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It's the feature of the new generation of artists, who have their own thinking. It indicates the inevitable coming of aesthetics of Chinese painting that is about interestingness.

这是新一代有思考的艺术家的特征,预示着一种有趣味的中国绘画美学必然来临。

There is a natural aesthetic interflow between th e novels and movies and TV plays in the narration aspect.

小说与影视剧在"叙事"的层面上存在着天然的美学上的可通约性,由此构成了小说的影视改编的艺术发生学根据。

The relation between Chinese landscape painting and Chinese classical gardens is interpenetrate, interact and mutual-compensatory in thousand-years development.

山水画和中国古典园林的密切关系也是中国美学"广泛性、继承性"的体现。山水画与中国古典园林在千百年的发展中互相渗透、互相影响、互相补充。

The former is apparent and is the mainstream, the latter is latent deep-seated experience of individual existence. The interweavement of enjoyness and sadness makes up of the whole of ancient Chinas aesthetic consciousness.

总之,在中国文化和哲学美学中,道德存在生出了乐感,非道德存在生出了悲感;前者居于主流,是显在的,后者则是潜在于深层的个体存在经验;悲和乐的交织构成了中国古代审美意识的整全。

And Chinese Esthetics also laid a stable structural foundation for the theoretical establishment and development with new mode of thinking and valuable structure by the introjection of "Pratipad","Esthetics" and "Visdotblw".

同时,通过体系构成的"中道"、"观照"与"境界"吻合,中国美学也得以新的思维方式和价值结构,为此后自身的理论建构与发展奠定了坚实的范型基础。

"Guan", as an important concept of Buddhist aesthetics, is a meaningful aesthetic idea judged either from the objects or from the nature of Guan. It is a kind of meditation, an intuition and an intuitionist way of thinking.

观,作为佛教美学的重要范畴,无论是从观照对象还是从观照本心两个层面来看,都是一种佛教智慧的观照作用(一种意蕴深厚的审美观照),乃是一种冥想,亦即一种直观,一种直觉思维方式。

In the c ognitive domain, the synaesthetic image involves the mapping of image from a low er modality onto a higher one more frequently than its inverse, the mapping fromthe more accessible properties of the source image to the less accessible one o f the target image. In the aesthetic domain, the synaesthetic image, as a novel metaphorical image,provides much food for the subject's aesthetic experience. M eanwhile, in the literary domain, the image reveals its poetic function in narra tion.

在认知的范畴里,通感意象一般 SsbbwW.com 产生于由低级感官域的意象到高级感官域的意象的映射,亦即从可及性较强的意象特征到可及性较弱的意象特征的映射;在美学的范畴里,通感意象作为 dddtt 一种新颖的隐喻意象丰富了主体的审美体验;而在文学的范畴里,通感意象则具有诗学的功能,表现出叙事的文学性。

In the c ognitive domain, the synaesthetic image involves the mapping of image from a low er modality onto a higher one more frequently than its inverse, the mapping fromthe more accessible properties of the source image to the less accessible one o f the target image. In the aesthetic domain, the synaesthetic image, as a novel metaphorical image,provides much food for the subjects aesthetic experience. M eanwhile, in the literary domain, the image reveals its poetic function in narra tion.

在认知的范畴里,通感意象一般产生于由低级感官域的意象到高级感官域的意象的映射,亦即从可及性较强的意象特征到可及性较弱的意象特征的映射;在美学的范畴里,通感意象作为一种新颖的隐喻意象丰富了主体的审美体验;而在文学的范畴里,通感意象则具有诗学的功能,表现出叙事的文学性。

In the c ognitive domain, the synaesthetic image involves the mapping of image from a low er modality onto a higher one more frequently than its inverse, the mapping fromthe more accessible properties of the source image to the less accessible one o f the target image. In the aesthetic domain, the synaesthetic image, as a novel metaphorical image,provides much food for the subject's aesthetic experience.

在认知的范畴里,通感意象一般产生于由低级感官域的意象到高级感官域的意象的映射,亦即从可及性较强的意象特征到可及性较弱的意象特征的映射;在美学的范畴里,通感意象作为一种新颖的隐喻意象丰富了主体的审美体验;而在文学的范畴里,通感意象则具有诗学的功能,表现出叙事的文学性。

As a component of legal philosophy, Legal Aesthetics is in parallel with legal ethnics and isochronous with the emancipation of the human being: the care-free existence.

美学是法哲学的一个组成部分,它与法律科学与法律伦理学并存,与人的全面解放——"自由自觉的存在"同步,是对人的审美性存在的一种肯定。

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