美学的

It is, he says, a mere "human esthetic."

他说，它是一个纯粹的"人类美学"。

Aesthetic distance is also called"psychical distance", which is one of the most influential theories in aesthetics.

"审美距离"也被称作"心理距离"，是美学中最有影响的理论之一。

The Collapse, or Renewal, of Aesthetic Distance?

美学距离的坍塌或复兴？

Starting with the developments of the author\'s creation, the dissertation follows up the scent of the occurring of his novels and the\'track of his psychology of creation, holding the opinion that there exists an intuitive psychological tendency in Faulkner\'s creation which the author is not aware of. It is the autonomous complex that leads the author to go beyond his limitations and to reflect a deeper collective unconsciousness.Faulkner\'s novels and their respective themes are closely connected with the inferiority complex caused by American culture, the author\'s physique and his living conditions. They are the results of his inferiority complex that accumulates into some kind of superiority complex.Because of the southern American\'s special history and politics and his sufferings Faulkner is deeply absorbed in the southern wasteland and invented Yoknapatawpha County, making it a place where he can do whatever he wants to do to counteract the lack in his real life. He concerns himself not only in the description of the Southern spiritual wasteland, but also in mining the aesthetic meaning of the wasteland, both to him and to the human beings.

本文首先从作者创作的心理动势出发，对作者的创作发生及其创作的心理轨迹进行跟踪，认为，福克纳的创作中有一种不为创作者的自觉意识所完全控制的直觉领悟的心理倾向，正是这种自主情结引导作者超越个人的局限，遨游于个人利害的范围之外，反映了超个人的、更为深邃的集体无意识，从而创作出了具有永恒艺术生命的作品和崇高的美学景象；福克纳的小说创作及其相关主题的发生，在一定程度上与作者由于在文化、形体以及生活环境等方面的劣势而产生的难以排遣的自卑情结密不可分，是自卑情结积聚成优越情结，进而过分补偿的结果；同时，由于美国南方(来源：A6c8cBC论文网www.abclunwen.com)特殊的历史、政治及福克纳的生活遭际等原因，福克纳在几十年的创作生涯中，情系荒原，创造了约克纳帕塔法县这个精神王国，使之成为自己的精神浪游之地、欲望宣泄之乡和心灵托付之所，其创作动因在于既关注对南方人们精神荒原的描绘，也着眼于挖掘这个荒原世界对自己、对人生的美学意义所在。

Starting with the developments of the author"s creation, the dissertation follows up the scent of the occurring of his novels and the"track of his psychology of creation, holding the opinion that there exists an intuitive psychological tendency in Faulkner"s creation which the author is not aware of. It is the autonomous complex that leads the author to go beyond his limitations and to reflect a deeper collective unconsciousness.Faulkner"s novels and their respective themes are closely connected with the inferiority complex caused by American culture, the author"s physique and his living conditions. They are the results of his inferiority complex that accumulates into some kind of superiority complex.Because of the southern American"s special history and politics and his sufferings Faulkner is deeply absorbed in the southern wasteland and invented Yoknapatawpha County, making it a place where he can do whatever he wants to do to counteract the lack in his real life. He concerns himself not only in the description of the Southern spiritual wasteland, but also in mining the aesthetic meaning of the wasteland, both to him and to the human beings.

本文首先从作者创作的心理动势出发，对作者的创作发生及其创作的心理轨迹进行跟踪，认为，福克纳的创作中有一种不为创作者的自觉意识所完全控制的直觉领悟的心理倾向，正是这种自主情结引导作者超越个人的局限，遨游于个人利害的范围之外，反映了超个人的、更为深邃的集体无意识，从而创作出了具有永恒艺术生命的作品和崇高的美学景象；福克纳的小说创作及其相关主题的发生，在一定程度上与作者由于在文化、形体以及生活环境等方面的劣势而产生的难以排遣的自卑情结密不可分，是自卑情结积聚成优越情结，进而过分补偿的结果；同时，由于美国南方特殊的历史、政治及福克纳的生活遭际等原因，福克纳在几十年的创作生涯中，情系荒原，创造了约克纳帕塔法县这个精神王国，使之成为自己的精神浪游之地、欲望宣泄之乡和心灵托付之所，其创作动因在于既关注对南方人们精神荒原的描绘，也着眼于挖掘这个荒原世界对自己、对人生的美学意义所在。

They both tend to consider issues on esthetics in conformity between self and nature and in contradiction between ego and nonego, and put the understanding of "natural Tao"as "culture in nature"into the literary form as "culture in human", so as to regard nature as a supreme esthetical idea.

通过形态学研究视野和主题学研究视野对道家自然美学文艺形态进行观照，我们认为，道家对人文的诠释虽在表层上不尽相同，然其终极的入思方式和深层的心理蕴涵都是一致的，都是在本心与自然同化、本性与外物对立的思维模式中思考美学问题的，都把对作为&天文&的&自然之道&的理解渗入到对作为&人文&的文艺形态之中，从而将本真未凿视为一种至高无上的审美理想。

Right after that, another lot of young artists are facing the decline of agricultural society, the thrive of industrial society and post-industrial as well as the development of internet times; facing the times of fashion-consumed culture, desire expanding and society anomic; facing the attack of globalization from politics, economy, culture and art; facing the messed information interlace and virtual world art structure; facing the highly-developed modem internet information times. They are facing the chances and challenges during the society mode changing, facing the opportunities and challenges during the change from traditional aesthetic into modern aesthetic.

而紧跟其后的一批年青艺术家，在面对中国农业社会的衰退，工业社会、后工业社会的兴旺发达及网络时代的崛起；在中国时尚消费文化、物欲膨胀、社会道德沦丧的时代；在政治、经济、文化、艺术全球化的冲击中；在混乱的信息交错和虚拟的世界艺术结构中；在高速发展的现代网络信息时代；他们正面临一个社会结构转型的机遇和挑战，面临传统美学在现代美学转型过程中的机遇和挑战。

The poeticized moral education introduces a esthetics to morality and makes it aestheticized to a certain degree.Its essence is to input and promote aesthetics into morality.The proposal of poeticized morality is of great importance.It inherits the morality tradition and helps to change rationality to nestle people in morality poetically;In contrast to rationality,in moral education,the poeticized education is characterized with great humanism,and with unobstrusively influence.In this article,I explore how to implement poeticized morality.It specifically includes how to foster students' viewpoint of poetry,the way to change from "monologue"to "dialogue",propose artistic outlook on life,combine spoken education with non-spoken education,and so on.

诗化的道德教育把美学引入道德教育中，使道德教育带有一定的美学色彩，其实质就是寓道德教育于美育之中，以美促德，将人们立身成德的追求升华为一种诗意的美；诗化的道德教育的提出具有重大意义，它弘扬了中国道德教育的诗化传统，克服了唯理性的道德教育，从而使人在道德教育中诗意地栖居；与唯理性的道德教育相比，诗化的道德教育具有寓理于情、寓意于形、寓教于乐、人文关怀、潜移默化的特点；本文还对如何进行诗化的道德教育进行了探讨，具体包括培养学生诗意的观世法、教育方法从理性的&独白&转向诗性的&对话&、倡导艺术的人生观、有言之教与无言之教相结合等几个方面。

Based on the "relevant principle", that is, choosing the language structure which is able to convey and strengthen the themes and aesthetic effects of works, the thesis, with the application of the theories and approaches of functional grammar and mainly from the perspectives of the ideational, the interpersonal and the textual function, makes a stylistic analysis on the autobiographical novel A Portrait of the Artist as a Young Man by James Joyce, the most influential Irish writer in the 20th century, illustrating how he conveys and strengthens the themes and aesthetic effects through his choice of language structure in the novel and exemplifying the merits of functional stylistics.

本文根据&相关性&原则，即选择能表达和深化作品的主题意义和美学效果的语言结构，尝试运用韩礼德等人的功能语法的理论和方法，从概念功能、人际功能和语篇功能三个方面分析二十世纪最有影响力的爱尔兰著名作家詹姆斯乔伊斯创作的有自传体特色的《青年艺术家的画像》，以阐明作家在《画像》中如何通过语言的选择，达到深化作品的主题意义和传达美学效果的目的，同时也例证了功能文体学的魅力和价值。

La Mer' reflected China classical aesthetic ideology, especially the aesthetic ideology consistency that China ancient scholars and painters reflected on the performance of natural landscape ,which was 'harmony between the heaven and human ','Sound outside what the string is making between the lines ' and 'approach determined by figure'. Its music reflected gamelan creative skills in many aspects,...更多 for example, the use of continuous tone and fixed voice type, the texture counterpoint imitation, the similarity of pitch and the harmony, etc. It could be seen that Debussy once studied Javanese gamelan music thoroughly on the analysis of 'La Mer' music ontology. Debussy choosed Japanese printer—Katsushika Hokusai's 'surfing in Kanagawa' as cover on the publication of 'La Mer', it was reflected that on the one hand he liked Japan Ukiyoe, on the other hand his work had painting factors.

大海》中体现了东方文化中的中国古典美学思想，尤其是与中国古代文人画家们在表现自然景观上所体现山的美学思想的一致性，即&天人和一&、&弦外之音&以及&以象立意&等；它在众多方面都体现山了加美兰的创作技巧，如持续音、固定音型的使用，织体对位的模仿，调式、和声的相似性等，在对《大海》音乐本体的分析中可以看出，德彪西对爪哇加美兰的音乐曾进行过深入的研究：作品出版时德彪西选择了日本版画家葛饰北斋的《神奈川冲浪里》作为封面，一是表现出他对日本浮世绘的浓厚兴趣，二是表达了他作品中具有的绘画性因素。

The split between the two groups can hardly be papered over.

这两个团体间的分歧难以掩饰。

This approach not only encourages a greater number of responses, but minimizes the likelihood of stale groupthink.

这种做法不仅鼓励了更多的反应，而且减少跟风的可能性。