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Academicism certainly includes not only teachers who are engaged in research and creation of prints in colleges of fine arts, but professional painters in professional institutes or academically well-trained and qualified for teaching and research.

当然,学院版画不仅指在中国各美术学院从事版画研究与创作的教师,还应包括在各专业画院或受过学院严格训练、具有学院教学与研究素养的专业画家。

All artists shall face the serious questions as to how to concentration on the profoundness of thinking and probe into the language of arts and how to contribute the valuable pabulum to the society and the public on the basis of the further observation, experiencing, thinking and analysis of the true life.

2006年3月,于北京,中央美术学院①孙为民:《自述》,载《中国现代艺术品评丛书·孙为民》,广西美术出版社、香港现代出版社,1993年。

It was a common practice both at the Royal Academy and the British Institution, to have 3 days before the exhibition, where painters could make last minute alternations to their work.

当时皇家美术学院和英国美术促进会都规定在画展开幕前有3天时间供艺术家们对他们的作品做出最后的修改。

And Youth as well as his picture – story book – Snow Goose in 1980s.

毕业于四川美术学院油画系的何多苓,作为"伤痕美术"的代表人物,上世纪80年代初即以油画《春风已苏醒》、《青春》;连环画《雪雁》等作品轰动一时。

He first studied at the Dijon National Academy of Fine Arts, and later at the Ecole Nationale Supérieure des Beaux-Arts in Paris.

19岁时赴法国勤工俭学,学习绘画,先入第戎美术学院,后入巴黎高等美术学校,并游学德国柏林。

In the early of 50s,based on experience of "Yan\' an Art" and Soviet Union,an effective system of literary management and organization was established in fine art creation and education in new China.

本文梳理了20世纪50年代中央美术学院雕塑系教学建设的历史,并希望这段历史能再现50年代中国美术的一个侧面。50年代初,新中国美术创作和教育主要根据&延安文艺&经验和苏联经验,建立起一套有效的文艺管理、组织体制。

We have done some research on the several artists we discovered, and conducted some basis analyses on their shared characteristics: they are clear-minded whose works are tinged with distinct personality and times; they are all professors from China Academy of Art and Central Academy of Fine Arts, two top institutes of art in China; they have explicit academic pursuit and profound specialized research.

我们为我们寻得的这几位艺术家作了一点研究,就他们的共性作了一点基本分析:他们内心清明,其作品都具有鲜明的个性和时代的特征;他们均是中央美术学院和中国美术学院,中国两所最高艺术学府的教授;他们都有明确的学术追求和专业研究的深度。

Which sponsored by the fine art gallery of Guangzhou Academy was held in the fine arts gallery of Changgang Road campus.

2007年10月25日至11月5日,由广州美术学院美术馆主办的&品质——范勃、蒋剑韬、宋光智作品展&在广州美术学院昌岗东路校区美术馆举行。

Fortunately, then China Central Academy of Fine Arts started a training program in the charge of Bencas with France Art Academy with respect of classic painting materials and skills. Guo enjoyed the full technical process of the European classic oil painting for the first time in his life from this training program and began to realize his previous errors and understood that what was popular in the Chinese painting at that time as just the original feature of the "Alla Prima" from the Soviet Union.

而尤其幸运的是,当时中央美术学院正在开办由来自法国美术学院的古典油画材料与技法专家宾卡斯主持的训练班,这个班的课,使郭润文第一次亲眼目睹和实践了欧洲古典油画的整个技术过程,开始明白从前所学到的谬误,明白了弥漫在中国油画界的原来只是一种来自前苏联的被称之为&一次性画法&的本来面目。

Graduated from China Central Academy of Fine Arts, China and the Kunsthochschule Kassel, Germany.

毕业于中央美术学院和德国卡塞尔美术学院

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