美学的

In the c ognitive domain, the synaesthetic image involves the mapping of image from a low er modality onto a higher one more frequently than its inverse, the mapping fromthe more accessible properties of the source image to the less accessible one o f the target image. In the aesthetic domain, the synaesthetic image, as a novel metaphorical image,provides much food for the subject's aesthetic experience.

在认知的范畴里，通感意象一般产生于由低级感官域的意象到高级感官域的意象的映射，亦即从可及性较强的意象特征到可及性较弱的意象特征的映射；在美学的范畴里，通感意象作为一种新颖的隐喻意象丰富了主体的审美体验；而在文学的范畴里，通感意象则具有诗学的功能，表现出叙事的文学性。

A spiritual descendant in the direct line from Wycliff, Huss, Luther, Calvin; an Evangelical of the Evangelicals, a Conversionist, a man of Apostolic simplicity in life and thought, he had in his raw youth made up his mind once for all on the deeper questions of existence, and admitted no further reasoning on them thenceforward.

在瓦尔谷，他儿子克莱尔近来过的是自然的生活，接触的是鲜美的女性，得到的是美学的、感官的和异教的快乐，假如他通过打听或者想象知道了，按他的脾性对儿子是会毫不留情的。

The works which Tang Contemporary Beijing will be exhibiting explore both his unfailing aesthetical tastes for materials, as well as his breakthroughs in artistic thought which transcended from the specifications of form to the more profound conceptuality and spirituality of his artworks.

在北京唐人即将展出的作品既展现了他一贯的对於材料美学的把握，同时又尝试著把他的艺术思考和实践的层面拓展到一个新的阶段和领域，从以前注重具体的形式感的呈现进入到更加注重作品概念性的挖掘和深层次的精神意义的层面。

This paper, from the perspective of esthetics, illustrates the subjectiveness and educatedness of the play-spirit existing in the musical education; play-spirit is of freedom, sur-utility, ecstasy, enterprise, cooperation on equal footing, and active participation. On the basis of the abovementioned theories and the characteristics of the gerontic college, the paper concludes the creative theme- For Full Representation of play-spirit in the Musical Education of Gerontic College.

论文从美学的角度论述了音乐教育中&游戏精神&属性存在的客观性及其教育意义：指出&游戏精神&的内涵是一种自由的精神、一种超功利的精神、一种愉悦快乐的精神、一种富有创新的精神、一种平等合作的精神以及一种积极表现、主动参与的精神；进而以上述理论为基础，从老年大学音乐教育的特点出发，推导出了&在老年大学音乐教育中倡导游戏精神的张扬&这一富有一定独创性的命题。

The theory applied in this thesis relies on aesthetics developing in three parts, namely, the origin of jester, ugliness presented in Shakespearean drama and function of ugly jesters in Shakespearean drama, in order to illustrate the significance of jesters in Shakespearean drama: the spokesman of the author.Key Words: Shakespeare; drama; jester; ugly; Aesthetics value

本文将在美学的基础上，通过小丑的起源、莎剧中小丑的丑态呈现以及丑陋的小丑在莎士比亚戏剧中的作用这3个方面的研究，来阐述小丑在莎士比亚戏剧中的重要意义：在莎剧中，他们是作者的代言人，在戏剧里，作者借小丑的语言评价讽刺其他角色，从而体现出当时社会的现实。

The theory applied in this thesis relies on aesthetics developing in three parts, namely, the origin of jester, ugliness presented in Shakespearean drama and function of ugly jesters in Shakespearean drama, in order to illustrate the significance of jesters in Shakespearean drama: the spokesman of the author.Key Words: Shakespeare; drama; jester; ugly; Aesthetics value

本文将在美学的基础上，通过小丑的起源、莎剧中小丑的丑态呈现以及丑陋的小丑在莎士比亚戏剧中的作用这三个方面的研究，来阐述小丑在莎士比亚戏剧中的重要意义：在莎剧中，他们是作者的代言人，在戏剧里，作者借小丑的语言评价讽刺其他角色，从而体现出当时社会的现实。

It is applied as the basic features of make-up soil to create a wealth of decorative techniques, that is, all kinds of colored glaze decoration, depiction of flowers, pick flowers, and white flowers, white painted underglazed designated flower, and red and green color, low-lead three-color glaze and white printing, printing and so on more than 30 kinds of celadon; techniques in particular rust spent five kilns broke through the limitations of single-colored glaze, with the artistic effect of traditional ink painting and traditional Chinese painting, calligraphy, art and porcelain technology combine to create a new integrated arts, explore the ancient ceramics of the new realm of aesthetics; for the future and colorful blue and white porcelain had paved the way for development.ci zhou yao decorative themes are rich and varied, unique, artist have a very cool way, and masterly skills of painting, will be pleased to see civilyu chong bird, rare birds andrui shou , landscape character, opera stories, poems Qu Fu,min yan motto, children at play Zaju painted on porcelain, etc., to retain a large number of ancient folk painting, calligraphy and folk customs reflect the kind of information, forming a simple, free and easy, a crisp, Haofang's artistic style and rich color and a distinctive non-governmental national characteristics, and the world at large on the domestic ceramics have had a profound impact.

它以施用化妆土为基本特征，创造了丰富的装饰技法，即有各类色釉装饰、刻划花、剔花、白地黑花、白地釉下绘划花，又有红绿彩、低温铅釉三彩和印花白瓷、印花青瓷等三十多种；尤其是铁锈花技法突破了五大官窑单色釉的局限，具有传统水墨画的艺术效果并把中国的传统绘画、书法技艺与制瓷工艺结合起来，创造了新的综合艺术，开拓了古代陶瓷美学的新境界；为以后青花和五彩瓷器的发展开辟了道路。磁州窑的装饰题材丰富多彩，别具一格，画师们以极其潇洒的手法和高妙的画技，将民间喜闻乐见的花鸟鱼虫、珍禽瑞兽、山水人物、戏曲故事、诗词曲赋、格言民谚、婴戏杂剧等绘于瓷器，保留了大量古代民间绘画、书法及反映民俗民风的实物资料，形成了质朴、洒脱、明快、豪放的艺术风格及浓郁的民间色彩和鲜明的民族特色，对国内乃至世界陶瓷产生了深远的影响。

In particular, black white flower, the five kilns broke through the limitations of single-colored glaze, with the artistic effect of traditional ink painting, traditional Chinese painting, calligraphy, ceramics and art combine to create a new integrated arts, opened up the aesthetics of ancient ceramics a new realm, and for the future and colorful blue and white porcelain million development opened the way.ci zhou yao decorative themes are rich and varied, unique, very cool artist who adopted the tactics and superb skill of the art technology, willyu chong people loved flowers and birds, rare birds andrui shou , landscape character, drama, stories, myths and legends, poetry Qu Fu, epigram proverbs, such as painting children at play acrobatics on top of the porcelain to retain a large number of ancient folk painting, calligraphy and folk customs reflect the kind of information, forming a simple, free and easy, a crisp, Haofang artistic style, rich color and a distinctive non-governmental national characteristics , on the domestic and the world of ceramic and have had an enormous impact on a far-reaching, becoming old and sonic booms, renowned Chinese and foreignming yao generation.

尤其是白地黑花，突破了五大官窑单色釉的局限，具有传统水墨画的艺术效果，把中国的传统绘画、书法技艺与陶瓷工艺结合起来，创造了新的综合艺术，开拓了古代陶瓷美学的新境界，并为以后元青花及五彩瓷器的发展开辟了道路。磁州窑的装饰题材丰富多彩，别具一格，画师们采用极其潇洒的手法和高超精湛的画技，将民间喜闻乐见的花鸟鱼虫、珍禽瑞兽、山水人物、戏剧故事、神话传说、诗词曲赋、警句谚语、婴戏杂技等绘于瓷器之上，保留了大量古代民间绘画、书法及反映民俗民风的实物资料，形成了质朴、洒脱、明快、豪放的艺术风格、浓郁的民间色彩和鲜明的民族特色，对国内及世界陶瓷产生了深远而巨大的影响，成为声震古今、享誉中外的一代名窑。

It is applied as the basic features of make-up soil to create a wealth of decorative techniques, that is, all kinds of colored glaze decoration, depiction of flowers, pick flowers, and white flowers, white painted underglazed designated flower, and red and green color, low-lead three-color glaze and white printing, printing and so on more than 30 kinds of celadon; techniques in particular rust spent five kilns broke through the limitations of single-colored glaze, with the artistic effect of traditional ink painting and traditional Chinese painting, calligraphy, art and porcelain technology combine to create a new integrated arts, explore the ancient ceramics of the new realm of aesthetics; for the future and colorful blue and white porcelain had paved the way for development.ci zhou yao decorative themes are rich and varied, unique, artist have a very cool way, and masterly skills of painting, will be pleased to see civilyu chong bird, rare birds andrui shou , landscape character, opera stories, poems Qu Fu,min yan motto, children at play Zaju painted on porcelain, etc., to retain a large number of ancient folk painting, calligraphy and folk customs reflect the kind of information, forming a simple, free and easy, a crisp, Haofang's artistic style and rich color and a distinctive non-governmental national characteristics, and the world at large on the domestic ceramics have had a far-reaching implications.

它以施用化妆土为基本特征，创造了丰富的装饰技法，即有各类色釉装饰、刻划花、剔花、白地黑花、白地釉下绘划花，又有红绿彩、低温铅釉三彩和印花白瓷、印花青瓷等三十多种；尤其是铁锈花技法突破了五大官窑单色釉的局限，具有传统水墨画的艺术效果并把中国的传统绘画、书法技艺与制瓷工艺结合起来，创造了新的综合艺术，开拓了古代陶瓷美学的新境界；为以后青花和五彩瓷器的发展开辟了道路。磁州窑的装饰题材丰富多彩，别具一格，画师们以极其潇洒的手法和高妙的画技，将民间喜闻乐见的花鸟鱼虫、珍禽瑞兽、山水人物、戏曲故事、诗词曲赋、格言民谚、婴戏杂剧等绘于瓷器，保留了大量古代民间绘画、书法及反映民俗民风的实物资料，形成了质朴、洒脱、明快、豪放的艺术风格及浓郁的民间色彩和鲜明的民族特色，对国内乃至世界陶瓷产生了深远而巨大的影响。

It is this demand for housing is driven by domestic industries, promote the development of civilized living, urban living space also has its full right to choose; Third, the urban residents in improving their own quality of life, living environment is also vital to experience life and space in relationship lending and leasing, which passed from the current real estate mortgage loans and leasing of housing to improve the living status of the self-view is obvious; Fourth, each of the residents will be able to exercise freely their right to living space of the aesthetic, also take up construction of urban living aesthetic responsibility.

正是这种对房屋的需求推动了国内产业，促进发展的文明生活，城市生活空间也有充分的选择权；第三，城镇居民改善自己的生活质量，生活环境也是至关重要的经验生命和空间关系的贷款和租赁，而通过从目前的房地产抵押贷款和租赁的住房，以改善生活状况的自我认为是显而易见的；第四，每个居民将能够自由地行使自己的权利居住空间的审美，还需要建设城市生活美学的责任。

The split between the two groups can hardly be papered over.

这两个团体间的分歧难以掩饰。

This approach not only encourages a greater number of responses, but minimizes the likelihood of stale groupthink.

这种做法不仅鼓励了更多的反应，而且减少跟风的可能性。