耍无赖

He considered additions unfair, and scoundrelly .

他认为加进去的太不合适，也不光明正大，简直是在耍无赖。

He was restive all through it; he kept tally of the details of the prayer, unconsciously -- for he was not listening, but he knew the ground of old, and the clergyman's regular route over it -- and when a little trifle of new matter was interlarded, his ear detected it and his whole nature resented it; he considered additions unfair, and scoundrelly.

他在祈祷过程中，一直不安分。他记录下祷告词的详细内容，不过是无意识地这么做——因为他没有听，但是他熟悉牧师先生惯弹的老调，惯用的陈词罢了——每当祷告词里加进一点新内容时，他的耳朵立刻就能辨别出来，而且浑身上下都不舒服。他认为加进去的太不合适，也不光明正大，简直是在耍无赖。

The butcher, whom we decided NOT to arrange with, called and blackguarded me in the most uncalled-for manner.

我们准备不再与之打交道的屠户找上门来，毫不讲理地对我耍无赖。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。