美术馆

Especially, he rebuked the "American Coca Cola" culture and Hollywood culture which emerged during the process of globalization. Err tried to look for an artistic image symbol "Dolls and Molls" which could express his thoughts conveniently in the commercial popular culture. In this kind of culture, human traditional culture was disappearing gradually, while violent and erotic things and money worship mentality were rampant. Like dolls we are indeed toys manipulated by materialistic society and forget all things when we laugh and purposely tailor our own words or behaviors to others' intentions. When people come to the exhibition "Dolls and Molls, A Selection of Err 's Paintings" at Today Art Museum, appreciating the pictures may also make them think.

尤其，对全球化下的&美国可口可乐&文化、好莱坞文化予以反击，艾豪试图在人类传统文化逐渐丧失，暴力、色情、拜金所裹携的商业流行文化中，寻找一个能便于表达自己思想得艺术图像符号，即&玩偶&，确实我们人类像玩偶一样被无比物化的社会所戏弄与把玩，我们像玩偶样在捧笑、迎合、欢愉中忘掉一切，直至失去自己……当人们走进今日美术馆《&玩偶&·人间游戏-艾豪艺术》的展览现场时，在一片将开心进行到底的愉快声中，或许还能思考。

The longer it takes them to discover , the more famous I will be. From the end of the 1980s he devised ever more headline-grabbing ventures: bidding for the bones of the Elephant Man, sleeping in an oxygen chamber, appearing in toyshops and galleries in garish wigs and moustaches.

他们在挖掘'我的真相'上花的时间越长，我就越出名）从1980年代末开始，他变本加厉地制造各种眩目的头条：竞标&象人&骨骸，在氧气室中中睡觉，戴着绚丽的假发留着小胡子出现在玩具店和美术馆。

In 1994, the 2nd Chinese Oil Painting Exhibition, Yellow Earth was collected by National Art Museum of China.

当代中国艺术2004作品《天籁》被上海刘海粟美术馆收藏。2005年大河上下—新时期中国油画回顾展。2006年第三届世纪风骨—中国当代艺术名家展。

Photo Gallery: Underwater Scenes Photographer Emory Kristof has pushed the boundaries of underwater photography over his long career, from pioneering the invention of remotely operated vehicles, high intensity lighting, and robot cameras, to exploring wrecks like the Titanic and shooting deep sea creatures like these fish and floating salps in the Bowie Seamount.

意译：水下景色图片美术馆。摄影师埃默里克里斯托夫已经推进水下摄影的界线在他的长期生涯上，从开拓型发明的远程地操作交通车，高强度光源，和机器人照相机，去探测沉船像泰坦尼克号和深海摄影生物像这些鱼和浮动的樽海鞘在鲍伊海底山。

Photographer Emory Kristof has pushed the boundaries of underwater photography over his long career, from pioneering the invention of remotely operated vehicles, high intensity lighting, and robot cameras, to exploring wrecks like the Titanic and shooting deep sea creatures like these fish and floating salps in the Bowie Seamount.

意译：水下面的情景图片美术馆。摄影师艾莫里克里什托夫推动边界的水下摄影越过他长期的职业生涯，从先驱的发明遥控操作的交通工具，高强度照明，和机器人照相机，探索像泰坦尼克号沉船和摄影深海生物像这些鱼和浮动樽海鞘在鲍伊海底山。

Photographer Emory Kristof has pushed the boundaries of underwater photography over his long career, from pioneering the invention of remotely operated vehicles, high intensity lighting, and robot cameras, to exploring wrecks like the Titanic and shooting deep sea creatures like these fish and floating salps in the Bowie Seamount.

意译：水下景色图片美术馆。摄影师埃默里克里斯托夫已经推进水下摄影的界线在他的长期生涯上，从开拓型发明的远程地操作交通车，高强度光源，和机器人照相机，去探测沉船像泰坦尼克号和深海摄影生物像这些鱼和浮动的樽海鞘在鲍伊海底山。

On view October 25, 2009 January 3, 2010, Matisse as Printmaker unites the BMA's extraordinary collection of Matisse prints with a traveling exhibition organized by the American Federation of Arts, a non-profit arts organization, and the Pierre and Tana Matisse Foundation.

此次展览展出的马蒂斯的版画作品是集合了来自巴尔的摩美术馆非凡的馆藏、非营利组织--美国艺术基金会以及皮埃尔与塔纳·马蒂斯基金会的藏品。

As for this successful "Made in Nanjing" exhibition, I am very thankful to Mr. XiaoYu for his contact and assistance and to Mr. LiuGuofu, director of Qing He Contemporary Art Museum for their warm reception and introduction and to Mr. HuZhengdong for his well-designed catalogue and invitations as well as his playbills. Meantime, I am delighted to be with Mr. Chris Gill to interview the artists of Nanjing and visit their studios. At last, I am very much obliged to XingBo gallery for providing exhibition space and financial support during this period of the "Shanghai 2010 Expo".

&南京制造&展能顺利举行，首先感谢于小雨先生的联络与帮助，青和当代美术馆馆长刘国夫先生的热情接待与引荐以及胡正东先生对画册、请柬、海报等的精心设计，同时也非常高兴能和Chris Gill先生共赴南京采访了南京艺术家并参观了他们的工作室，最后感谢新波画廊在2010世博期间提供了展览的空间及经费的支持。

As for this successful "Made in Nanjing" exhibition, I am very thankful to Mr. XiaoYu for his contact and assistance and to Mr. LiuGuofu, director of Qing He Contemporary Art Museum for their warm reception and introduction and to Mr. HuZhengdong for his well-designed picture album and invitations as well as his playbills. Meantime, I am delighted to be with Mr. Chris Gill to interview the artists of Nanjing and visit their workshops. At last, I am very much obliged to XingBo gallery for his exhibition rooms' supplying and financial support in this very period of "Shanghai 2010 Expo".

&南京制造&展能顺利举行，首先感谢于小雨先生的联络与帮助，青和当代美术馆馆长刘国夫先生的热情接待与引荐以及胡正东先生对画册、请柬、海报等的精心设计，同时也非常高兴能和Chris Gill先生一起赴南京采访南京艺术家并参观他们的工作室，最后感谢新波画廊在2010世博期间提供了展览的空间及经费的支持。

From the perspective of Farming on Clear Days and Reading on Raining Days (a traditional Chinese idiom meaning taking every opportunity to constantly improve oneself), Lin Chuanchu's work depicts the changes to the site of The People's Square (a common subject in the "Study of Shanghai"), by reconstructing the historical appearance of the site using a stratigraphic approach frequently used in archeology. The artist then planted rice paddies in 12 parterres outside the east gate of Shanghai Art Museum, reminding us of the long-lost smell of fresh rice that once filled the air.

林铨居以《瞬间回忆：上海水稻田计划》的视角溯源了人民广场在&上海学&中的地貌更迭，以考古中的地层学方式来复原人民广场的原貌，以在上海美术馆东门前12个花坛中播种水稻来回应我们脚下已经失去的快稻快香。

Do you know, i need you to come back

你知道吗，我需要你回来

Yang yinshu、Wang xiangsheng、Li decang,The first discovery of haemaphysalis conicinna.

1〕 杨银书，王祥生，李德昌。安徽省首次发现嗜群血蜱。