美术馆

The ★erotic[23] drawings and prints by him and his pupil Theodor von Holst are so explicit that the Tate has hung a veil between them and Fuseli's popular fairy paintings nearby, which are a favourite with children.

由于富塞利及其学生霍尔斯特的素描和版画色情描绘过于直接，泰特美术馆就悬挂起一块幕布，将在这些画与近旁富塞利那些迎合大众的，尤其是孩子们最爱看的仙女画隔开。

The★ erotic[23] drawings and prints by him and his pupil Theodor von Holst are so explicit that the Tate has hung a veil between them and Fuseli' s popular fairy paintings nearby, which are a favourite with children.

由于富塞利及其学生霍尔斯特的素描和版画色情描绘过于直接，泰特美术馆就悬挂起一块幕布，将在这些画与近旁富塞利那些迎合大众的、其是孩子们最爱看的仙女画隔开。

The ★erotic[23] drawings and prints by him and his pupil Theodor von Holst are so explicit that the Tate has hung a veil between them and Fuselis popular fairy paintings nearby, which are a favourite with children.

由于富塞利及其学生霍尔斯特的素描和版画色情描绘过于直接，泰特美术馆就悬挂起一块幕布，将在这些画与近旁富塞利那些迎合大众的、尤其是孩子们最爱看的仙女画隔开。

The★erotic[23] drawings and prints by him and his pupil Theodor von Holst are so explicit that the Tate has hung a veil between them and Fuseli's popular fairy paintings nearby, which are a favourite with children.

由于富塞利及其学生霍尔斯特的素描和版画**描绘过于直接，泰特美术馆就悬挂起一块幕布，将在这些画与近旁富塞利那些迎合大众的、尤其是孩子们最爱看的仙女画隔开。

The ★ erotic[23] drawings and prints by him and his pupil Theodor von Holst are so explicit that the Tate has hu ng a veil between them and Fuseli's popular fairy paintings nearby, which are a favourite with children.

由于富塞利及其学生霍尔斯特的素描和版画色情描绘过于直接，泰特美术馆就悬挂起一块幕布，将在这些画与近旁富塞利那些迎合大众的、尤其是孩子们最爱看的仙女画隔开。

Cent.; Ottawa, N.G.; and elsewhere a perfect circle was removed from the gallery floor to intimate the generative effect of negative space.

中，他从美术馆的地板上切去了一个圆形，让人们体会阴性空隙的奇妙效果。

By and got rewards in the documenta Archive of the City of Kassel and Venice Biennale Exhibition for several times. The

此次在中国美术馆举办的个展如同是一本挂起来的&线订书籍&，20幅作品用一封信的形式传递信息：无所拘束的书

Sunhee Kim as Art Director for her well-known curator experience. Ms. Sunhee Kim commits herself to promoting contemporary art in Asia over decades. She has independently conducted or participated in the planning and execution of many renowned exhibitions and galleries in Asia. She was also serving as chief curator of Gwangju Art Museum and Kwangju Biennale in Korea for several years, as well as an executive director in Tokyo Mori Art Museum in Japan and also a professor in Department of Art, Chunnam National University.

金善姬女士长期致力于亚洲当代艺术的研究和推广，曾独立或参与多个亚洲知名艺术展览和艺术馆的策展工作，她连续数年担任韩国光州城市艺术馆（Gwangju Art Museum， Korea）和韩国光州双年展（Kwangju Biennale， Korea）策展人，并曾任职于东京森美术馆（Tokyo Mori Art Museum， Japan）及任教于韩国全南国立大学艺术系(Department of Art， Chunnam National University， Korea)。

Do you know, i need you to come back

你知道吗，我需要你回来

Yang yinshu、Wang xiangsheng、Li decang,The first discovery of haemaphysalis conicinna.

1〕 杨银书，王祥生，李德昌。安徽省首次发现嗜群血蜱。