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"Collection" series, barrel-shaped section of the table to say it seems very simple, but from an aesthetic point of view, it is necessary to make a symmetrical and harmonious watchcase bucket is indeed very difficult, even if only both sides of the ratio of bias the thousandths of millimeters, also can not tell where people feel it is wrong to feel uncomfortable.

"典藏"系列,酒桶形的表款说起来好像很简单,可是从美学的角度来讲,要做出对称而和谐的桶形表壳,确实是很难的,两边的比例就算只偏差了千分之一毫米,也会让人有种说不出哪里不对却就是不舒服的感觉。

Ode to a nightingale的第一节中写道:my heart aches,and a drowsy numbness pains /my sense,as though of hemlock i had drunk,/or emptied some dull opiate to the drains /one minute past,and lethe-wards had sunk:/tis not through envy of thy happy lot,/but being too happy in thine happiness,-/that thou,light-winged dryad of the trees,/in some melodious plot /of beechen green,and shadows numberless,/singest of summer in fill-throated ease.

他的"能够停留在不肯定、神秘感、怀疑之中,而不是令人生厌地追求事实和真理"的这种"消极感受力",深浸于万物而了解万物,成为了他的诗歌美学理念的基石。

If your daughter have any bemusement and any trouble, she can come to my school which I work in school and talk with me, I can use musical aesthetic to open her mind.

你家的姐姐有什么不顺心的事,有什么想不开的地方,可以来贝贝工作的学校找我聊天,我可以用音乐美学的方式为她打开心结。

This thesis tries to take a research on his"Vengeance Trilogy": Sympathy for Mr.Vengeance ,The old boy, Lady vengeace, focus on his defamiliarizatiion. The thesis composed by three parts: Chapter one: From a Review of Park Chan-wook's experience in film industry to find out his ideas that guiding artistic creation. Chapter two: Recalls the historical progress of Defamiliarization , which involves Aristoteles, Georg Wilhelm Hegel, Bertolt Brecht's aesthetics theory.

全文共分为三个部分:首先,是从朴赞旭的从影经历来分析他在后现代语境和消费主义潮流中创作心态;第二,从美学的历史上回溯陌生化的概念,从亚理士多德、黑格尔、什克洛夫斯基到布莱希特的陌生化理论;第三,从三个方面就作品本体来分析导演的创作技巧。

And students with a primary interest in art who may have registered for courses in this condescendingly tolerated specialty found themselves confronting a perplexingly irrelevant literature.

对艺术原本有兴趣的学生,选了课,要学这门勉强掉架的专业,却发现自己面对的是一堆令人困惑、文不对题的文献。1954年,哲学家约翰·帕斯摩尔发表了一篇文章,题目恰切:"美学的凄凉"。

The Nanjing Yunjin take " zhuang the gold, zhuang the silver, zhuang the peacock friendliest feather " as a characteristic, it by the special relief crustification's stereoscopic effect expression unique esthetic boundary and the culture artistic charm, reflected the Chinese nation unique culture art connotation, has manifested the modern science and technology and ancient times esthetics perfect blending.

南京云锦以"妆金,妆银,妆孔雀尽善羽"为特色,它以特殊的浮雕镶嵌的立体效果表达式了特有的审美境界和文化艺术魅力,反映出中华民族特有的文化艺术内涵,体现了现代科技与古代美学的完美交融。

Under such background, the study of "cyberculture" has naturally become a popular issue across the global area and thus opened up a new theoretical field of vision for the development of aesthetics.

在这样的历史语境下,"网络文化"的研究自然成为了全球性的热点课题,同时也为美学的发展开辟了新的理论视野。

The second criticism is that Foucault's project for a contemporary ethics involves a concept of the self which is 'tainted' by a nineteenth century dandyism and a aestheticism which makes it an unsuitable source of a contemporary ethics.

阿多对福柯的另一个批判是,福柯的当代伦理学计划中的自我概念受到了十九世纪浪荡子主义的"玷污",同时这种自我还受到一种不适于为当代伦理提供资源的美学的"玷污"。

Japanese like pursuing the beauty of natural harmony, while they pursue this, they also find the unsolved confrontation between nature and human, and the death is the dividing line, so an appreciation of death,"half sorrow, half beauty" emerged, it was called "pathos", Busido accept this appreciation, and even to perform "hara-kiri" to realize this esthetics notion, under this kind of influence, the estheticism suicide behavior is popular in modern Japanese society, which can be easily found in the Japanese artist suicidal cases, showplace suicide cases and "net-pals group suicide" cases.

日本人是追求自然和谐美的民族,他们在追求此种美的同时,也深深感知到人与大自然不可调和的对立,死亡正是这种对立面的交界,由此派生出一种"亦悲亦美"的死亡审美意识——"物哀",武士道不仅受此种审美意识影响,更以"切腹"这一自杀行为艺术实践此审美理念,受武士自杀美学的影响,在日本现代社会,唯美式自杀

Rather than showing all the details, or warts and wrinkles as Mr. Stringer likes to call them, he dressed up the diatoms by manipulating the image and creating this beautiful photomicrograph.

这张获奖照片是他一系列"用现代美学的方式"展示硅藻的作品之一,Stinger用高对比的艳丽色彩来描绘硅藻的形态,从而创造出一种别具特色的微距艺术。

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The split between the two groups can hardly be papered over.

这两个团体间的分歧难以掩饰。

This approach not only encourages a greater number of responses, but minimizes the likelihood of stale groupthink.

这种做法不仅鼓励了更多的反应,而且减少跟风的可能性。

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