美学的

The paper discusses the influence of the Enlightenment thought on music aesthetics theory from perspective of the relation of Rousseau s music aesthetics thought and comic opera from,we can see 18th century music aesthetics thought s culture value and the effect on music practice.

本文试图从卢梭音乐美学思想与喜歌剧的关系这一视角入手，探讨启蒙思想对音乐美学理论的影响，从中看出18世纪音乐美学思想的文化价值及其对音乐实践所起到的作用。

In my paper, under the aesthetic principle of uncertainty ,I analyse the features of Barthelme's works on two aspects: game and carnivalization, with the French philosopher Jacque Derrida's major destructive key words and the Ruassian philosopher Bakhtin's theory.

本论文从巴塞尔姆不确定性的美学原则入手，以德里达的解构主义和巴赫金的狂欢化理论为指导，从两方面探讨了巴塞尔姆作品的特点：结合延异、播撒、擦抹等解构策略分析了巴塞尔姆小说的游戏性；从狂欢化角度切入作品的艺术思维、美学风格、修辞、语言等几方面，探讨了他作品的狂欢化美学风格。

Furthermore this aesthetic theory based on new-semiotics and adopted many virtues of representationalism, formalism and intuitionism and merged the theoretical background of psychology,physiology and logic,it became the representative of 20 century aesthetic schools finally.

且这个美学体系是建立在新符号论的基础之上，又兼采表现主义、形式主义、直觉主义等美学流派之长，融合了心理学、生理学、逻辑学等多学科的研究背景，最终成为20世纪美学流派的代表。

The influence mainly manifests in the phenomenology and semeiology, for both of them emphasize the universality in the study of beauty.

康德对美的普遍性的论述对后来西方美学思想的直接影响主要表现在现象美学和符号论美学对普遍性的强调上。

This article attempts to start with the systematicness of Zhang Jie's poetry esthetics thought, discusses his poetry esthetics thought thoroughly regarding the poetry esthetic creation stage, the poetry accepts the stage. And in this process, more thorough discusses him such as"expressing aspirations is oriented, chanting things is modified"and"the affection outbreaks in surge after it is superabound"as well as"cogency"and so on extremely theoretical value propositions.

本文试图从张戒诗歌美学思想的系统性入手，深入探讨他对于诗歌审美创造阶段、诗歌审美接受阶段以及诗歌审美风格形成阶段的诗歌美学思想，并在探讨其诗歌美学思想系统性的过程中，较为深入的分析他的诸如"言志为本，咏物为工"、"情意有余，汹涌而后发者也"、"中的"等极具理论价值的命题。

Style imagery of subjective aesthetic imagery is the highest level of aesthetic imagery of calligraphy as well as the integration of entitative imagery and formal imagery,and it represents the organic integration of aesthetic concept of an era and personal creativity of calligraphers.

主体美学意象之风格意象是书法美学意象的最高层面，是实体意象和形式意象的综合，代表了时代美学理念和书法家个体创造性的有机结合。

Research the formational history of modern Chinese Aesthetic discipline in order to make up a deficiency of the current Academy.

从以下几个层面展开：首先，返溯中西交流史的起点，以确立此后讨论的必要知识和思想的背景：其次，尽力搜罗与现代中国美学形成有关的文本，注意考察学科关键术语和理论的起源和变化；其三，注意考察美学学科创生的制度性要素以及其历史变化；其四，对与现代中国美学思想相关的重要论域(科学主义、宗教、道德及马克思主义思想等)进行比较性研究。

In aesthetics, he thought that literature works were the account in author's own words and his novels belong to romantism aesthetics category and are different from realism aesthetics category which emphasizes the fusion of subject and object in LU Xun and Mao Dun's novels.

在美学范畴上，他主张文学作品都是作家的自叙传，有别于鲁迅、盾等注重主客体交融的现实主义美学范畴，属于主观表现的浪漫主义美学范畴。

According to my opinion, the aesthetic ideology on the manuscript about economics and philosophy in 1844 is based on man's problem by Mars ,which obviously contains Feuerbach's human-centerd thinking, at the same time has new concents.

1844年经济学哲学手稿》并不是严格意义上的美学著作，但是它又提出大量的美学问题，人们也通常认为它是马克思美学思想的发源地。

It was no doubt to raise the position of art and provided pre-experience for establishment of art's spirit in China.

这无疑提高了艺术的地位，为日后中国建立独立的艺术精神提供了先验；在美学术语上，王国维由传统术语经由阐释而转为现代性和由西方引入美学术语这两条途径，提出大量的现代美学术语，并且在他的文章中加以应用，这不能不说是现代性的一个表现。

The split between the two groups can hardly be papered over.

这两个团体间的分歧难以掩饰。

This approach not only encourages a greater number of responses, but minimizes the likelihood of stale groupthink.

这种做法不仅鼓励了更多的反应，而且减少跟风的可能性。