八个街区远的地方,内森·黑尔被绞死;五个街区远的地方,是出版人办公室,欧内斯特·海明威在那里挥拳击中了马克斯·伊斯门的鼻子;四英里远的地方,沃尔特。惠特曼曾挥汗如雨为《布鲁克林之鹰》写社论;三十四个街区以外,是威拉。卡瑟初到纽约的旧居,她当时正准备写作有关内布拉斯加州的著作;一个街区远的街道,马士莱在竞技场舞台上扮演过小丑;三十六个街区以外,历史学家乔。古尔德在众目睽睽之下踢碎了一台收音机;十三个街区以外,哈里。拔枪射击斯坦福。怀特;五个街区以外,是我过去做带位员的大都市剧场;而距离老克拉伦斯。戴举行葬礼的主显节教堂,仅有一百一十二个街区(我不确定还能再想起点儿什么)。就此而言,我正置身其中的房间,或许曾经呆过一些高贵而令人难忘的大人物,他们中一些人,在闷热的下午,坐在这里,孤独而隐秘,发散出异于外界的特有气息。

He performed using the names "The Wizard of Waukesha","Hot Rod Red" and "Rhubarb Red."

他的表现使用的名称"的沃基向导","热棒红"和"大黄红。"

The 155 mm proper motion howitzer is taken as an example.

作者:苏兴1,丁2 分类:装备与武器上传者:ZCOM网友

The first one and the eleventh one are concentrate to the tensibility of finger, the second one is famous of it"s fingering technique which is the typical fingering of Chopin, the third and six one are experience the layer of mufti voice parts, the fourth one is keenness which carries on by its speed and music the alone difficulty , the fifth one is the"black keyetude , harmonic innovate are visibly reflected at the seventh, the tenth and the eleventh one, humorousness is performance in the bass field in the eighth one, the ninth and the twelfth one are training stretching and running technique of left hand.

第一首与第十一首是针对手指的伸张技术;第二首是赋予了邦典型技术特征的指法;第三首与第六首是多声部织体的演奏;第四首是以其速度和音乐进行的尖锐性而独具难度;第五首是"黑键"练习曲;和声的创新手法在第七、第十以及第十一首里都有明显地体现;第八首最大的特点在于它用左手在低音区表现出谐谑式的旋律;第九首与第十二首在单纯手指技术上是分别训练左手的伸张及快速均匀的跑动。

Taane also featured in the short film Hurtle by Shona McCullagh, and Peter Jackson's King Kong.

塔尼还在纳-麦克克拉夫的短片《撞击》和彼得-杰克逊的《金刚》中出演。

During this time, Shaw also worked as an art, music, and theater critic for the Saturday Review and published a number of pamphlets on the arts, most famously "The Perfect Wagnerite," a commentary on Wagner's Ring Cycle, and "The Quintessance of Ibsenism," an homage to one of his primary muses.

在此期间,也作为一门艺术,音乐和戏剧评论家的星期六审查和出版了一些小册子上的艺术,最著名"完美Wagnerite "发表的一篇评论瓦格纳的指环,及" Quintessance的易卜生主义",尊敬,他的一个主要缪斯。

We can thus notice, on the iconographic level, the same scene shot from the same angle in both versions.

我们能因而注意,在象的水平上,同样场面拍摄从同样角度在两个版本。

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推荐网络例句

This one mode pays close attention to network credence foundation of the businessman very much.

这一模式非常关注商人的网络信用基础。

Cell morphology of bacterial ghost of Pasteurella multocida was observed by scanning electron microscopy and inactivation ratio was estimated by CFU analysi.

扫描电镜观察多杀性巴氏杆菌细菌幽灵和菌落形成单位评价遗传灭活率。

There is no differences of cell proliferation vitality between labeled and unlabeled NSCs.

双标记神经干细胞的增殖、分化活力与未标记神经干细胞相比无改变。