美学的

To analysis the inevitability and chanciness reasons that cause the existentialism aesthetics develops so well. From the external object reception to object reception, probe into the reception in China about the existentialism aesthetics.

在此基础上，探究存在主义美学在中国的接受，从客观的传播接受到心理接受，从分析中国对存在主义美学的接受心理，探求存在主义美学在中国形成的传播特色及其产生的原因。

This paper discusses the following aspects: the cultural background of the Indian classicalism esthetics,the important influence that the traditional Indian thinking mode has on Indian classicalism esthetics,the basic principle of Indian classicalism esthetics and its performance in art creation.

本文分别论述了印度古典主义美学思潮产生的文化背景，印度传统的思维模式对于古典主义美学的形成所产生的重大影响，印度古典主义美学的基本原则以及它在艺术创作上的表现。

Section 3 probes the complexity of Vico\'s thoughts through discussing the works of Vico with exception of New Science .chapter 2 introduces and analysis New Science, The argument in this chapter are as follows:The epistemology of New Science isverura——factum, had been basing on this principle, Vico tried to developa new science——humanity and social sciences;(2)Methodology of NewScience: theme and theory in union, experience and rationality in union;(3) Conception of history of New Science: The theory of three stages and repeats itself of historical development, human society is created by itself;(4)Poetic wisdom, and its influences to aesthetics, literature and art theory;(5)The imagination theory of New Science, and its aesthetic significance as well as influences.

第一节论述《新科学》的认识论和题旨，指出《新科学》的认识论是真理——创造物原则，由此维柯试图创立一门"新科学"，即与自然科学相对的人文社会科学或者说文化哲学；第二节论述《新科学》的方法论：题材与学说的统一、经验与理性的统一；第三节论述《新科学》历史观：历史循环三阶段论、人类历史是由人类自己创造出来的，并提及其对人类学、美学的影响；第四节论述诗性智慧及其美学、文艺学影响；第五节论述《新科学》的想象理论及其美学意义和影响；第六节论述"发现真正的荷马"的内涵以及对社会历史批评的开创性意义。

The lengthwise transformation and replacementto be stressed, and the question of the development of modern aesthetics become the focus of attention.

美学的历史发展呈现为近代对古代美学的超越或突破，纵向转换和更替得到强调，现代美学的发展问题成为关注的焦点。

Political or moral utilitarianism and aesthetic utilitarianism are the two main traditions in modern Chinese aesthetics. The former considers aesthetics and art to be tools for political struggles or moral preachment, and requires them to "serve"directly for political or moral purposes, while the latter, taking aesthetics for the sake of life, or thus a life concept of aesthetics, is against the consideration of aesthetics and art to be tools for politics or morality, and requires them to affect intrinsically the improvement of life state. Liang Qichao is the direct ideological source in the end of the 19〓 century for the former, while Wang Guowei the founder for the latter.

真正构成中国现代美学的两大传统是政治、道德功利主义和审美功利主义：前者主张以审美和艺术作为政治斗争或道德说教的工具，要求审美和艺术直接"服务于"政治或道德目的；后者主张为人生的美学，或者是人生论美学，反对审美和艺术直接充当政治或道德的工具，而是要求审美和艺术内在地作用于人生境界的提升；前者在19世纪的直接思想源头在梁启超，而后者的开创者是王国维。

Moreover, since ecological aesthetics is to configure multi-relationship among human beings from the view of "respect","care" and "fraternality", it is of great significance to re-establishing the foundation and poetic intelligence of aesthetical existentialism and promoting the sound development of the discipline of aesthetics .

另外 ，生态美学是从&尊重&、&爱护&与&亲和&的立场上去建构人类多种关系状态，这对重建美学的存在论根基及诗性智慧、促进美学学科的健康发展等，有十分重要的意义

By analyzing the form of its spatial composition, this thesis tries to find out the continuous relation between Deconstructive Architecture and tradition architecture, which is covered by involuted and multifarious presentations. The highlighted point of Deconstructive Architecture is the reconstruction of space.

本文试图通对解构主义建筑空间构成的形式美学分析，其纷乱、繁杂的形式表象背后找到其与传统建筑形式美学的承接关系；强调解构主义建筑的关键在于对空间的重构，在传统形式美学框架上发展的动态空间构成原则使空间重构成为可能。

Comparing the development process of the Occident bridge aesthetics with the modern and current history of the architecture abroad, it can be seen that the influences of the architecture trends have played an important role that cannot be neglected at each stage of the development of the bridge aesthetics and have pushed forward the development of the bridge aesthetics in varying degrees.

将欧美桥梁美学的发展进程与国外近、现代建筑史相对照，可以发现在桥梁美学发展的各个阶段中，建筑思潮的影响起着不容忽视的作用，并在不同程度上促进着桥梁美学的发展。

From the original point of Western Marxism political aesthetics, namely Schiller\'s "Letters on the Aesthetic Education of Man", section one explores into the influences of Schiller\'s aesthetics upon the Critical Theory and Practical Aesthetics.

第一节将席勒的《审美教育书简》作为西方马克思主义政治美学的理论原点，探讨席勒的美学思想对批判理论与实践美学的影响。

ABSTRACT Artistic conception is the core of the Chinese classical esthetics and the center of the esthetics of Zen Buddhism.

意境是中国古典美学的核心，也是禅美学的重点所在，对这一传统美学问题的深入探索需要有新的思路、新的角度，运用多学科、跨文化的方法拓展研究的。。。

The split between the two groups can hardly be papered over.

这两个团体间的分歧难以掩饰。

This approach not only encourages a greater number of responses, but minimizes the likelihood of stale groupthink.

这种做法不仅鼓励了更多的反应，而且减少跟风的可能性。