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It analyzes the development of modern industrial construction from 1970s, and with the modern architectural theory it summarizes the tendency of modern industrial buildings: When practicing the planning and the designing, it follows the theory of urban designing, and combines the factors of the architectonics, the urban planning,and the Landscaping together. While taking architecture techniques into practice, it emphasizes the combination of high-tech skills and industrial aesthetics and it exhibits the new styles of industrial building as well. It cares for the demanding of people and creates comfortable working environment. For protecting ecosystem, it stresses the developable function of industrial architectural designing, the communication with society and the enhancement of the social function of industrial construction.

本论文在大量的资料查阅、现场调研的基础上，分析了19 世纪70 年代以来现代工业建筑的发展状况，并综合现代建筑思想的发展，总结出现代工业建筑的一系列发展趋势：在规划设计中，始终以城市设计理论为主轴，走向建筑学、城市规划学、地景学的结合；在建筑技术运用中，注重高技术与工厂美学的结合，展现工业建筑新形象；将人性化设计引入工业建筑，创造出优美的工作环境，体现对人的关怀；注重对生态环境的保护，坚持工业建筑设计的可持续性；注重与社会的交流，增强工业建筑的社会职能。

We can obtain an artistic thinking of beauty or an idea of beauty more vivid and more conscious theoret ically and we can achieve a whole or integrated grasp practically als o can catch inspiration of beauty and win expression of beauty in cre ate performances if we look on coloratura vocalism in Bel canto from the aesthetic angle.

美声唱法中的呼吸、声区、共鸣、语言四大优势，本文不是为了突出其科学性或重要性，而是强化其在普遍意义上所体现出来的实用价值，并从美学的思考高度来看待美声唱法中花腔声乐表演艺术，能够在理论认识上获得一个更清晰、更自觉的美的艺术思维或美的观念，在艺术实践上取得一个整体性、综合性的美的把握，在创作表演过程中获取美的灵感和进行美的表现。

During the semester we shall carry out exercises that attempt to see the world through others' eyes, that employ ones own experience and knowledge as tools of observation and experimentation, that address the heritage of stable associations of use and form conveyed through architecture, that externalize some of the operations of design and that highlight esthetic intent along with the regulating devices and rules of design, and that consider more complex intermediate objects that have systemic as well as artifactual characteristics.

在这个学期中我们将做些练习，其目的是试图通过他人的眼睛了解世界，利用一些人自身的经验和知识作为观察和试验的工具，透过建筑传达出的使用和形式提出稳定的历史传承关系，将设计中的一些操作过程具体展现出来以及在设计的策略和规则之外加强美学的意图，考虑具有系统特性和人为特性的更复杂的中继实物。

In the c ognitive domain, the synaesthetic image involves the mapping of image from a low er modality onto a higher one more frequently than its inverse, the mapping fromthe more accessible properties of the source image to the less accessible one o f the target image. In the aesthetic domain, the synaesthetic image, as a novel metaphorical image,provides much food for the subject's aesthetic experience. M eanwhile, in the literary domain, the image reveals its poetic function in narra tion.

在认知的范畴里，通感意象一般 SsbbwW.com 产生于由低级感官域的意象到高级感官域的意象的映射，亦即从可及性较强的意象特征到可及性较弱的意象特征的映射；在美学的范畴里，通感意象作为 dddtt 一种新颖的隐喻意象丰富了主体的审美体验；而在文学的范畴里，通感意象则具有诗学的功能，表现出叙事的文学性。

In the c ognitive domain, the synaesthetic image involves the mapping of image from a low er modality onto a higher one more frequently than its inverse, the mapping fromthe more accessible properties of the source image to the less accessible one o f the target image. In the aesthetic domain, the synaesthetic image, as a novel metaphorical image,provides much food for the subjects aesthetic experience. M eanwhile, in the literary domain, the image reveals its poetic function in narra tion.

在认知的范畴里，通感意象一般产生于由低级感官域的意象到高级感官域的意象的映射，亦即从可及性较强的意象特征到可及性较弱的意象特征的映射；在美学的范畴里，通感意象作为一种新颖的隐喻意象丰富了主体的审美体验；而在文学的范畴里，通感意象则具有诗学的功能，表现出叙事的文学性。

He successfully transformed the Taoist's "Tao-Beauty" to Taoistic "Tao-Beauty", namely "immortality-Beauty", and combined the faith of "Tao" with the pursuit of "Beauty", which became the key point of Taoistic aesthetics.

他将道家的&道—美&成功地转化成了道教的&道—美&—&仙—美&，将对&道&的信仰与对&美&的追求融汇在一起，成为道教美学的点睛之笔！葛洪的&仙—美&所表现的方式和途径，是与他作为一个道教徒息息相关的。

In art manifestation, we may conclude several kinds of styles interweaving mutually. Besides the reappearance of medieval esthetics, the extremely profound naturalism initiated by Pre-Raphaelites, the inspiration of classical sculpture and Italian Renaissance art, as well as the aestheticism occurred in fin-du-siècle, those make Victorian medieval love painting graceful, sensual, sentimental, and most, exclusively unique.

在表现形式上，可归纳出几种常见的风格互为交织，除了中世纪美学的再现之外，拉斐尔前派画家们所倡导的自然主义影响极为深远，加上古典雕刻及义大利文艺复兴的启发，以及世纪末唯美主义的感染，使得维多利亚时代的这些「中世纪之爱」作品，凭添许多抒情、优雅、感官的怀古情调，为十九世纪的英国绘画创造了一种专属的独特风貌。

Immediately following, listeners can finally feel the hairs on the back of their necks start to stiffen as the nine-minute centerpiece,"Fundamental," marries cinderblock beats, acid-soaked squelches, and an opulent synth-bell refrain that digs hard into the trenches of dance club aesthetics.

立刻下列各项，收听者能最后感觉他们的脖子背面上的头发当九个分钟的中心装饰品，&基本的&，与煤渣砖拍结婚，开始坚硬，酸-浸湿了消杂音，和努力地进入跳舞的渠之内挖的丰裕合成器-铃重复联合行动美学的。

Sometimes they look at these "urban tribes" and their way of dress, sometimes they explore the 你好storic-aesthetic sources such as black widow's macabre glamour, Victorian cult for mourning garments and jewels, horn-shaped amulets and accessories like instrument of torture but revealing a strong erotic sensuality charge.

有时她们存眷这些&城市群落&和她们的穿衣体式格局，有时她们摸索的历史美学的源头，如黑未亡人可怕的魅力，维多利亚门派悼念的服装和宝石，喇叭状辟邪物及像刑具的配件，却展现出强大的打击。

Sometimes they look at these "urban tribes" and their way of dress, sometimes they explore the historic-aesthetic sources such as black widow's macabre glamour, Victorian cult for mourning garments and jewels, horn-shaped amulets and accessories like instrument of torture but revealing a strong erotic sensuality charge.

有时他们关注这些&城市部落&和他们的穿衣方式，有时他们探索的历史美学的源头，如黑寡妇可怕的魅力，维多利亚教派悼念的服装和珠宝，喇叭状辟邪物及像刑具的配件，却展现出强大的色情冲击。3 A* a0 A； A# p% z

The split between the two groups can hardly be papered over.

这两个团体间的分歧难以掩饰。

This approach not only encourages a greater number of responses, but minimizes the likelihood of stale groupthink.

这种做法不仅鼓励了更多的反应，而且减少跟风的可能性。