美学

Therefore, the essential of the spiritual homeward journey and self-existence of the 40s intellectuals can be drawn ---- rebuild of their thinking.

在第三章中，主要分析了焦虑作为一种精神现象在文本中所展现的两种美学品格：忧愤美和哀婉美。

Aesthetic and self-expression needs are part of people's needs to have art and beauty around them.

美学的和自我表现需要是人的一部份需要有在他们周围的艺术和美人。

First of all, from the design of the contemporary environment of the color change of thinking and starting to study the color in the new concept of performance, from a new sense of color and character changes in the use of summed up the new characteristics of color, such as color-hyun, reflecting the color, Self-luminous color and display aesthetics, graffiti and the new material on the impact of color, and interesting in a modern aesthetic with a new understanding on.

首先，从当代环境设计中对色彩的思考和观念的转变出发，研究色彩在新观念下的表现，从色彩的新感觉与性格的转变总结出色彩运用的新特点，诸如炫色、反射色、自发光色与显示屏美学、涂鸦及新材质对色彩的影响，并对其在现代审美与趣味上进行新的理解。

The space attaches attention to traditional cultures, the dense color and magnificent pattern create a firm and self-restrained air, and all of these make a living space full of oriental aesthesis.

空间上注重对传统文化的尊重与提炼，厚重的色彩与大气的格局倾述着稳重与内敛，使之成为一座具有东方古典美学的生活乐园。

The author's self-made "new material" is redefining the beauty of a pavilion design, by the denotation of either "breaking up the whole into parts", or "making a mickle by many a little", while the process of production, shall be a journey of repeated self-thinking and reflection on the cultural skin of the pavilion.

艺术家利用这种自创的"新材料"来重新定义亭子的美学样式，既有化整为零之意，又有聚沙成塔之念。作品的制作过程实质上就是把亭子的文化表皮翻过来、颠过去的一遍遍剖析和反省。

The Prominence of Joseph·Addison's aesthetic thoughts exists in his expression of aesthetic imagination-the joyful sensation of imagination is different from that of sense or sensibleness and it can be divided into the elementary one and the secondary one,both of which derive from the object of vision made of"greatness.novelty and beauty".

论文关键词约瑟夫·艾迪生/想像/审美 Joseph·Addison/imagination/aesthetics，论文来源天津大学学报：社科版，论文单位，点击次数 22，论文页数 66～70页2002年2002月论文网 http：//www.lw23.com/paper_60400831/约瑟夫·艾迪生美学思想的独特性表现在他对审美想像的论述上：想像快感不同于感官快感和悟性快感，它可分为初级想像快感和次级想像快感，均来自视觉对象，这种对象由"伟大、新奇和美"组成。

The use of the sensuous terms is a very common phenomenon in the history of Chinese classical aesthetics.

感官用语在中国古典美学的脉络里是极为常见的现象，但这些现象的系统研究还处于筹备阶段。

In his literary and dramatic works, Lessing expressed the thoughts to Enlighten and foster the national sprit and even to set up an integral national civilization; what"s more, he opposed the feudal separationist rule with his ideal of Kosmopolitismus. At that time, after succeeding and developing European humanist tradition, Lessing formed his religious philosophy and religious tolerance, with his rational opinion, he deepened the profundity of German Enlightenment. Furthermore, he created townspeople"s drama and advocated the realistic aesthetics. On the one hand, he praised their disposition and expressed their political desire and class interest, which made the townspeople as a new motive force to the German Enlightenment. In addition, Lessing"s Enlighten. thoughts greatly influenced the following movement—Sturm Und Drang. The essence of Lessing"s thoughts is our common valuable prosperity.In a word. Germany then greatly needed a person like Lessing, and Lessing was the child of German Enlightenment.

面对法国文化长期统治德国文化界的现状，莱辛勇敢地站出来反对"法国化"倾向，对德意志全社会进行民族启蒙，通过戏剧理论及作品，表达了建立统一的民族文化、培植德意志民族精神的思想，同时他提倡世界主义，并用它来为民族主义服务，以反对当时德国的分裂割据；他的宗教哲学思想及宗教宽容精神继承和发扬了西欧的人文主义传统，反映了莱辛的理性观，也针砭了当时德国的时弊，是他对德国启蒙运动进行的有益的探索，拓宽了德国启蒙运动的深度；莱辛在实践中创作了市民剧，他的市民主义和现实主义美学思想弘扬了市民阶级的性格，表达了他们的政治愿望和阶级利益，为德国启蒙运动增加了新的动力，是莱辛所作的杰出贡献之一；莱辛的启蒙思想对后世特别是狂飙突进运动有着重大的影响，他的思想中的精华部分是人类的共同财富。

They tend to point to the colourful Pop aesthetics of artists such as Jeff Koons and Takashi Murakami and the rigorous seriality of Damien Hirst.

他们倾向于关注如杰夫·昆斯、村上隆色彩缤纷的波普美学和达米安·赫斯特严苛的连续性。

When these symbols are integrated into the atmosphere of subversion and reconstruction as cited, they turn into a series of modern symbols of beauty orientation.

而当这些符号被引用时就已经纳入被颠覆并重新建构的语境，嬗变成为一种崭新的美学定位的现代主义符号。

This one mode pays close attention to network credence foundation of the businessman very much.

这一模式非常关注商人的网络信用基础。

Cell morphology of bacterial ghost of Pasteurella multocida was observed by scanning electron microscopy and inactivation ratio was estimated by CFU analysi.

扫描电镜观察多杀性巴氏杆菌细菌幽灵和菌落形成单位评价遗传灭活率。