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Zong Bai-hua, the prominent aesthetician in the history of Chinese aesthetics in 20th century has made many original achievements by study of art experience.

宗白华作为是二十世纪中国美学史上的杰出美学家,以艺术体验为美学研究的挈入点,独特地走出了散步美学的道路。

Natural beautifulness, trapped in theory, mainly result from the idea of "human-centeredness", failing in studying natural beautifulness from the angle of original ecology.

从生态美学的视角探究原生态自然美并把握其独有的美学特征不失为审视自然美和探究其根源的一条有效途径。

So we can stand beauty on the solid base of reality. And it supplies a bridge over the gap between aesthetics in China and aesthetics in the West.

这样就把审美活动奠定在坚实的现实基础上,也为弥合中国美学与西方美学的巨大分歧提供了一条新的思路。

However, it can be concluded after further understanding of the creation and signif-cance of the acceptance esthetics that acceptance esthetics does not only give attention to the readers but also regards the reading activity as the procedure of the realization of life, and the reading activity activates a text from deadness and let it manifest an indirect dialogue of the subject.

然而,深一步认识接受美学的创新与意义可以得出:接受美学并非滞于对读者的重视,更将阅读活动视为一个生命实现的过程,阅读活动将文本从僵死激活,呈现为主体间性对话。

The article gave a detail analysis on the depth psychology school' s contribution to the aesthetic from Freud's early theory "Oedipus Complex".

本文以早期提出的"俄狄浦斯情结"入手,通过对弗洛伊德美学思想前后演变的分析,论述了精神分析学派对美学的创新开拓。

It nut only transcends the oppositeness of subjectivity and objectivity , but also the oppositeness of ideological aesthetics and physical aesthetics .

审美乌托邦建立在存在本体论基础上,它超越了主体性与客体性的对立,也超越了意识美学和身体美学的对立。

His foresight and sagacity still have profound significance today.

他的美学思想是中国近代美学的第一块理论基石。

This study was first published in Journal of Beijing United University (additional edition 2001) with the title of Announcement of Soundscape.

首先,从"趣味哲学"——美学的角度,对听的感受进行了探索,为声景研究奠定了美学基础。

This is what happens when the unique aesthetics of Dutch painting enters the world of contemporary aesthetics.

这是发生在荷兰绘画的独特美学进入当代美学的世界。

It preparatorily discuss the relation between Heidegger'sthought and Aesthetics,consider the key to the ground and development of Aesthetics is the rela-tion between Truth and beauty.

第一部份是&导论&,简单地、准备性地谈了海氏思想与美学的关系,指出美学的建立与发展关键是解决美与真的关系。

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The split between the two groups can hardly be papered over.

这两个团体间的分歧难以掩饰。

This approach not only encourages a greater number of responses, but minimizes the likelihood of stale groupthink.

这种做法不仅鼓励了更多的反应,而且减少跟风的可能性。

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