美的

Very psychiceyes, high and that beautiful nose and small mouth red-labium of a little smiling. Hold the standard of esthetica lmodern times and beauty of orthodox ancientry organic amalgamation in togethert and that become face of fairness and beautiful and acetone body of erogenous and awfulness.

眗眗有神的眼眼睛、高絢的鼻子和略带微笑的杏嘴红唇，把这现代美的标准和古代传统的美有机的融合在一起而够成美丽漂亮的面庞和庄严而性感的酮体。

The ideas about art and artistic practice in the Renaissance are the historical revival of this explanatory tradition, Heidegger announced that there was natural relationship between the existence of humanity and beautifulness.

海德格尔在美学上的重要性，归根到底在于他实现了美学的"存在论转向"，从而颠覆了"美"的知识论诠释传统，揭示了"美"与人的存在本身的本然联系，从而奠定了人的审美活动同人的存在的去蔽之间联系的原初基础。

Secondly, language, Pu Songling unique Blair blend of vulgar language style, language figures paint a vivid Berthelot, and the style with the simple beauty; in the mood again, the perfect atmosphere exaggerations, put the reader into a luxurious vice magic realm of moods and characters combined, reuse unique language performance, and to achieve a "Habitat namely," the state, giving people the enjoyment of beauty; Finally,"happy" ending of the story, but also to express the Chinese people since ancient times,"Good will be rewarded with good, evil with evil "and the traditional concepts of good wishes.

求翻译！请高手帮帮忙！其次在语言上，蒲松龄以其独特的雅、俗相融的语言风格，将人物语言描绘得活脱生动，并且具有文言的简洁美；再次在意境上，恰到好处的氛围渲染，把读者带入了一副副瑰丽神奇的境界，将意境与人物刻画相结合，再用独特的语言表现出来，达到一种"境即为人"的境界，给人以美的享受；最后，"大团圆"的故事结局，更是表达了中国人自古以来"善有善报，恶有恶报"的传统观念和美好愿望。

Obviously ,he was affected by Baudelaire's Ferocity Flowers .In the choice of poem tastes , Most of his writings are facing to the frightful side of life .and he created many evil imagoes ,such as cadavers、dull bones 、bloodiness, muddiness、hungriness and dead leaves.

其作品很明显的受到了波德莱尔《恶之花》的影响，在诗歌审美对象的选择上，多数的诗都是面向生活中的丑恶面，大量营造死尸、枯骨、血污、寒夜、泥泞、荒漠、死叶等丑恶的意象，带有明显的"以丑为美"、"从恶中发掘美"的美学倾向。

Just as the to"rnb figure and stone picture of Hah Dynasty realize, the art is vividly realized in human being, animals, architecture, myth and foods.The ancient art of China, particularly Oriental framing of the" sculpture of the Han Dynasty; In other words the human beauty expressed centering oh pursuit of beauty of purity, life and human being will become an important key to the recovery of original beauty in the modern art in the cultural reality where the modern society is materialized Under the domination of the principles of economy and the proper beauty of art has lost direction in terms of touch of identity of the Orient

用经济原理支配的现代社会的机械化、物质化，社会变得整齐划一，在这样的的文化现实中，在丢失了美术本原美的现代美术现实中，在东洋整体性的既得利益下，对于现代美术而言，可以说表露出的人情美和感动是恢复艺术本原美的重要钥匙。

The braids of her dark hair were touched by no frost; her white arms and clear face were flawless and smooth, and the light of stars was in her bright eyes, grey as a cloudless night; yet queenly she looked, and thought and knowledge were in her glance, as of one who has known many things that the years bring.

她的秀发上没有任何风霜，而洁白的玉臂及面孔更是洁白无瑕，吹弹可破。她的双目中也同样有着耀目的星光，也同样如同无云的夜晚一样澄澈。但她却散发着一肌皇后一般的高贵气质，她的美目流转之间都充满了睿智和深意，仿佛是看透世事的智者占据了她年轻貌美的身躯。

Tagore is such a master, a blade of grass, a wild flower, a ray of light wind, rain a while, to his pen, have been given a unique meaning, reveals the true meaning of life and life's beauty, and the STRAY BIRD descripted the thought of humanitarian ,which is full of "truth, goodness and beauty" of the small world.

泰戈尔正是这样的大师，一棵小草，一朵野花，一缕微风，一阵细雨，到了他的笔下，都被赋予了独特的意义，揭示出人生的真谛和生活的美，而《飞鸟集》里所描写的就是作者理想的，充满人道主义思想的"真，善，美"的小世界。

When forty winters shall besiege thy brow, And dig deep trenches in thy beauty's field, Thy youth's proud livery so gazed on now, Will be a tattered weed of small worth held: Then being asked, where all thy beauty lies, Where all the treasure of thy lusty days; To say within thine own deep sunken eyes, Were an all-eating shame, and thriftless praise.

当四十个冬天围攻你的朱颜，在你美的园地挖下深的战壕，你青春的华服，那么被人艳羡，将成褴褛的败絮，谁也不要瞧：那时人若问起你的美在何处，哪里是你那少壮年华的宝藏，你说，在我这双深陷的眼眶里，是贪婪的羞耻，和无益的颂扬。

When forty winters shall beseige thy brow,And dig deep trenches in thy beauty's field,Thy youth's proud livery, so gazed on now,Will be a tatter'd weed, of small worth held:Then being ask'd where all thy beauty lies,Where all the treasure of thy lusty days,To say, within thine own deep-sunken eyes,Were an all-eating shame and thriftless praise.

当四十个冬天围攻你的朱颜，在你美的园地挖下深的战壕，你青春的华服，那么被人艳羡，将成褴褛的败絮，谁也不要瞧：那时人若问起你的美在何处，哪里是你那少壮年华的宝藏，你说，"在我这双深陷的眼眶里，是贪婪的羞耻，和无益的颂扬。"

The body of the paper mainly explores two layers of simplicity in painting, that is, simplicity of content and simplicity of form. With works of those who are famous for their classic beauty of simplicity in creation like Jean Francois Millet, Kath Kollwitz, Zhou Sicong, Luo Zhongli, the paper arrives that the different elements of simplicity in both content and form provide basic condition for the holistic simplicity of the whole work.

文章主体部分就绘画的朴素性展开论述，着重从绘画内容的朴素和绘画形式的朴素两个方面来展开探讨，以古今中外绘画史上一些作品深具经典朴素美的画家，特别是米勒、凯绥·柯勒惠支、周思聪、罗中立等人的艺术形式及精神内涵作例证，而得出绘画内容及绘画形式中各个因素各具特色的朴素，是体现整个绘画作品朴素美内涵的基本条件。

For a big chunk of credit-card losses; the number of filings (and thus charge-off rates) would be rising again, whether

年美国个人破产法的一个改动使得破产登记急速下降，而后引起了信用卡大规模的亏损。

Eph. 4:23 And that you be renewed in the spirit of your mind

弗四23 而在你们心思的灵里得以更新