美里

"Word here but pour that gaze after but hand wield " be that "A Dream in Red Mansions" middle is various narrate to grow once in art judging from content promising fish sets up the bait cause and effect effect have the disheartened line of grass snake on structure effect vanquishing line long distance the integral and indivisible sky is accomplished as for coming up to rectify an article if floating clouds and flowing water the chisel and the vulture adorn the even a tiny bit axe of nothing Shimizu goes out of Seremban just like natural get rid of vulture ornaments But every piece of natural coagulation of thing has become one share trickling sluggishly flow the stream living is natural and aesthetic as well one by one minor livelihood branch has woven into a very dense net the domino.

言在此而意在彼是《红(yan2 zai4 ci3 er2 yi4 zai4 bi3 shi4 _hong2)楼梦》中多种叙事艺术中一种，被脂砚斋喻为&言此而注彼，目送而手挥&，从内容上看有为鱼设饵的因果作用，在结构上有草蛇灰线，伏线。。。言在此而意在彼是《红(yan2 zai4 ci3 er2 yi4 zai4 bi3 shi4 _hong2)楼梦》中多种叙事艺术中一种，被脂砚斋喻为&言此而注彼，目送而手挥&，从内容上看有为鱼设饵的因果作用，在结构上有草蛇灰线，伏线仟里的效果，从整篇文章上来看浑然天成，如行云流水，无丝毫的斧凿与雕饰，宛如清水出芙蓉，天然去雕饰，每一件事情又自然而然的凝结成了一股涓涓流淌的生活流，自然而又唯美，而各个小的生活支流又织成了一张密密麻麻的网，牵一发而动全身。

Grand beauty says the bank, although she ever also had worked in a slap-bang shop, but the person that big public house welcomes is much, the chance with various person contact with is much also.

岸宏美说，虽然她也曾在小饭店里打过工，但大酒店接待的人多，与各种各样的人打交道的机会也多。

Under 1 bright moon is my hometown, above is my dream 2 look at the beautiful nighttime sky, the train of thought flutters about… in 3 dreams passes through thousand road, as if at present… in 4 hearts has filled with the hope, flutters about with the wind… do 5 who hide open the lonely dry cane winding 6 live like brilliance the summer flower, dies like static beauty of the autumn leaf 7 peaceful deaths side you 8 if one day of me to die, you will miss me?

中—》英正文： 1皎洁的月亮下面是我的故乡，上面是我的梦想 2看着美丽夜空，思绪纷飞。。。 3梦里走过千遍的路，仿佛就在眼前。。。 4心中充满了希望，随风纷飞。。。 5谁又躲的开寂寞的枯藤缠绕 6生如夏花之绚烂，死如秋叶之静美 7安静的死在你身边 8若有一天我死去了，你会思念我吗？

From Zhob come various female figurines with a skull-like appearance, taking us into that weird world of magic and superstition which we surmise to have been behind the cultures of India as well as of Sumer, Egypt, crete and America

扎布的陶器上多为长着骷髅外貌的女性形象，这将我们带入了印度、苏美尔、埃及、克里特及美洲文化中充满神秘和迷信色彩的奇特世界。

The taste is under the rule of the ability of judgment. The taste is the ability of aesthetic judgment and is also the unique creation. Although in Kant's aesthetics, the sensus communis, the ability of judgment and the taste had lost the original meaning. According to Gadamer's viewpoint, as long as we hold the real meaning of these elements, we can still find out the way of reorganization and the fountain of the truth which the human sciences owns are different to the natural science.

品味由判断力所规定，品味就是一种审美判断力，对具体的情况有一种独特的创造力，虽然在康德美学里共通感、判断力、品味都丧失了原始的丰富意义，按照高达美的看法要我们正确掌握这些要素的真正意涵，我们就可以找到精神科学不同於自然科学的认识方式和真理泉源。

It deals with feeling versus experience, subjectivity versus objectivity, disinterested pleasure, aesthetic universality, free and adherent beauty, the sensus communis, genius, aesthetic ideas, beauty as the symbol of morality, beauty of nature versus beauty of art, the sublime, and the supersensible.

在这篇文章，笔者将范围限定在康德的批判美学，但是也将讨论丑陋，以及数学里到底有没有美？

I From fairest creatures we desire increase, That thereby beauty's rose might never die, But as the riper should by time decease, His tender heir might bear his memory: But thou contracted to thine own bright eyes, Feed'st thy light's flame with self-substantial fuel, Making a famine where abundance lies, Thy self thy foe, to thy sweet self too cruel: Thou that art now the world's fresh ornament, And only herald to the gaudy spring, Within thine own bud buriest thy content, And tender churl mak'st waste in niggarding: Pity the world, or else this glutton be, To eat the world's due, by the grave and thee.

对天生的尤物我们要求蕃盛，以便美的玫瑰永远不会枯死，但开透的花朵总要到时凋谢，它娇嫩的后代也许会保留它的记忆；但你，只和你自己的明眸定情，把自己当燃料喂养眼中的火焰，把一片丰沃的土地变成荒田。和自己作对，待自己未免太狠。你现在是大地的清新的点缀，又是锦绣阳春的唯一的前锋，为什么把富源埋在嫩蕊里，温柔的鄙夫，要吝啬，反而浪用？可怜这个世界吧，要不然，贪夫，就吞噬世界的份，由你和坟墓。

From fairest creatures we desire increase, That thereby beauty's rose might never die, But as the riper should by time decease, His tender heir might bear his memory: But thou contracted to thine own bright eyes, Feed'st thy light's flame with self-substantial fuel, Making a famine where abundance lies, Thy self thy foe, to thy sweet self too cruel: Thou that art now the world's fresh ornament, And only herald to the gaudy spring, Within thine own bud buriest thy content, And tender churl mak'st waste in niggarding: Pity the world, or else this glutton be, To eat the world's due, by the grave and thee.

对天生的尤物我们要求藩盛，以便美的玫瑰永远不会枯死，但开透的花朵旣要及时凋零，就应把记忆交给娇嫩的后嗣；但你，只和你自己的明眸定情，把自己当燃料喂养眼中的火焰，和自己作对，待自己未免太狠，把一片丰沃的土地变成荒田。你现在是大地的清新的点缀，又是锦绣阳春的唯一的前锋，为什么把富源葬送在嫩蕊里，温柔的鄙夫，要吝啬，反而浪用？可怜这个世界吧，要不然，贪夫，就吞噬世界的份，由你和坟墓。

From fairest creatures we desire increase, That thereby beauty's rose might never die, But as the riper should by time decease, His tender heir might bear his memory: But thou contracted to thine own bright eyes, Feed'st thy light's flame with self-substantial fuel, Making a famine where abundance lies, Thy self thy foe, to thy sweet self too cruel: Thou that art now the world's fresh ornament, And only herald to the gaudy spring, Within thine own bud buriest thy content, And tender churl mak'st waste in niggarding: Pity the world, or else this glutton be, To eat the world's due, by the grave and thee.

一对天生的尤物我们要求蕃盛，以便美的玫瑰永远不会枯死，但开透的花朵既要及时雕零，就应把记忆交给娇嫩的后嗣；但你，只和你自己的明眸定情，把自己当燃料喂养眼中的火焰，和自己作对，待自己未免太狠，把一片丰沃的土地变成荒田。你现在是大地的清新的点缀，又是锦绣阳春的唯一的前锋，为什么把富源葬送在嫩蕊里，温柔的鄙夫，要吝啬，反而浪用？可怜这个世界吧，要不然，贪夫，就吞噬世界的份，由你和坟墓。

When the sea wind dashes the snow-white billows against the beach, I can pick up from among the brilliant spray many pretty shells and colourful pebbles, as well as some lovely green seaweed as delicate as human hair.

当海风卷起雪浪来袭击海岸时，在美丽的浪花里②，会拾到许多小巧玲珑的贝壳，和五色斑斓的小石子；还有那些碧绿的海草，长的像秀发，又美又可爱。

And Pharaoh spoke to Joseph, saying, Your father and your brothers have come to you.

47：5 法老对约瑟说，你父亲和你弟兄们到你这里来了。

Additionally, the approximate flattening of surface strip using lines linking midpoints on perpendicular lines between geodesic curves and the unconditional extreme value method are discussed.

提出了用测地线方程、曲面上两点间短程线来计算膜结构曲面测地线的方法，同时，采用测地线间垂线的中点连线和用无约束极值法进行空间条状曲面近似展开的分析。