美学的

Firstly,it reviews the history of aesthetic disinterestedness.

论文以三个命题阐述康德美学与中国现代美学的内在关联：首先，回溯审美无利害的历史，结合中国传统美学，从审美态度、艺术独立的角度阐明审美无利害命题的重要作用，审美无利害性既奠定了现代美学学术的独立性，又揭示出现代美学的基本性质与特征；其次，诠释康德美学中的审美自由概念，在现代美学的语境中阐释了"美是道德的象征"的命题，同时阐明审美游戏与美育的自由特征，审美自由显示出现代美学的超越精神和乌托邦精神；第三，艺术的人生观或者人生的艺术化将艺术与人生紧密地联系起来，审美人生展示出现代美学的审美理想，成为现代美学的价值归宿。

In this dissertation, the author tries to review music appreciation pedagogy from an aesthetics point of view in which two main genres are brought up: Hermeneutics aesthetics and acceptive aesthetics.

本论文试从美学的角度审视音乐欣赏教学，主要涉及的美学流派有两个：释义学美学和接受美学。

In order to present Chuang- tzu's value and significance in modern Chinese aesthetics , this paper reviews the modes and channels that Chuang-tzu takes part in the construction of modern Chinese aesthetics by means of empirical and elucidatory.

&庄子与中国现代美学&即是通过实证研究与阐发研究相结合的方法考察庄子这一古典美学资源参与中国现代美学建构的方式与途径，进而呈现庄子之于中国现代美学的价值与意义。

In order to present Chuang- tzus value and significance in modern Chinese aesthetics, this paper reviews the modes and channels that Chuang-tzu takes part in the construction of modern Chinese aesthetics by means of empirical and elucidatory study.

庄子与中国现代美学即是通过实证研究与阐发研究相结合的方法考察庄子这一古典美学资源参与中国现代美学建构的方式与途径，进而呈现庄子之于中国现代美学的价值与意义。

Prajna Esthetics stimulated, promoted and perfected the structure criterion and mechanism of Chinese Esthetics with its unique and various significance, particular and stretch elucidatory capacity.Moreover Prajna sutra as a special cultural carrier upgraded the broad-mind and transcendence of Chinese Esthetics with its interpretation and impelling power. The "being noumenon or function" of Madhyamika Prajna System transformed the systematical structure and practical mode of Chinese Esthetics into a "being thing or midst" and amalgamation visdothlw. On inheriting tradition vim of thinking much of life and intensifying Enlightenment interest with "Sacute vimutti", esthetical visdotblw conducted, and life visdotblw appreciated. And Chinese Esthetics made for an esthetical self-conscious era.

般若美学蕴涵的别致、丰富和阐释功能的独特、富有张力，极大地刺激、推动和完善了中国美学的价值结构与机制；作为特殊的文化载体，般若经之传译及佛法僧所具的强大文化感召力，使中国美学基于&生生&之悟更添旷达与超跋；而中观般若体系的&体用一如&，则把中国美学的体系构成与践行方式，转换到了&即物即中&、圆融观照的经验论美学状态，在绵延传统&重生&活力的同时，又以&空性&解脱强化&觉悟&意趣，审美境界人生化，人生境界审美化，在&重观重智&、&智观统一&的理论旨趣中，中国美学走向了追求心性空灵的审美自慌时代。

The aesthetics is the guide of art teaching art, there are a lot of aesthetics genres both in ancient and modern, China and foreign. Some of them have the most direct influence on art teaching, such as Confucian aesthetics, Taoist aesthetics and Zen aesthetics, heteronomous aesthetics, autonomy aesthetics, hermeneutic aesthetics and art sign aesthetics. We can get help from these theories to scan art teaching art, how to obey the character of appreciation beauty, how to follow the nature of the art, how to unseal the students taste mentality skillfully, how to show the artistic charm properly and all rounds.

艺术教学艺术需要美学的引领，古今中外有着许多的美学流派，其中中国的儒家美学、道家美学和禅宗美学，国外的他律美学与自律美学、解释学美学与接收美学以及艺术符号美学对艺术教学的影响最直接，从它们那里获得的启迪，都帮助本文审视艺术教学艺术，如何遵从了艺术的审美品格，如何尊重了艺术的本质，如何巧妙地开启学生的审美心理，恰当地全面地为学生展示艺术的魅力。

The practice aesthetics is based on Marxism practical materialism, founded by Marx and Engels in the middle of 1800's. The practical aesthetics produced in China from 1950 to 1960s, and matured from 1980 to 1990s. It developed isochronously with global modernity.

在&后实践美学超越实践美学&的众声喧哗之中有一种声音宣称自己从主体间性的角度对实践美学的主体性进行了批评，进一步揭示了实践美学的前现代性，同时也深化了'后实践美学'。

Wang Guowei is the inaugurator of modern Chinese aesthetics, while Lu Xun and Guo Moruo are respectively the representatives of realistic aesthetics and romanticism aesthetics, and Zhu Guangqian and Zong Baihua are both professional esthetes.

王国维是中国现代美学的开启者，鲁迅是现实主义美学代表，郭沫若是浪漫主义美学代表，朱光潜、宗白华则可以说是专门的美学家，他们与庄子的关系显示出庄子参与现代美学建构有一个从&潜运&到&浮出地表&的逻辑进程。

The Neo-Confucianism of Taiwan and Hongkong\'s aesthetic study combines the artistic spirit of Confucianism and Taoism, introjects the aesthetics of China and the west, and excavates the modern merits of traditional aesthetic, which are important problems of the modern Chinese aesthetics. Therefore, it is very helpful to the modern Chinese aesthetic and the comparative poetics that we scan the Neo-Confucianism of Taiwan and Hongkong\'s problems again and pursue the evolution of these problems in a cross-cultural and cross-subject view.

由于台港新儒家的美学研究兼有会通儒道艺术精神、融合中西美学思想，及发掘传统美学之当代价值等的层面，这些无一不是中国当代美学的重大课题，因此带着问题意识用跨文化、跨学科的视野重新审视他们探讨过的问题并追踪问题的延伸，将对中国当代美学的建构和比较诗学的研究都有着重要的启发意义。

Especially,we must enhance the study of China′s minority aesthetic theory and practics,and then integrate it with Han aesthetic study.

中国美学研究更不能固守汉族美学的传统，而应具有多元民族文化的视野，必须加紧研究少数民族的审美理论与实践，使汉族美学与少数民族美学相结合，使中国美学和西方美学相结合，形成具有中国多民族、多元审美文化特色的现代美学体系。

Neither the killing of Mr Zarqawi nor any breakthrough on the political front will stop the insurgency and the fratricidal murders in their tracks.

在对危险的南部地区访问时，他斥责什叶派民兵领导人对中央集权的挑衅行为。

In fact,I've got him on the satellite mobile right now.

实际上 我们已接通卫星可视电话了