美学

Kandinsky is a benchmark for your unrehearsed response to abstract art, for two reasons. First, he helped invent it, and second, he understood that non-figurative art was one facet of an esthetic movement that also included atonal music.

对于没准备好欣赏抽象艺术的人来说，康定斯基是一把标尺，原因有二：一、他是现代艺术的发明人之一；二、他知道非具象艺术是一整个美学运动中的一个方面，这个运动还包括无调性音乐。

It is precisely his nomadic experience that gives Zhang KeXin the ability to audaciously utilize colors and images in his esthetic and technique an ability to survey, analyze and display the chaos and instability inside the movements of the new Asia - from a "Pan Asian" point of view.

正是由于张可欣的游牧经验才使他的艺术不仅在技术美学上大胆使用颜色和图像，而且还在思想上从泛亚洲的视角审视、分析和表现亚洲内部动态的混乱和混杂，并牢牢把握住亚洲处于动荡、不安、焦虑、欲望的文化表征。

Nevertheless,or exactly for that reason,it is the place that is still full of extreme neglect and even hostility toward the noise's aesthetic and political possibilities ,only the lives of every samll and minor activity that has its own aural qualities could not be accumulated and sustained here;the condition for listening to the sound of the collectives of the 'small poeple' and the 'tiny machines',under or maybe beyond the threshold of audibility ,dosesn't seem to be secured sufficiently.surely,this kind of problem is not confined in the particular locality like seoul,or south korea.anyway,this tension and the sense of the absence of condition,together,have been the main source of the two koren resident noise-making.

然而，或许更是因为，这是一个对噪音美学与政治的可能性充满轻蔑与敌视的地方，在这里，那些有自身听感氛围与质量的小众活动不能够集聚起来并很好的持续下去；对於那些倾心于此类音乐并集合在一起的"弱小个体"们和那些"微型机器"，必然是早就远离或超越了肤浅的旋律性和可听性的门槛，看起来并不能稳定地被安置，当然，此类问题不只被局限在一个小的局部，首尔，韩国，无论在哪，这一切产生的张力连同其状况本身，反复地显现在我们眼前，交织在一起，构成了两个韩国人创作原生噪音的来源。

Sampled by Tang Paradise, the basic characters of Tang Garden are analyzed and four characters are generalized , they are magnificence, splendor, austereness and with strong human atmosphere;the aesthetic and innovational characters of culture design ideas, the landscape ecology and innovational characters of ecology design ideas, the geographic landscape and innovational characters of planning design ideas are all analyzed in the paper,.

本文以唐芙蓉园为例，尝试分析唐代园林的基本特征，归纳为八个字：大气、壮丽、质朴、赋文四大特征；以大唐芙蓉园为例，分析其文化设计理念的美学特征及其创新特色；分析其生态设计理念的景观生态学特征及其创新特色；分析其规划设计理念的地景学特征及其创新特色。

Aesthetics is a subdiscipline of axiology, a branch of philosophy, and is closely associated with the philosophy of art.

美学是subdiscipline价值论，哲学的一个分支，是密切相关的艺术哲学。

I will discuss this backdrop in the subsequent section.

接下来我要讨论的是这种美学背景。

The high backrest of this curvaceous tub rises for the perfect combination of support and modern aesthetics.

这是一款支持和现代美学的完美结合曲线高靠背的浴缸。

Today, it's hard to believe liberation or aesthetic renewal can lie in something so banal.

今天，很难相信平庸事物中的性解放或美学复兴。

Banality has thus become the core of awkwardness, just as awkwardness has wrapped banality in a veil of aesthetics.

庸俗，就这样成为别扭的核心；而别扭，则构成庸俗的美学。

The blending of aesthetics with its residual communicative aspects leads art, as a social phenomenon, not to its rightful position in opposition to alleged artistic snobbism, but rather in a variety of ways to the defense of its baneful social consequences.

美学与它残存的交流性的若干方面的混合，并不导致作为一种社会现象的艺术走向与所谓艺术家的势力相对的公正的位置，而是导致艺术以多种方式维护它的有害的社会后果。

This one mode pays close attention to network credence foundation of the businessman very much.

这一模式非常关注商人的网络信用基础。

Cell morphology of bacterial ghost of Pasteurella multocida was observed by scanning electron microscopy and inactivation ratio was estimated by CFU analysi.

扫描电镜观察多杀性巴氏杆菌细菌幽灵和菌落形成单位评价遗传灭活率。