美学家

Susanne.K.Langer was sole female famous aesthetician in western aesthetics history asyet.

苏珊·朗格是西方美学史上迄今为止唯一的一位声名显赫的女性美学家。

Today,'Cassirer-Langer school'seems to have declined, but they have great significance to scholars subsequently. Such as Nelson Goodman, American famous philosopher, aesthetician, his theories were greatly affected by Cassirer.

"卡西尔－朗格学派"虽然当下似有中落之感，但是，它的影响是巨大的，比如美国著名哲学家美学家古德曼的哲学和美学思想在较大程度上受到了卡西尔的影响。

So we neglect that he was a practical esthetics in different degree. This paper tries to relocate his aesthetic ideal. Treating his as an aesthetician of aesthetic life, with the development clues of his aesthetic ideal of aesthetic life, ideal state and egos of practical esthetics. Then, analyzes how he combined aesthetic ideal and life ideal with life practice to realize his aesthetic and poetic life.

本文正是试图对他的美学思想做一个重新定位，把他视为一位审美人生美学家展开研究，以他的审美人生美学思想的发展为线索，通过对他的审美人生美学的理想范型、理想境界以及自我实践的研究，来看他是如何将美学思想与人生理想统一于人生实践，实现其审美化、诗意化的人生。

This article grinds from the esthetic anthropology angle to study the deep layer implication of "beautiful is the freedom of phenomenon" said by Schiller, the German renowned author and aesthetician at the end of 18 century and the beginning of 19 century, and promulgates the nature of the aesthetic anthropology of aesthetics, quests the close relationship between men and aesthetics.

本文从审美人类学的角度来研究18世纪末19世纪初德国著名文学家、美学家席勒的"美是现象中的自由"这个命题的深层涵义，揭示美的人类学性质，探索美与人之间的密切关系。

In this situation the helplessness of aesthetics was revealed in all its severity: not a single aesthetician could place bounds to this anarchy by drawing the boundary lines between art and pseudo-art.

在这种情况下，美学的无能被揭发得淋漓尽致：没有哪怕一位美学家能通过在艺术和伪艺术之间划定一条边界线来约束一下这种无政府主义状态。

As a contemporary aesthetician, Jiangs aesthetics based not noly on Chinese traditional aestheitcs but also on neoteric western aesthetics. Confucianism and taoism from Chinese culture can be found mutually complementary in his theories.

作为当代美学家，蒋孔阳的美学思想不仅受中国传统哲学美学思想的影响，也受近代以来西方美学思想的影响，二者共同形成了蒋孔阳美学思想的理论渊源。

For example, Rudolf Arnheim and Leonard Meyer, massively resorted to Gestalt theory to study aesthetics and made it obtain important status in modern aesthetics.

以阿恩海姆、迈耶为代表的美学家，将格式塔理论大规模地运用到美学研究中，并最终确立了格式塔理论在现代美学体系中的重要地位。

In his work, Genette firstly reinterprets the aesthetics of Kant through the theme of aspectual attention and dialogues with English-spoken theorists.

在这本著作中，珍特首先以面向性关注对康德的美学进重新诠释，并且和英美的现代美学家进讨。

THIS POSITION AND "LIVES IN SECLUSION THE CHINESE ESTHETICIANS BY "CULTURAL BITTER TRAVEL" WHO WRITES DOWN" IS WELL-KNOWN, HAS THE CRITIC REPUTATION FOR THE LEFT HAND-WRITTEN PROSE, DOES NOT FALL ITS SUPERFICIALLY, THE RIGHT HAND WRITES THE ARTISTIC THEORY, ALSO DOES NOT LOSE ITS CRABBEDLY DIFFICULT BRIGHT.

这位以《文化苦旅》和《山居笔记》闻名的中国美学家，有评论家誉之为左手写散文，不落其浅薄，右手撰述艺术理论，也不失其艰涩难明。

In the view of this paper, the idea of aesthetic disinterestedness was presented by the 18th century esthetician in terms of subject, first brought up by Shaftsbury.

18世纪英国的经验派美学家最早从主体自身出发提出审美不涉及利害的思想。

This one mode pays close attention to network credence foundation of the businessman very much.

这一模式非常关注商人的网络信用基础。

Cell morphology of bacterial ghost of Pasteurella multocida was observed by scanning electron microscopy and inactivation ratio was estimated by CFU analysi.

扫描电镜观察多杀性巴氏杆菌细菌幽灵和菌落形成单位评价遗传灭活率。