老兵

He is an old soldier.

他是一个老兵。

Our talk soon turned to his role as the old soldier .

我们的话题很快转到他扮演老兵的事上来。

"It's finally time for this old soldier to fade away."

让这老兵消逝的时间终於来临了。

The old soldier had campaigned in nearly every country in Europe.

这个老兵几乎在欧洲所有的国家都作过战。

Old Soldier : The doctor's a gentleman. Old Soldier : He's a good man.

老兵：医生是位绅士，他是一个好人。

And like the old soldier of that ballad, I now close my military career.

就象歌中的老兵一样，我结束我的军旅生涯，只是淡出了人生舞台。

The job of another old soldier was threatened. The man had a large family and no other job.

另一位老兵的职务也面临威胁，这位老人有一个很大的家庭，家中其他人没有工作。

And like the old soldier of that ballad, I now close my military career, and just fade away.

就像歌中的老兵一样，我结束我的军旅生涯，只是淡出了人生舞台。

Old Soldier : Hes a good man.

老兵：他是一个好人。

And like the old soldier of that ballad, I now close my military career and just fade away.

正如那首歌谣中的老兵，我现在结束了自己的军旅生涯，开始慢慢消失。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。