美学的

The aesthetics of the Britain Experimentalism modified the classical ideas, and brought a profound revolution in the history of garden.

经验主义美学的出现改变了西方长期以来的审美观，在造园上则表现为反规则的英国自然风景园的出现，美学思想的改变导致了西方造园史上的一场革命。

There is much difference in between. In Chinese context, the word "created" usually refers to those unprecedented constructive acts, with some ideological nature. The connotation and denotation thereof has much uncertainty and extensionality.

这一命题对于实践美学的重要性，不但是由于它实际上居于实践美学理论体系的逻辑起点的位置，而且是由于它直接出自我国美学界，乃至社会科学界最重要、最权威的思想宝库———马克思的经典典籍。

His third concept of silence not only established the theoretical ground for discoursing on the aesthetics of silent cinematography, but also settled a milestone for the later development of discussion on cinematic mutism, which the characters in the film keep mum all the way.

尤其，巴氏第三个沉默概念，不仅奠立了讨论沉默影音美学的理论基础，更是为后来的「缄默」影音美学（即影片中由始至终都不说话的人物）埋下了探讨的重要基石。

It likes as follows: firstly, WANG Guo-wei's Jing-Jie theory is virtually originated from Nietzschean tragedy theory and Schopenhauerian intuition theory; and it completely bases upon western philosophies and aesthetics, and practices and extends them.

其具体体现主要有两点：一，王国维的境界理论从实质上来讲更多地来源于尼采的悲剧理论和叔本华的直观理论；二，王国维的境界理论完全立足在西方哲学、美学的基础之上，是西方哲学、美学思想的一种具体运用与展开。

Baumgarten's purpose is to study the 'perfect of the perceptional knowledge'.

鲍氏的美学旨在研究"感性认识的完善"；康德的第三批判论证了"无目的的合目的性"乃是感性判断力的先天规律，从而在知识学体系内完成了美学的本体论证明。

Kant has proved that the principle of the formal purposiveness of nature is a transcendental principle of aesthetic judgment.

但美学的真正本体论地位的确立是在马克思主义以"人的感性的实践活动"为基础的美学体系之内。

While affirming the biological rightfulness of body pleasure, legitimizing the part of body in aesthetics, and defending the aesthetic value of popular art, somaesthetics offers a possibility for a humanitarian aesthetics that is more concerned with our body.

另外，他积极肯定快感的生物学意义和身体在审美中的合法性地位，同时为通俗艺术提供美学辩护，指向了一种更具伦理关怀的人道主义美学的可能。

We attempts to get the same origin souce though explanation of two famous sentences poem ""fly like a goose, fly like a dragen,""""Lingboweibu, Luo socks and dust,"" see that female aesthetic with the immortalist, Wufeng, Taoism aesthetic coherence or homogeneous character, and at last get the most foudamental spirit of female image --""human pursuit of their own free liberation"".

本文尝试从对曹植&矫若游龙，翩若惊鸿&&凌波微步，罗袜生尘&两句脍炙的诗句的解释中，发见神女美学与神仙家、巫风、道家美学的一致性或同源性，并由此得到神女意象中所蕴涵的，最根本的&人类追求自身的自由解放&之精神。

In light of the research target of because this lawful sex from discipline system is symphonious happy aesthetic, musical aesthetic returns model of discipline system regulation, its real significance is serve as with music exceed biology sex limbs to return to life finally, rebuild perceptual cognitive means.

因此从学科制度的合法性和音乐美学的探究对象来看，音乐美学是反学科制度规训的，它的真正意义是以音乐作为超生物性肢体最终回归生命，重建感性的认知方式。

We managed to point out the orientalized and assimilated historical process by the study of their encounter, intercourse, combination and unification.

本文以魏晋般若学与美学的触遇、对话、交融、统一为研究对象，着重揭示般若学的&中国化&，及般若蕴涵的&内化&于中国美学的历史过程。

The split between the two groups can hardly be papered over.

这两个团体间的分歧难以掩饰。

This approach not only encourages a greater number of responses, but minimizes the likelihood of stale groupthink.

这种做法不仅鼓励了更多的反应，而且减少跟风的可能性。