美学

Here, it suggests that contemporary aesthetics, historicism, and theory are in fact disembodied constructs--autonomous and self-referential.

这里， 它建议，当代美学、historicism，和理论是实际上被遣散的修建--自治和自我参考。

TT models, this paper established a new one of "subject omission", designating the overlapped part of the "input variance" and the "output variance", also the common part in both "semantic translation and "communicative translation". Thus, this new strategy not only gets popular with foreign readers, but also conveys and transferred the original flavor. It effectively absorbs the valid ingredients of the "disembodiment approach, and is proposed as a partly foreignization strategy, which are both initiated in this paper. Starting from the definition and function of subject omission, this paper illustrates its correlations with the characteristics of classical Chinese, features of poetic syntax and translation standard, followed by its close intimacy with the many traits of poetic aesthetics.

本文从马藤和纽马克的翻译模型出发，找到了input variance和 output variance，也即 Semantic Translation 与 Communicative Translation 中重叠的部分，即既能为外语读者所熟悉，又能体现原诗风格意境的结点：主语省略，融合了西洋翻译实验中"脱体句法"的合理成分，建立了诗歌翻译和主语省略关系的新模型，提出了中文诗歌部分异化的策略(与荷尔马斯诗歌翻译策略之三吻合)本文首先从主语省略的定义及功能入手，分别阐述了其与文言文的语言特征，诗歌句法的特征及与翻译标准之间的内在联系，及其与诗歌美学众特征之间的紧密联系。

Bottom: environment: situation: general sense: typicality: feature: contemporary art: sociological significance: humanity: subsistence: plight: disembodiment: trend: controversy: resolution: experience: aesthetic palate: social rules: self form: image: present status: surviving experience: popularity: soap opera: vogue: overdraft consumption: virtual world: city change: transformation: reconstruction: background: tribulation: torture: atmosphere: desire: frustration: period: brevity of life: hypocrisy: third degree: virus: wishful thinking: sentimentality: sensitivity: political icon: darkness: decoding: memory: translation and editing: China.

底部：环境：处境：普遍意义：典型性：特征：当代艺术：社会学意义：人性：生存：困境：意识：脱离本身：趋向：争议：决断：体验：美学趣味：社会体例：自我形式：图像：当下状态：生存体验：流行：肥皂剧：时尚：月光消费：虚拟世界：城市变迁：改造：重建：背景：苦难：折磨：氛围：渴望：挫折：周期：生命短暂：虚伪：拷问：病毒：一厢情愿：脆弱：敏感：政治符号：天黑：解码：记忆：编译：中国。

This dissertation will solve the following problems:(1) How was western aesthetics disseminated in modern China?

本文试图解决的问题是：(1)西方美学是如何在近现代中国传播的？

At last, it will causes another dissident of the humans nature.

第四部分是对庄子生命美学的现代观照。

It is different life style that makes aesthetic distinctness and brings possibility of mixture.

正是不同哲学指导下的生活方式的不同，造就了它们迥异的美学风格，也造就了它们相融互补的可能性。

For this American novelist Sherwood Andersons representative work, there have been divergency wherever in China or his native country. In this thesis, I will focus on the text to analyze its modernist art.

全文以现代叙述学"故事"和"话语"的二分法作为框架，分别从"性主题"和"话语"形式的分析入手，从文化、作者、美学等方面对《小城畸人》的现代主义艺术进行多角度观照。

Enjoying chrysanthemum,inserting it on the hair and drinking the chrysanthemum liquor are the most important activities in the Double Ninth Festival, which stem from the antiquity psychology of avoiding disaster and evil and desiring immortality.

对菊花的艺术表现有一个从写形到写神的发展过程，表现出唐宋两个时期的不同美学追求，唐代注意写菊花的姿态美，具象化，而宋代追求清枯之美，多写枯菊、残菊。

Chinese Drama is the crystal of Chinese traditional culture and the disticlate of Chinese Classical aesthetics, the art of dramatics has a long history.

中国戏曲是中国传统文化的结晶，是中国古典美学之集大成者，戏曲艺术源远流长。

Ray was acutely aware of her lack of "male" technical skills, but during the development stage of a project, particularly in the Eames Office, it was difficult to separate aesthetic and technical matters.

Ray敏锐地意识到她缺乏"男性"的技术技能，但是在这个项目的发展阶段中，特别是在Eames办公室，很难分离美学和技巧性的事物。

According to the clear water experiment, aeration performance of the new equipment is good with high total oxygen transfer coefficient and oxygen utilization ratio.

曝气设备的动力效率在叶轮转速为120rpm～150rpm时取得最大值，此时氧利用率和充氧能力也具有较高值。

The environmental stability of that world - including its crushing pressures and icy darkness - means that some of its most famous inhabitants have survived for eons as evolutionary throwbacks, their bodies undergoing little change.

稳定的海底环境─包括能把人压扁的压力和冰冷的黑暗─意谓海底某些最知名的栖居生物已以演化返祖的样态活了万世，形体几无变化。