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This article holds that , although the 20th century aesthetics assumed pluralistic development and continuous adjusting trends, the spirit of liberalistic aesthetics was bound to constitute the mainstay in this process owing to essential connections between beauty and freedom.

本文认为,虽然20 世纪中国美学体现出多元发展、不断调整的态势,但由于美与自由问题的本质联系,自由主义美学精神就必然构成了这一进程的主干。

The liberalistic aesthetics of this century are mainl...

以康德美学为理论起点,以价值中立原则介入审美实践,以理想主义重建审美乌托邦,是自由主义美学在本世纪表现出的主要特点。

He was born in Ujung Pandang, a city in South of Sulawesi which in the past known as Makassar Harbour, in year 1948. He entered Faculty of Fine Art and Design, Bandung Institute of Technology, in 1970. Before he was graduated in 1975, he studied esthetics under noted philosopher, Dick Hartoko OSJ in the city of Yogyakarta, between 1974-1975. At the same time, followed informal study on esthetics at Faculty of Philosophy and Faculty of Literature, Gajah Mada University, Yogyakarta.

于1948年出生于苏拉威西岛南部曾以马卡萨海峡海港而驰名的城市乌戎潘当。1970年就读万隆工艺学院中的艺术设计系,毕业前曾于于1974到1975年间跟随著名哲学家Dick Hartoko OSL在日惹学习美学,同时在日惹的加查马达大学的哲学系和文学系中接受非正式的美学教育。

Nowadays, with establishment of the esthetic implant principles and matureness of techniques, development of implantology was into a new period.

近年来,伴随着美学种植原则的确立和美学种植修复技术的成熟,口腔种植进入一个新的历史阶段。

His work is specified as the dialectic tuning of Hegel's mentalistic objective perversions, and at the mean time, he stresses on Hegel's theoretical values, making use of the essence of Hegel's authentic descriptions.

王元化对黑格尔美学思想的研究是一种创造性的学术劳动,具体体现在,他运用唯物主义的思想方法把黑格尔从其客观唯心主义出发颠倒的东西颠倒过来,同时,剥离出黑格尔美学思想中&作出把握事物本身的真实的叙述&的成分,肯定它的理论价值。

As an aesthetic category, game is, no doubt, very important in its relations with many basic questions. So far as its many manifestations as shown in different theoretical systems are concerned, game, as a category, is vague in form; it is often used as a tool to explain theories and it is characterized by its metaphoricalness when elaborating.

作为美学范畴,就其与美学研究中的许多重要问题的关系来看,它无疑是十分重要的;可就其自身在不同理论话语体系中所呈现的迥然各异的表现形态而言,&游戏&范畴具有形态上的模糊性,说明理论问题的工具性,以及阐述问题时具有的隐喻性的特点。

They both tend to consider issues on esthetics in conformity between self and nature and in contradiction between ego and nonego, and put the understanding of "natural Tao"as "culture in nature"into the literary form as "culture in human", so as to regard nature as a supreme esthetical idea.

通过形态学研究视野和主题学研究视野对道家自然美学文艺形态进行观照,我们认为,道家对人文的诠释虽在表层上不尽相同,然其终极的入思方式和深层的心理蕴涵都是一致的,都是在本心与自然同化、本性与外物对立的思维模式中思考美学问题的,都把对作为&天文&的&自然之道&的理解渗入到对作为&人文&的文艺形态之中,从而将本真未凿视为一种至高无上的审美理想。

Differs from western premodern aesthetics thought that based on epistemology, Heidegger laid a foundation of ontology for aesthetics in early period.

摘 要:不同于西方近代基于熟悉论的美学,海德格尔在早期就为美学奠定了一个存在论的基础。

It preparatorily discuss the relation between Heidegger'sthought and Aesthetics,consider the key to the ground and development of Aesthetics is the rela-tion between Truth and beauty.

第一部份是&导论&,简单地、准备性地谈了海氏思想与美学的关系,指出美学的建立与发展关键是解决美与真的关系。

Combined with the aesthetics context which is fused and communicated with China and West in the late Qing dynasty and the early Republic of China, we use the induction and deduction method and the principle of the phenomenology to refloat and clean up the literature and historical materials which has aesthetics value.

论文以《新青年》刊载的作品为基点,结合清末民初中西方文化融合、交流的美学语境,运用归纳、演绎的方法和现象学的原理对具有美学价值的文献史料进行钩沉和梳理。

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