美学的

Because of the abstract and abstruseness of his words,I'll explain it from its function,origin and way of existence through the comparison of aesthetics between China and the west.

因其所论抽象玄奥令人费解，故本文特从功能、来源、存在方式三个角度，借助于中西美学的比较对其作出释读。

Aesthetically it is likely to be much more pleasing than a RoT system.

从美学的角度，它比2分规则系统更能令人愉悦。

In this situation the helplessness of aesthetics was revealed in all its severity: not a single aesthetician could place bounds to this anarchy by drawing the boundary lines between art and pseudo-art.

在这种情况下，美学的无能被揭发得淋漓尽致：没有哪怕一位美学家能通过在艺术和伪艺术之间划定一条边界线来约束一下这种无政府主义状态。

The ideas about art and artistic practice in the Renaissance are the historical revival of this explanatory tradition, Heidegger announced that there was natural relationship between the existence of humanity and beautifulness.

海德格尔在美学上的重要性，归根到底在于他实现了美学的"存在论转向"，从而颠覆了"美"的知识论诠释传统，揭示了"美"与人的存在本身的本然联系，从而奠定了人的审美活动同人的存在的去蔽之间联系的原初基础。

The author has initiated that ecological culture concepts should be integrated in a deeper level in hillside architectural design originality, both should reflect hillside green architectural morphology art expression characteristic based on the narrow strategies, as well as realize the integration of morphological esthetics and the ecological esthetics to manifest the combining of hillside architecture and hillside environment, and should realize the conformity with the humanities ecology based on the generalized strategies originated from local environment, to reflect the regional difference and nationality's particularity , and to manifest the harmony aesthetic value close connected between hillside architecture and the regional social environment, the cultural environment so as to realize hillside architectural significance finally.

作者倡导坡地建筑设计创意中的生态文化理念需在更深层次上进行整合，既要基于狭义的缘地策略反映坡地绿色建筑形态艺术表达的特性、以及实现形态美学和生态美学的整合，体现出坡地建筑与自然环境的合二为一，又要基于广义的缘地策略实现与人文生态的整合，反映地域的差异性和民族的特殊性，体现出坡地建筑与地域的社会环境、文化环境密切关联的和谐美，以最终实现坡地建筑的意义。

This article uses the poems written by Samuel Taylor Coleridge (1772-1834), an important Romantic theologian in the history of European Christian thoughts and one of the Lake Poets key figures, as examples to discuss the relationship between Passive Romantic and Aesthetic Theology. It tries to explain this topic by analyzing the countless ties existing between Passive Romanticism and Western Christian Theological Aesthetic, both in style as well as in substantial contents.

本文以欧洲基督教思想史上的浪漫主义神学家、英国"湖畔诗人"的重要代表人物柯勒律治的诗歌及相关作品为例，从不同的角度分析消极浪漫与神学美学的关联，并由此提出：消极浪漫主义与西方基督教神学美学无论在其表现形态、内容构成，还是所蕴涵的内核上，都有着千丝万缕的关联。

This covert appreciation of images in dangerous insofar as it accepts not a dialectical relation between political and formal meaning, not their nterpenetration, but a hazier, more reified relation, one in which topicality drops away as epochs fade, and the aesthetic aspect is, if anything, enhanced by the loss of specific reference (although there remains, perhaps, a cushioning backdrop of vague social sentiments limiting the 'mysteriousness' of the image) I would argue against the possibility of a nonidological aesthetic; any response to an image is inevitably rooted in social knowledge- specifically, in social understanding of cultural product.

l s1 o6 A8 l( R$ D7 E)|7 }$}迄今为止，这样的想法已经把对作品的鉴赏力引向了危险的境地，因为它接受的不是政治意义与正式意义之间的辨证关系，不是两者之间互相渗透的关系，而是一种更危险更实在的关系，其中最明显的就是随着几个重要时代的消褪而衰败，就美学角度来说，如果任何事物，因丢失具体的参考文献而被强调出来（尽管这些文献是存在的，可能一股当时社会含糊不请的氛围造成了缓冲力从而限制了作品的神秘性）我一定会反对一种叫非智慧美学的可能性，一幅作品的任何反应都必然植根于社会的知识形态，尤其是社会对文化产物的理解

Then a conclusion is drawn that Mao Zedong is a poet of the red flag because the red-flag image,with symbolic implications and aesthetic values,is a poetic reflection of his views towards revolution,reflecting his political sense,revolutionary belief,and battle lif.

本文运用马克思主义文艺观和中国传统文艺美学的批评方法，通过对毛泽东诗词中&红旗&意象的细致的文本解读，来剖析其成因和美学蕴涵，然后得出结论：因为&红旗&意象映照出毛泽东的政治意识、革命信念和战斗生涯，是他对革命生活和斗争的诗化的认识和反映，具备了象征内涵和审美价值，形成了象征美、色彩美、动态美和力量美的统一，所以，毛泽东堪称&红旗&诗人。

At the same time, Burke'esthetics theory, equate honor with the sense of terror , has provided goodpsychology and esthetics guide us to Gothic novel.

同时，柏克的将崇高感等同于恐惧感的美学理论也为我们走进哥特式小说的世界，提供了绝好的心理学和美学的指南。

This article uses the poems written by Samuel Taylor Coleridge (1772-1834), an important Romantic theologian in the history of European Christian thoughts and one of the Lake Poets key figures, as examples to discuss the relationship between Passive Romantic and Aesthetic Theology. It tries to explain this topic by analyzing the countless ties existing between Passive Romanticism and Western Christian Theological Aesthetic, both in style as well as in substantial contents.

本文以欧洲基督教思想史上的浪漫主义神学家、英国&湖畔诗人&的重要代表人物柯勒律治的诗歌及相关作品为例，从不同的角度分析消极浪漫与神学美学的关联，并由此提出：消极浪漫主义与西方基督教神学美学无论在其表现形态、内容构成，还是所蕴涵的内核上，都有着千丝万缕的关联。

Neither the killing of Mr Zarqawi nor any breakthrough on the political front will stop the insurgency and the fratricidal murders in their tracks.

在对危险的南部地区访问时，他斥责什叶派民兵领导人对中央集权的挑衅行为。

In fact,I've got him on the satellite mobile right now.

实际上 我们已接通卫星可视电话了