美学的

The natural elements of the aesthetics such as"mononoaware"are closely related to"animatism"and"vegetal aesthetics,"and the underlying cultural factors of such aesthetics can be attributed to Buddhist teaching, caducity of life and deism.

物哀"美学等自然审美的实质与"万物有灵观"及"植物美学观有关，其审美观的深层文化原因可视为佛教思维、无常观及自然神灵论的影响。

As the communication ambassado of ceramic culture between the orient and the occident, Hitom Ceramics, undertaking the modern aesthetic and philosophical concept, upholds and promotes fashionable, elegant, leisurable and natural living taste.

HITOM海棠陶瓷，融汇东西方陶瓷美学HITOM CERAMICS海棠陶瓷，作为东西方陶瓷文化交流的大使，一直秉承现代美学与哲学理念，推崇时尚、优雅、悠闲、自然的生活品味。

Differs from western premodern aesthetics thought that based on epistemology, Heidegger laid a foundation of ontology for aesthetics in early period.

摘 要：不同于西方近代基于熟悉论的美学，海德格尔在早期就为美学奠定了一个存在论的基础。

As a representation of classicalism aesthetics in Germany, Schiller is an esthetician who discusses perfectly the theory of sublime aesthetics after Kant.

作为德国古典主义美学思想的代表，席勒是继康德后对崇高美学做出完善探讨的美学家。

This paper discuses the aesthetic connotation of modern library, and expounds the function of aesthetic education of the library.

讨论了现代图书馆的美学内涵，阐述了图书馆的美学教育作用。

The quarrel foreboded the impossibility and the possibility of the dialogue between western Aesthetics and Chinese Aesthetics .

苏格拉底和希庇阿斯的一场问答预示了西方美学和中国美学对话的不可能性与可能性。

Starting with negating aesthetics, this paper analyzes and criticizes the limits of six popular modern aesthetic theories in the West.

从否定美学入手，文章对近代以来西方流行的六种美学观的局限进行了分析和批

It is a serious mistake in the 20 century's research about western aesthetics that many researchers regard Gadamer's Hermeneutics-Aesthetics as reader-centered theory literarily.

20世纪的西方文艺美学有一种由作者、作品中心论向读者中心论转移的趋势。这种轨迹主要在读者一反应批评和接受美学身上得到体现。

The rise of Zen Buddhism exerts a tremendous influence in the history of Chinese culture.

而这一审美趣味的产生、发展，萌发于中国文人们深受中国古典哲学中儒、道美学，尤其是佛教禅宗美学思想的影响。

In fine, the new knight errant movie is with its special esthetics characteristic and esthetics idea, again display China the magic power of the Chinese Swordplay Film.

总之，新武侠电影以其独特的美学特征和美学观念，再一次展现了中国武侠电影的魅力。

The split between the two groups can hardly be papered over.

这两个团体间的分歧难以掩饰。

This approach not only encourages a greater number of responses, but minimizes the likelihood of stale groupthink.

这种做法不仅鼓励了更多的反应，而且减少跟风的可能性。