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Before the 19th century, from the originator of ancient Greece to the Renaissance, to the Enlightenment period in the 18th century, to the Romantic period in the 19th century, the emotional music aesthetics thinking led to the absolute superiority of Western music aesthetic thought, until the latter 19th century, there appeared th...

十九世纪之前,从古希腊发端,到文艺复兴,到十八世纪启蒙运动时期,再到十九世纪浪漫主义时期,情感论音乐美学思想以绝对的优势主导着西方音乐美学思想,直至十九世纪后期自律论音乐美学出现,对之产生巨大的冲击。

In the history of western aesthetics, phenomenology, analytical aesthetics and Gestalt psychology have provided more research on perception, from which we can draw a conclusion about aesthetics perception. The process of perception is a dynamic process, in which experience change to erlebenis and a Yijing and the sense become.

借鉴西方美学尤其是现象学、分析美学、格式塔美学对审美知觉的具体分析,本文认为:一,知觉表现为由经验向体验转变的动态过程,在这个过程中,一个涌动着意义的"境域"油然而生。

To analysis the inevitability and chanciness reasons that cause the existentialism aesthetics develops so well. From the external object reception to object reception, probe into the reception in China about the existentialism aesthetics.

在此基础上,探究存在主义美学在中国的接受,从客观的传播接受到心理接受,从分析中国对存在主义美学的接受心理,探求存在主义美学在中国形成的传播特色及其产生的原因。

In this dissertation, the author tries to review music appreciation pedagogy from an aesthetics point of view in which two main genres are brought up: Hermeneutics aesthetics and acceptive aesthetics.

本论文试从美学的角度审视音乐欣赏教学,主要涉及的美学流派有两个:释义学美学和接受美学

In order to present Chuang- tzu's value and significance in modern Chinese aesthetics , this paper reviews the modes and channels that Chuang-tzu takes part in the construction of modern Chinese aesthetics by means of empirical and elucidatory.

&庄子与中国现代美学&即是通过实证研究与阐发研究相结合的方法考察庄子这一古典美学资源参与中国现代美学建构的方式与途径,进而呈现庄子之于中国现代美学的价值与意义。

In order to present Chuang- tzus value and significance in modern Chinese aesthetics, this paper reviews the modes and channels that Chuang-tzu takes part in the construction of modern Chinese aesthetics by means of empirical and elucidatory study.

庄子与中国现代美学即是通过实证研究与阐发研究相结合的方法考察庄子这一古典美学资源参与中国现代美学建构的方式与途径,进而呈现庄子之于中国现代美学的价值与意义。

The first chapter expounds that life care of the traditional culture constitutes the solid foundation and psychological support for Zhu Guangqian's study of traditional aesthetic thought, and elaborates the unique discovery that there is a deep connection between Zhu Guangqian and the literary theory of the Tong Cheng School. The second chapter sets forth the experience of Zhu Guangqian's traditional aesthetics which takes interest as the theoretical pivot, empathy as the theoretical core, and artistic life as the destination. and deeply explores and analyzes the inside information of the traditional culture and the dilemma of the fusion of the Chinese and western cultures contained in Zhu Guangqian's empathy thought. The third chapter discusses Zhu Guangqian's identification to affective intention experience of the traditional aesthetics and experience approach of the aesthetic feeling. The fourth chapter states Zhu Guangqian's prospects of life significance and ponderation of imaginal thinking in his later years.

第一章论述传统文化的生命关怀构成朱光潜传统美学思想研究坚实的精神基础和心理支持,独特地发现了朱光潜与桐城文论的深刻联系;第二章论述朱光潜以情趣为理论支点、移情为理论核心、人生艺术化为理论归宿对传统美学审美精神的体认,深入地探析了朱光潜移情思想的传统文化底蕴和中西融合的困境;第三章论述朱光潜对传统美学情感意向性体验和审美感兴体验方式的认同;第四章论述朱光潜晚年对传统美学人生意蕴的展望和形象思维方式的沉思。

Croce"s thoughts,and via the comparative research I wish I can open out the value of life aesthetics.Additionally,from the view of aesthetics history in Chinese modern times,I analyse the value of life aesthetics,point out Zhu Guangqian"s life aesthetics inherit the anthropologismus spirit in the western moderntime after western Revival of Learning time,and bring forth the unhomeliness gloss in China realism society and life region which coming from B.Croce enactment the anthropologismus thoughts in the spirit field.

从全文来看,我试图从克罗齐找到朱光潜人生美学思想的来源,并通过朱光潜与克罗齐的比较研究,揭示朱光潜人生美学思想所具有的独创性价值:另外,从中国现代美学史的角度来分析朱光潜的人生美学的历史性贡献,从而指出朱光潜的人生美学在根本上承袭了西方文艺复兴时期以来西方近、现代的人本主义精神,使得克罗齐在精神领域中所设立的人本主义思想得以在中国的现实社会生活领域中展现其不同寻常的光彩。

The aesth etic aetivity should become the most basic thing of the human life activity tota lly and a kind of motive force source that mankind creats for oneself and push l ife forward and upward in the course of the long life evolution.

而生命美学之所以一再强调,对于超越必然的自由即自由的主观性、超越性的考察,也正是因为它是美学之为美学所必须面对的当代问题,也正是生命美学得以诞生的

Wang Guowei is the inaugurator of modern Chinese aesthetics, while Lu Xun and Guo Moruo are respectively the representatives of realistic aesthetics and romanticism aesthetics, and Zhu Guangqian and Zong Baihua are both professional esthetes.

王国维是中国现代美学的开启者,鲁迅是现实主义美学代表,郭沫若是浪漫主义美学代表,朱光潜、宗白华则可以说是专门的美学家,他们与庄子的关系显示出庄子参与现代美学建构有一个从&潜运&到&浮出地表&的逻辑进程。

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