美学的

Extensive and profound Chinese cu lture breed and perfect but original Chinese aesthstic theory, the calligraphist has used these to accumulate , fully show their peculiar aesthetic consciousnes s in the artistic expression of the calligraphy, have formed the unique artistic style of calligraphies .

博大精深的中国文化孕育了完善而独到的中国美学理论，书法家运用了这些蕴含辩证思想的美学原理，在书法艺术表现中充分地展示出他们特有的审美意识，形成了书法独特的艺术风格。

He believed the root of body concinnity lies in the concinnity of spirit, which may be helpful and instructive when dealing with the problem of present tendency of overfocusing on the carnal nature in body aesthetics.

黑格尔视精神性为身体美的根本特征的身体美学观，对我们今天的身体美学更多地关注肉体情欲的倾向，具有重要的启示和省思意义。

This dissertation, based on social psychology, literature psychology, and depth psychology, and combined with aesthetics of psychology, literature humanics, focuses on explaining the causes of the creation of William Faulkner's fiction, its implied meaning and its inner mechanism in the sense of psychology, on discussing the mode of creation in the sense of aesthetics and on opening out the secret of his highly successful creation, so that a new point of view can be adopted to better understand Faulkner and his fiction.

本文从社会心理学、文学心理学和精神分析学入手，结合心理美学、文学人类学和文艺发生学，对福克纳小说创作的发生、其隐含形式和内在机制进行心理上的跟踪，对其创作模式进行美学上的探讨，对其作品取得巨大成功的堂奥进行文化上的揭示，从而为更好地理解福克纳、更准确地解读其文本提供一个新的视角和参照。

This dissertation, based on social psychology, literature psychology, and depth psychology, and combined with aesthetics of psychology, literature humanics, focuses on explaining the causes of the creation of William Faulkners fiction, its implied meaning and its inner mechanism in the sense of psychology, on discussing the mode of creation in the sense of aesthetics and on opening out the secret of his highly successful creation, so that a new point of view can be adopted to better understand Faulkner and his fiction.

本文从社会心理学、文学心理学和精神分析学入手，结合心理美学、文学人类学和文艺发生学，对福克纳小说创作的发生、其隐含形式和内在机制进行心理上的跟踪，对其创作模式进行美学上的探讨，对其作品取得巨大成功的堂奥进行文化上的揭示，从而为更好地理解福克纳、更准确地解读其文本提供一个新的视角和参照。

But Dewey's pragmatic aesthetics derived from the experiential naturalism, criticized the principle of aesthetic disinterestedness.

康德为美学所确立的"审美无利害"的原则曾是审美现代性的基石之一，而杜威的实用主义美学从经验自然主义出发，系统地否定了"审美无利害"的原则。

Croce\'s thoughts,which in the monograph and correlation discourse comparativing Zhu Guangqian and B.Croce,so they analyse but dissever "life statemenf\'and "aesthetic thoughts of Zhu Guangqian.

在国内学者所涉及到的朱光潜与克罗齐比较的专著及相关论文中，多数学者认为朱光潜受克罗齐的影响而产生了纯美主义的美学思想，因而将朱光潜的"人生论"与"美学思想"割裂开来分析。

Majority scholars consider that Zhu Guangqian come into being his pure beauty aesthetic thought because he accept of B.Croce"s thoughts,which in the monograph and correlation discourse comparativing Zhu Guangqian and B.Croce,so they analyse but dissever "life statemenf"and "aesthetic thoughts of Zhu Guangqian.

在国内学者所涉及到的朱光潜与克罗齐比较的专著及相关论文中，多数学者认为朱光潜受克罗齐的影响而产生了纯美主义的美学思想，因而将朱光潜的"人生论"与"美学思想"割裂开来分析。

In this chapter, the author tries to discuss music content in heteronomous aesthetics and autonomic aesthetics, as well as music content in music appreciation pedagogy.

这一章中探讨的内容有他律论美学观中的音乐内容，自律论美学观中的音乐内容，以及音乐欣赏教学中的音乐内容。

Aesthetics as ethics is resulted logically from the interpenetration, in which aesthetic value eventually takes place of ethic value, enduing daily life with meanings.

而作为伦理学的美学，以美学价值取代伦理价值，赋予生活以意义，则是这种互动关系的逻辑的和极端化的结果。

In his magnum opuses of on the music and a comprehensive view on music, Qing Zhu illustrates systematically his music aesthetic thought, with the idea of 'music is the language of soul' as the core.

青主在代表作《乐话》和《音乐通论》等理论专著中，以&音乐是上界的语言&为其音乐美学思想的核心，系统的阐述了他的音乐美学观点。

The split between the two groups can hardly be papered over.

这两个团体间的分歧难以掩饰。

This approach not only encourages a greater number of responses, but minimizes the likelihood of stale groupthink.

这种做法不仅鼓励了更多的反应，而且减少跟风的可能性。