群众

He was among the new breed in the 70s who took the reins from the old guard of Hollywood and brought edginess , indie credibility and legendary cinema to the ma ss es .

他是新品种，在70年代的人了缰绳，从老卫兵好莱坞带来边缘状态，独立可信性和传奇色彩的电影，以群众。

Result in the flourishing process of geographic cultural educational base, designer need seeking creative exploration and breakthrough for the exhibit art representing ploy. Concentrating on the reasonable utilizes of high technique and material, achieving the consummate combination of ideological and art、science and appreciate、educable and interesting, to satisfy public's more request for exhibit form and content of geographic museum .

正是由于这一地质文化教育基地在新时期的蓬勃发展，设计者更要在其陈列艺术的表现手法上寻求新的探索和突破，注重高技术和材料的合理运用，实现思想性与艺术性、科学性与观赏性、教育性与趣味性的完善结合，以满足广大群众对地质博物馆的陈列形式和内容所提出的更高的要求。

To carry out effective mass cultural activities in privately-run enterprises is a new subject under study.

在民营企业开展有效的群众文化活动是一个崭新的课题。

Elam is there, with all her hordes around her grave.

以拦也在那里、他的群众在他坟墓的四围。

Are you one of the masses or are you one of the elite?

你是一个对人民群众的，还是你的一个精英？

All the warnings from the punk rock 101 courses over the years, since my first introduction to the, shall we say, ethics involved with independence and the embracement of your community had proven to be very true.

多年来从庞克摇滚101历程得到的所有告诫，从我第一个引导的，应该说是一种包含独立精神与拥抱群众的伦理，已经被证明是非常正确的。

Nothing of them remains: nothing of their multitude, nothing of their wealth, and no eminence among them.

他们无一存留，他们的群众没有了，他们的财宝没有了，他们中间也没有得尊荣的。

To them it was mass emotionalism.

在他们眼中，这都是出于群众情绪。

To them it was mass emotionalism .

在他们眼中，这一切都只是出于群众情绪。

I would like to mention en passant that the powerful art image, however independent of man's will, always means more than it shows, if viewed with association, imagination, and even fantasy. So how can the Chinese people, the carders and the masses, prevent themselves from feeling any empathy for such a topical clay sculpture as "Rent Collecting Courtyard" at all, since they have bitterly and miserably experienced the persecution and even humiliation of Lin Biao and the Gang of Four but have not been able to vent their fury, which is one of the darkest ages in China's history?

附带指出：如果说艺术形象的感人力量，既要依靠形象本身那不以观众的意志为转移的特征，也要依靠观众自己的联想、想象和幻想，那么经受林彪、四人帮迫害以至侮辱、但在当时只能把怒火埋在心里的干部和群众，怎能避免他们那切身的经历，在重新来观赏这样的泥塑时，直接作用于欣赏活动中那设身处地的体验？

The split between the two groups can hardly be papered over.

这两个团体间的分歧难以掩饰。

This approach not only encourages a greater number of responses, but minimizes the likelihood of stale groupthink.

这种做法不仅鼓励了更多的反应，而且减少跟风的可能性。